Archive
THEATRICAL REVIEW – Rogue One: A Star Wars Story
Directed by: Gareth Edwards
Produced by: Kathleen Kennedy, Allison Sheamur, Simon Emanuel
Screenplay by: Chris Weitz, Tony Gilroy
Story by: John Knoll, Gary Whitta
Edited by: John Gilroy, Colin Goudie, Jabez Olssen
Cinematography by: Greig Fraser
Music by: Michael Giacchino
Starring: Felicity Jones, Diego Luna, Ben Mendelsohn, Donnie Yen, Mads Mikkelsen, Alan Tudyk, Riz Ahmed, Jiang Wen, Forest Whitaker, Genevieve O’Reilly, James Earl Jones, Valene Kane
Based on characters and concepts by George Lucas
Year: 2016
Disappointment. No, that’s not my reaction to Rogue One. Heck no! But it was the general consensus I gathered from people after they were told that the 2016 Star Wars film was not a follow-up to last year’s The Force Awakens but rather an ominously pre-A New Hope film that was mostly independent from the Skywalker family and friends’ saga. Most of that was just because they were eager to see that story continue, but, for some, there was also an added level of scorn for a film they seemed to consider… illegitimate. Which is unfortunate, as Rogue One, in both style and focus, is a much more important and bolder move forward for Disney and their still nascent new property, signaling a promising future for the franchise that isn’t beholden to repeating itself for the sake of nostalgia and familiarity. Read more…
REVIEW: Tucker & Dale vs. Evil
Directed by: Eli Craig
Produced by: Morgan Jurgenson, Albert Klychak, Rosanne Milliken, Deepak Nayar
Screenplay by: Eli Craig, Morgan Jurgenson
Story by: Eli Craig
Edited by: Bridget Durnford
Cinematography by: David Geddes
Music by: Michael Shields, Andrew Kaiser
Starring: Tyler Labine, Alan Tudyk, Katrina Bowden, Jesse Moss, Chelan Simmons, Brandon Jay McLaren, Christie Laing, Travis Nelson, Alex Arsenault, Adam Beauchesne, Joseph Allan Sutherland, Karen Reigh, Tye Evans, Philip Granger
Year: 2010
You know, hillbillies, rednecks, and hicks don’t get a lot of respect. Jokes about incest, ignorance, ugliness, and prejudices are pretty common fodder when it comes to discussing people we assign these labels, and when they’re not made out to be the butt of jokes, they’re often made out to be psychotics to be feared and villainized. You would think, though, in these days of understanding and tolerance that we’d attempt to be not so quick to return judgment on those we deem to be judgmental. Sure, sometimes the criticism is justified, but obviously not everyone is the same, and sometimes these portrayals aren’t exactly fair. So what if someone were to make a film that told the story about a hillbilly massacre from the hillbillies’ perspective? No, I’m not talking about the Texas Chain Saw Massacre prequel movie they’re making, Leatherface. I’m talking about a film where it turns out that the hillbillies were the ones being terrorized by the perceived victims, a group of attractive, entitled young people! That’s pretty much the concept behind Tucker & Dale vs. Evil. Read more…
Theatrical Review: “Wreck-It Ralph” / Sub-Review: “Paperman”
Directed by: Rich Moore
Produced by: Clark Spencer
Written by: Phil Johnston, Jennifer Lee (screenplay); Rich Moore, Phil Johnston, Jim Reardon (story)
Music by: Henry Jackman
Starring: John C. Reilly, Sarah Silverman, Jack McBrayer, Jane Lynch, Alan Tudyk, Adam Carolla, Horatio Sanz, Mindy Kaling
Year: 2012
Video games were probably my first passion. I’ve been a game player since my grandpa first introduced me to his Nintendo Entertainment System back when I was only 4, and while video games have largely become more of a rare hobby of mine since I left high school, I still love the medium and I try to find new favorites (the Uncharted series) while keeping up with my old ones (The Legend of Zelda primarily). So I was pretty excited to hear that Disney was making a film that many were calling the Who Framed Roger Rabbit of video games. Here was the world’s biggest animation studio finally acknowledging the mainstream popularity of video games by not only making a film centered around one, as they did with Tron, but actually making the film part of its prestigious “Disney Animation Canon,” placing it in the same ranks as the revolutionary Snow White and the Seven Dwarfs and the Best Picture Oscar-nominated Beauty and the Beast. Read more…