Archive
THEATRICAL REVIEW: Chappie
Directed by: Neill Blomkamp
Produced by: Simon Kinberg
Screenplay by: Neill Blomkamp, Terri Tatchell
Edited by: Julian Clarke
Cinematography by: Trent Opaloch
Music by: Hans Zimmer
Starring: Sharlto Copley, Dev Patel, Watkin Tudor Jones (“Ninja”), Yolandi Visser, Jose Pablo Cantillo, Sigourney Weaver, Hugh Jackman, Brandon Auret
Based on the 2003 short film Tetra Vaal by Neill Blomkamp
Year: 2015
Oh man. Chappie… I was so hoping this would be good. I absolutely love District 9 and think it’s still one of the best, most original sci-fi films in recent history, and I was thrilled that it was nominated for Best Picture, regardless of whether it was only because they had expanded the selection size. Neill Blomkamp’s follow-up, Elysium, wasn’t anywhere near as good, and its moralizing was clumsy as hell, but it was definitely an interesting and mostly entertaining film that also looked very nice. Chappie was an opportunity for Blomkamp to look at what worked and didn’t work from both films and deliver something truly special. Blomkamp himself even recognized the fact that Elysium was a step in the wrong direction in a refreshingly candid interview with Uproxx, wherein he points out “it was all resting on a somewhat not totally formed skeletal system, so the script just wasn’t there; the story wasn’t fully there.” That’s awesome, and all, but man… What happened, then, with Chappie?! Read more…
2014 IN REVIEW: The Films I Didn’t See (September – December)
I’m not going to waste too much time this year on introductions. For this third and final part of my review of films I didn’t see, we’re going through the prestige Oscar-baiting season. You know — hammy acting, controversial subjects, beautiful cinematography, politics… It’s often a mixed bag, and for every stunning masterpiece, there’s often a lot of films that misstep and come off like a cheap cheeseburger dressed up to look like prime rib. … I’m hungry.
This is by far the biggest portion of films I didn’t see, largely due to a lot of them coming out so much more recently and not being available to rent, if I missed them in theatres.
Yes, 2014 may have been a record year for me seeing the most movies from that year, but there were still movies I never got around to or never even had the ability to see due to either foreign or limited release. I still like going over them, however, as this process often leads to me finding some unexpected gems that I might enjoy. Some of these I might become so interested in that I see them before I even get to the films I did see, so there is actually a possibility you might see these films reappear in this 2014 in Review series if that becomes the case.
Anyway, here are many of the films from September to December 2014 that I didn’t see, for one reason or another. It’s by no means complete, but that’s what you get when you’re using Wikipedia and Best of/Worst of lists from other sites. Read more…
REVIEW: Bad Santa (Director’s Cut)
Directed by: Terry Zwigoff
Produced by: John Cameron, Sarah Aubrey, Bob Weinstein; The Coen Brothers (executive producers)
Written by: Glenn Ficarra, John Requa
Edited by: Robert Hoffman
Cinematography by: Jamie Anderson
Music by: David Kitay
Starring: Billy Bob Thornton, Tony Cox, Lauren Graham, Bernie Mac, Brett Kelly, Lauren Tom, Cloris Leachman, John Ritter
Year: 2003
Perhaps the movie that was on my radar the longest, as far as holiday movies go, was Bad Santa, which was originally released all the way back when I was in high school, which also meant that I was absolutely unable to get a hold of a copy at the time, seeing as how I still lived at home, and I am not certain that the kind of comedy there within would have held up well should anyone even hear what was being uttered on screen, and it’s also not exactly the kind of film that, as I got older, would have been viewed in a family setting. It was in my queue for a while in all past Christmas Movie Months, never reaching me thanks to the stupid freaking “Long Wait” with Netflix and, may they rest in peace, Blockbuster. This year, however, I finally got my hands on a copy! Finally, I would gaze the apparent treasure that everyone else was raving about all that time ago (and even today)! I popped in the disc, and… there were two cuts: Bad(der) Santa, the unrated cut, and Bad Santa the director’s cut – but no theatrical cut. Read more…
Review: “Point Break”
Directed by: Kathryn Bigelow
Produced by: Peter Abrams, Robert L. Levy
Written by: W. Peter Iliff (screenplay), Rick King, W. Peter Iliff (story)
Edited by: Howard L. Smith
Cinematography by: Donald Peterman
Music by: Mark Isham
Starring: Keanu Reeves, Patrick Swayze, Gary Busey, Lori Petty, John C. McGinley, James LeGros
Year: 1991
I watched this film at the suggestion of Hot Fuzz. Until that movie came out, this movie was never even really on my radar beyond maybe seeing it on rental shelves when I was little kid. Based on that movie, a tribute to ridiculous buddy cop movies and such, I pretty much had my expectations in check when I suddenly realized that this would be perfect for Guy Movie Month. Read more…
Review: “Die Hard”, and a 51st post “Thank you!”
Directed by: John McTiernan
Produced by: Lawrence Gordon, Joel Silver, Beau Marks (associate) Charles Gordon (executive)
Written by: Steven E. de Souza & Jeb Stuart (screenplay)
Starring: Bruce Willis, Alan Rickman, Bonnie Bedelia, Reginald VelJohnson, Alexander Godunov
Music by: Michael Kamen
Based on the novel Nothing Lasts Forever by Roderick Thorp
Year: 1988
You wouldn’t know it today, but Bruce Willis wasn’t known for action roles back in 1988. Having spent most of his career up to that point being known for the dramedy detective series Moonlighting, where he played a wisecracking detective opposite Cybill Shepherd, Willis wasn’t necessarily the most obvious choice for the role of John McClane, despite the character sounding fairly similar as a wisecracking police officer from New York. It doesn’t seem like much of a stretch to modern viewers unfamiliar with the era, but when you consider the fact that the show featured a largely romantic story between two co-workers, putting the actor into a film like Die Hard, which, by the way, released only a year after his starring role debut in the romantic comedy Blind Date, maybe it makes more sense why people may have been a bit more skeptical. Read more…