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THEATRICAL REVIEW: Spectre (2015)
Directed by: Sam Mendes
Produced by: Michael G. Wilson, Barbara Broccoli
Screenplay by: John Logan, Neal Purvis, Robert Wade, Jez Butterworth
Story by: John Logan, Neal Purvis, Robert Wade
Edited by: Lee Smith
Cinematography by: Hoyte van Hoytema
Music by: Thomas Newman, Sam Smith (theme)
Starring: Daniel Craig, Christoph Waltz, Léa Seydoux, Ben Whishaw, Naomie Harris, Dave Bautista, Andrew Scott, Monica Bellucci, Ralph Fiennes, Rory Kinnear, Jesper Christensen, Alessandro Cremona, Judi Dench
Based on characters created by Ian Fleming
Year: 2015
It’s been three years since the release of the last James Bond film, Skyfall, but it seems as though a mere matter months have passed by the time Spectre begins, with Bond tracking down an assassin named Marco Sciarra, who is suspected of having ties to a larger organization that has been causing headaches for MI6 and, more generally, the world at large. Fans of the series, particularly those who have either read the books or seen the older films, will by no means have any trouble quickly knowing exactly what organization Sciarra is working for (hint: it’s in the title) as well as what this will likely mean for the Bond franchise going forward. Your enthusiasm for the film and the implications of this organization’s presence from here on out will largely depend upon one’s devotion to the series and whether you’re willing to accept that the more serious, grounded, and gritty Bond films that began with the Daniel Craig era of films were pretty much always going to build up to this from the very beginning. And even if you’re willing to accept this inevitable return to a refreshed but familiar form, what few surprises Spectre does have in store for audiences will actually be a far greater point of contention than the choice to continue moving these films “backward” in terms of tone and grandiosity. Read more…
2014 IN REVIEW: The Films I Didn’t See (September – December)
I’m not going to waste too much time this year on introductions. For this third and final part of my review of films I didn’t see, we’re going through the prestige Oscar-baiting season. You know — hammy acting, controversial subjects, beautiful cinematography, politics… It’s often a mixed bag, and for every stunning masterpiece, there’s often a lot of films that misstep and come off like a cheap cheeseburger dressed up to look like prime rib. … I’m hungry.
This is by far the biggest portion of films I didn’t see, largely due to a lot of them coming out so much more recently and not being available to rent, if I missed them in theatres.
Yes, 2014 may have been a record year for me seeing the most movies from that year, but there were still movies I never got around to or never even had the ability to see due to either foreign or limited release. I still like going over them, however, as this process often leads to me finding some unexpected gems that I might enjoy. Some of these I might become so interested in that I see them before I even get to the films I did see, so there is actually a possibility you might see these films reappear in this 2014 in Review series if that becomes the case.
Anyway, here are many of the films from September to December 2014 that I didn’t see, for one reason or another. It’s by no means complete, but that’s what you get when you’re using Wikipedia and Best of/Worst of lists from other sites. Read more…
2013 IN REVIEW: My Top Films of the Year
FINALLY! The moment I’ve been building up to for far too long! It’s been a busy month… and a half… for me, but I’m finally done, and this is my last of my 2013 in Review articles! (Consequently, while none of these are exactly final reviews, many of them may as well be and portions of what is stated here may show up in a future review. For the sake of my sanity and my time, however, I’ve decided to present what I felt the need to write without very many edits!)
The format I’ve chosen for my annual Year in Review articles is a bit insane, I know, but while it’s time consuming, its also quite fun, and it’s just as much about sharing all the films released in the last year (or at least most, as I probably missed some in the sections where I went over films I didn’t get around to seeing) as it is about me locating films that you and I have both overlooked, which is also why a lot of the films I didn’t see this year made repeat appearances, as I couldn’t resist the urge to watch them, and it’s not like I’d be able to do another year in review for them, too, you know? This year, one of those movies I didn’t see at first but did during my writing these articles even made it onto this list, My Top Films of the Year!
So why don’t I call it “The Best Films of the Year”? It’s simple, really – it’s subjective, yes, but it’s also because even I switch around the order at times. I guarantee you that at some point in the past and future, I might have ordered these films differently. It took some time and thought, and this is ultimately what I felt comfortable enough with to publish, but I’ll tell you that this was a hard process, particularly in the top 10.
All of this year’s Best Picture Academy Award nominees are on this list. Seriously – I’ve even decided to mark the Oscar nominations this year. They were all very good and justifiably nominated, and while I might have my preferences as to who should win, they’re all remarkable, worthwhile films if you should ever consider watching them. Some of the other movies on this list, however, are also quite awesome, some of which I like better than the films that were nominated, and one of which I’m still very annoyed didn’t at least get the tenth vacant slot in their nominees list, just out of principle for how awesome it was. (I’m just going to tell you now, that movie is Inside Llewyn Davis.) How annoying!
