Archive
REVIEW – Olaf’s Frozen Adventure
Directed by: Kevin Deters, Stevie Wermers
Produced by: Roy Conli
Screenplay by: Jac Schaeffer
Edited by: Jeremy Milton, Jesse Averna
Cinematography by: Alessandro Jacomini, Cory Rocco Florimonte
Music by: Christophe Beck, Jeff Morrow
Songs by: Elyssa Samsel, Kate Anderson
Starring: Josh Gad, Kristen Bell, Idina Menzel, Jonathan Groff, Chris Williams, John de Lancie
Year: 2017
So, for Christmas this year, I decided to do something a bit different. Instead of Christmas films – the like of which I feel I’ve exhausted all good possibilities over the past 7 years – I’m going to be reviewing… Christmas shorts! Easier, quicker, and, for the most part, uncharted territory on this blog, with a couple exceptions. Read more…
REVIEW – Beauty and the Beast (1991)
Directed by: Gary Trousdale, Kirk Wise
Produced by: Don Hahn
Screenplay by: Linda Woolverton
Story by: Roger Allers, Brenda Chapman, Chris Sanders, Burny Mattinson, Kevin Harkey, Brian Pimental, Bruce Woodside, Joe Ranft, Tom Ellery, Kelly Asbury, Robert Lence
Edited by: John Carnochan
Music by: Alan Menken, Howard Ashman
Starring: Paige O’Hara, Robby Benson, Richard White, Jerry Orbach, David Ogden Stiers, Angela Lansbury, Bradley Michael Pierce, Rex Everhart, Jesse Corti, Hal Smith, Jo Anne Worley, Mary Kay Bergman, Kath Soucie, Tony Jay, Frank Welker
Based on the fairy tale by Jeanne-Marie Leprince de Beaumont
Year: 1991
Snow White and the Seven Dwarfs may have been Disney’s (and the world’s, for that matter) first animated feature film, but, for many people (including myself), its recognition as still being their best has long since been overthrown by Beauty and the Beast, a film that was so well regarded that it also became the first animated feature to be nominated for Best Picture at the Academy Awards and the first film, period, to have three songs simultaneously nominated for Best Original Song. When you know the production history, it’s also apparent how much of a miracle it was that the film turned out so well, too. Originally planned as a non-musical, the original concept was thrown out after the success of The Little Mermaid (the film that reignited Disney’s animated feature division and pretty much audience’s interest in animated films and musicals worldwide). This change saw both the original director depart the project and the hiring of first time directors Gary Trousdale and Kirk Wise to take his place, and then the writing and recording of songs to fit the new format – songs written by Howard Ashman, who had also just found out that he was dying from complications caused by AIDS. Sadly, Ashman died eight months before the film’s release, but, at the very least, it was knowing the film he had worked so hard on was being well-received at early screenings, even in its incomplete state. The film would go on to become a massive success and would even become the first animated feature Disney would adapt into a Broadway production – one that was itself nominated for multiple Tonys (albeit, in spite of critical reviews at the time being somewhat apprehensive towards the unprecedented production) – and an upcoming live-action remake, which, if it’s closer to Cinderella than it is Maleficent, should be quite a decent film in its own right. Read more…
Theatrical Review: “Wreck-It Ralph” / Sub-Review: “Paperman”
Directed by: Rich Moore
Produced by: Clark Spencer
Written by: Phil Johnston, Jennifer Lee (screenplay); Rich Moore, Phil Johnston, Jim Reardon (story)
Music by: Henry Jackman
Starring: John C. Reilly, Sarah Silverman, Jack McBrayer, Jane Lynch, Alan Tudyk, Adam Carolla, Horatio Sanz, Mindy Kaling
Year: 2012
Video games were probably my first passion. I’ve been a game player since my grandpa first introduced me to his Nintendo Entertainment System back when I was only 4, and while video games have largely become more of a rare hobby of mine since I left high school, I still love the medium and I try to find new favorites (the Uncharted series) while keeping up with my old ones (The Legend of Zelda primarily). So I was pretty excited to hear that Disney was making a film that many were calling the Who Framed Roger Rabbit of video games. Here was the world’s biggest animation studio finally acknowledging the mainstream popularity of video games by not only making a film centered around one, as they did with Tron, but actually making the film part of its prestigious “Disney Animation Canon,” placing it in the same ranks as the revolutionary Snow White and the Seven Dwarfs and the Best Picture Oscar-nominated Beauty and the Beast. Read more…