So what of the rankings? Lists like these tend to demand them, so I include them, and I do think they are helpful in making priorities in our very busy lives as to what to see first and give preference to. Since the rankings are so subjective and sometimes even arbitrary, my main rule is to go with my gut on these things. Seriously. That’s what it boils down to. It’s a mixture of favoritism, enjoyment, entertainment, and, yes, the actual skill behind the scenes and within them. As such, films that were without a doubt brilliant masterpieces that will go on to receive tons of accolades and be remembered forever may be outranked by flash-in-the-pan popcorn films that have very little to say except, “Hey, look at this awesome thing we did!” but were also very skilled at doing so and are films that I will revisit time and time again whenever I want to be entertained. It’s hard to rank films of these sorts against one another, and if I felt that I could be that much more objective about these things and take out the entertainment factor, I would probably top load this list with all the heavyweight dramas and such. But I don’t think I can, so I don’t put up any airs of being able to do so.
But, you know, I think that’s alright. Variety is the spice of life, you know, and to say that dramas should be exalted at all times above the comedies and action films is, I think, false doctrine when it comes to film criticism and lessens the true value of joy and wonderment that isn’t always found in those serious dramas – so long as that joy and wonderment is done very well, of course.
So, with that all in mind, I feel I’ve prepared you for this eclectic list of my picks for not just the best films of the year, but also the ones that are my favorites, the ones I find most enjoyable, and the ones that blew me away with their spectacle. Read more…
2013 IN REVIEW: The Films I Didn’t See (September – December)
Oscar season! This is when the studios want to release the best films of the year (or so they say). Why? Because they want the films to be fresh in the voters’ minds. Prestige films and the like. Indie dramas, historical period films, war films, controversial films… If it can make you cry, your heartbreak, your spirit lift with joy, make you see things from a new light, this is the season.
It’s also a good time for seasonal holiday films. You’ve got your horror films to cover Halloween, your Christmas films for Christmas, and this year we even got an animated Thanksgiving film (though I’m not certain that all you people looking forward to a big piece of juicy turkey are going to love it). Meanwhile, Hanukkah and Kwanzaa get left out, once again. For some reason, this season was also rife with Christian films, from Kirk Cameron, to Miley Cyrus analogs, to Christmas miracles, the industry that claims to represent my faith has got you covered in that area. Woo.
It’s not all your typical films, though. More and more, Hollywood is figuring out that you should spread your action films and your romantic comedies throughout the year, rather than bunching them all into the middle. Consequently, we got a few Sylvester Stallone-involved flicks this season, a sequel to Robert Rodriguez’s Machete, as well as the latest in the Marvel Cinematic Universe, Thor: The Dark World.
Nevertheless, as with the first and second entries, I couldn’t see them all, so, as with the last time, here are the films that, as of this writing, I did not see from May– August 2013, in order of release, as noted on Wikipedia. Please note that, as in the past, I still reserve the right to watch any film that is listed here and then re-remark on the film in one of the upcoming articles on films I did see from 2013. So, yes, again, you might see some of these films again, and soon, since this is the last of the films that I haven’t seen from the year. Enjoy! Read more…
2013 IN REVIEW: The Films I Didn’t See (May – August)
Blockbuster season. Typically the season where most of the most anticipated films of the year — the ones that were hyped perhaps years in advance — are released. Since 2012 was the year when The Avengers gave us the first superhero team-up film and the year when The Dark Knight Trilogy came to a close, 2013 looked like it was going to be rather underwhelming this time of year. I already mentioned that Iron Man 3 was released in April, starting the season early, but Thor: The Dark World wasn’t coming until October!
So that left us with two major superhero films to look forward to: Man of Steel, which divided audiences and critics alike in its more serious, violent portrayal of Superman, and The Wolverine, which made good on its promise to improve upon its abysmal predecessor and managed to be both coherent and quite entertaining. Pixar and DreamWorks continued their rivalries, however, with the release of Pixar’s first prequel, Monsters University, and DreamWorks’ first sequel to cash-cow Despicable Me. (The less said about Turbo, the better.) World War Z finally came out and, predictably, did very well for itself, what with people being starved for zombie entertainment until the next season of The Walking Dead started. Summer also saw the release of some fairly big “prestige” films, however, the likes of which you’d normally expect to come out during the fall and winter Oscar season: Fruitvale Station, The Spectacular Now, and Blue Jasmine each received widespread critical acclaim.
Perhaps my most anticipated films of the summer were Star Trek Into Darkness, Pacific Rim, and The World’s End, which were all released during this time, and I personally actually enjoyed each of them immensely, though to also varying degrees. This was the time period where I did get promoted at my job and also got a raise, so I was able to see a few more films that I just wanted to see during this time. Nevertheless, I couldn’t see them all, so, as with the last time, here are the films that, as of this writing, I did not see from May– August 2013, in order of release, as noted on Wikipedia. Please note that, as in the past, I still reserve the right to watch any film that is listed here and then re-remark on the film in one of the upcoming articles on films I did see from 2013. So, yes, again, you might see some of these films again, and soon… Read more…
2013 IN REVIEW: The Films I Didn’t See (January – April)
With a few exceptions, this is the time of year when studios tend to dump lesser films and films not expected to do well during the blockbuster and Oscar seasons — stuff like low budget horror films, foreign imports, romcoms cashing in on Valentine’s Day, and films held off because the studios would rather market them at a time when nothing else is really out, and they might be able to get a few bucks out of those who crave a blockbuster but don’t want to wait a few months. Naturally, being the thrifty, frugal person I am, there were quite a few films I didn’t see during this time period, though with the summer blockbuster season creeping earlier and earlier into the year, such as with the high profile March release of Oz the Great and Powerful and the April release of Iron Man 3, it certainly seems like studios are catching on to the idea that, hey, there’s room to spread them all out. One can only hope that if that trend continues, filmmakers would be more likely to try harder and make films that standout in quality for your dollar… but that’s probably unrealistic.
Anyway, here are the films that, as of this writing, I did not see from January – April 2013, in order of release, as noted on Wikipedia. Please note that, as in the past, I still reserve the right to watch any film that is listed here and then re-remark on the film in one of the upcoming articles on films I did see from 2013. So, yes, you might see some of these films again, and soon… Read more…
Independence Day Review: “Live Free or Die Hard”
Directed by: Len Wiseman
Produced by: Michael Fottrel
Written by: Mark Bomback (screenplay and story), David Marconi (story)
Edited by: Nicolas De Toth
Cinematography by: Simon Duggan
Music by: Marco Beltrami
Starring: Bruce Willis, Justin Long, Timothy Olyphant, Cliff Curtis, Maggie Q, Mary Elizabeth Winstead, Jonathan Sadowski, Kevin Smith
Based on the Wired article “A Farewell to Arms” by John Carlin
Year: 2007
People understandably lament the quick devolution that John McClane has undergone over the course of the four movies that have followed the original. The quick-witted everyman cop trying to win back his wife has become more known for performing ridiculous stunts and frequently being in the wrong place at the wrong time and yet just the right man for the job. The issue was already apparent in the incredibly dull Die Hard 2, and by the third film, the coincidences of his involvement become too glaring to ignore unless you suspend your disbelief and pretend like this is something that regular cops have to deal with every now and then in the Die Hard world. (Considering the ties that were later made to the TV series Chuck, I wouldn’t put it past them on that point, though.)
Read more…
Theatrical Review: “Star Trek Into Darkness”
Directed by: J.J. Abrams
Produced by: J.J. Abrams, Bryan Burk, Damon Lindelof, Alex Kurtzman, Roberto Orci
Written by: Roberto Orci, Alex Kurtzman, Damon Lindelof
Edited by: Maryann Brandon, Mary Jo Markey
Cinematography by: Daniel Mindel
Music by: Michael Giacchino
Starring: Chris Pine, Zachary Quinto, Zoe Saldaña, Benedict Cumberbatch, Karl Urban, John Cho, Alice Eve, Bruce Greenwood, Simon Pegg, Peter Weller, Anton Yelchin
Year: 2013
After years of anticipation, the sequel to J.J. Abrams’ bold new restart of the Star Trek film franchise is finally here. Though it was the eleventh film in the series, as the first film set in this alternate universe, it was also the franchise’s first step in an attempt to grab at a brighter future after years of the franchise taking a dive in both quality and creativity. With the promise of the series shedding years of expectations and established canon with a bit of time travel, 2009’s Star Trek brilliantly maneuvered the series into a position where it could once again surprise new audiences, Trekkies, and Trekkers alike. Read more…
2012 IN REVIEW: The Best Films of the Year
At last, we come to the climax of my review of the films of 2012. To those of you who continue to keep up with me, I one again apologize for the slow updates — I saw so many movies this past year and have been doing so much this past month that it’s been hard to keep up with a regular update schedule!
This is how I felt ALL WEEK!
I’m currently in the process of moving, with my best friend / roommate moving back to his hometown to be closer to family, so it’s been tough keeping up with the blog, hanging out with him a few more times after seven awesome years of being roommates, while also just figuring stuff out for the next period of my life living as a single person for the first time. It’s tough, but thankfully he lives where my family lives, and it’s only 100 miles away. Lucky for any fans I may have (Hello!…?), it’ll likely result in me doing more reviews, though the higher amount of rent I’ll be paying will undoubtedly impact my ability to go to the theatre as often as I have been.
On that note, before I get to the meat of this final entry, I want to thank everyone who has been reading this blog, regularly or even sporadically. I may not know you, but I appreciate you! This may be a hobby of mine, but it’s meaningful to me and keeps me sharp. I started The Viewer’s Commentary in September of 2011, after lots of personal setbacks and a good long while of feeling stupid and even being made to feel stupid for wanting to start a blog about movies, and by the time I finally decided to just go for it and not listen to the negativity, I still didn’t really know whether I was going to still be writing in even a few months’ time. So to already be in the middle of my second year and still be having a blast getting my thoughts and opinions out there about one of my favorite subjects has truly been a great experience. To those of you who have read, continue to read, and even to those of you I know personally who encouraged me and maybe don’t even share my passion and probably aren’t even reading this now but you supported me all the same, thank you again for being there! I’m definitely looking forward to what 2013 promises to bring! (STAR TREK INTO DARKNESS! FINALLY!)
The film’s villain amongst a bunch of red shirts. This isn’t going to end well…
Anyway, enough self-reflection! You’re here for the rundown of the best films of 2012, aren’t you? I assume so, since you are continuing to read this. I’ll let you get to that, but first, let me explain how this list is working, as I’ve changed it up a bit from last year and from most other “Best Of” lists.
First off, last year I did it in multiple parts (here, here, and, finally, here – in order). None of that this time. You’re getting this all in one big wave!
Secondly, and this is related to the third alteration, there are no longer just 10 films on this list, but rather a whopping 17. Why?
Well, that’s because the third alteration I made is that I’ve decided that a lot of the best films of the year weren’t necessarily my favorites, but I wanted to recognize their greatness by putting them on this list anyway, rather than lump them in with the films that were just average. (I did something similar with the “Films I Liked” this year after realizing I didn’t necessary love nor despise a lot of films enough to put them on the worst or best of lists.)
This did not make the list. This shouldn’t make any lists… BECAUSE IT SHOULDN’T EXIST!
So, while the films below are all fantastic films and deserve to be considered among the best of the year, their order has everything to do with favoritism over quality. After all, lists like these are highly subjective, and while it’s certainly possible to objectively call a film “one of the best,” ultimately by ranking such diverse works against one another, you just have to acknowledge the fact that you’re playing favorites.
So, yeah, anyway to review and summarize: These are, in my opinion, THE BEST FILMS OF 2012, but they are ORDERED ACCORDING TO FAVORITISM. Make sense? I hope so! If not, then just keep reading on, ’cause I think you’ll get it, anyway! Read more…
Review: “Casino Royale” (2006)
Directed by: Martin Campbell
Produced by: Michael G. Wilson, Barbara Broccoli
Written by: Neal Purvis, Robert Wade, Paul Haggis (screenplay)
Cinematography by: Phil Meheux
Music by: David Arnold (score), Chris Cornell (title song)
Starring: Daniel Craig, Eva Green, Mads Mikkelsen, Judi Dench, Jeffrey Wright, Giancarlo Giannini, Simon Abkarian, Caterina Murino, Ivana Miličević
Based on the novel by Ian Fleming
Year: 2006
There are always going to be arguments about who did Bond best. I grew up watching the films but can honestly say that I don’t remember much of the 60s – 80s thanks to the films largely feeling quite… samey. As a kid, however, I did love the character and his world, and, for a while, Pierce Brosnan was my Bond — cocky, suave, witty, and boy did he have a lot of gadgets. Brosnan’s still just fine in my book, but there’s no hiding the fact that his Bond was saddled with the task of carrying a series of films that increasingly got more and more ridiculous and bland.
It was like the Batman film series all over again — a strong start (Batman / GoldenEye), a strong but bloated sequel (Batman Returns / Tomorrow Never Dies), a right turn into camp (Batman Forever/ The World is Not Enough), and then an ultimate downfall into a ridiculously gauche, almost satirical world that didn’t even resemble the first two (Batman & Robin / Die Another Day). Like with Batman, a fifth film to carry on the series was in the works, but, ultimately, the series was put on a brief hiatus for a restructuring. Luckily, Bond continued in the footsteps of Batman and went for a reboot for the “fifth” film, taking a more serious, thoughtful, and realistic approach to the character and his world and ridding the series of the excesses, and doing so by, for the first time ever, exploring the events that made Bond the hero that we know him to be today. Read more…
The Viewer's Commentary 