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2013 IN REVIEW: My Top Films of the Year

February 16, 2014 1 comment

Rush - Chris Hemsworth

FINALLY! The moment I’ve been building up to for far too long! It’s been a busy month… and a half… for me, but I’m finally done, and this is my last of my 2013 in Review articles! (Consequently, while none of these are exactly final reviews, many of them may as well be and portions of what is stated here may show up in a future review. For the sake of my sanity and my time, however, I’ve decided to present what I felt the need to write without very many edits!)

The format I’ve chosen for my annual Year in Review articles is a bit insane, I know, but while it’s time consuming, its also quite fun, and it’s just as much about sharing all the films released in the last year (or at least most, as I probably missed some in the sections where I went over films I didn’t get around to seeing) as it is about me locating films that you and I have both overlooked, which is also why a lot of the films I didn’t see this year made repeat appearances, as I couldn’t resist the urge to watch them, and it’s not like I’d be able to do another year in review for them, too, you know? This year, one of those movies I didn’t see at first but did during my writing these articles even made it onto this list, My Top Films of the Year!

The Wolf of Wall Street - Jonah Hill, Marching Band

So why don’t I call it “The Best Films of the Year”? It’s simple, really – it’s subjective, yes, but it’s also because even I switch around the order at times. I guarantee you that at some point in the past and future, I might have ordered these films differently. It took some time and thought, and this is ultimately what I felt comfortable enough with to publish, but I’ll tell you that this was a hard process, particularly in the top 10.

All of this year’s Best Picture Academy Award nominees are on this list. Seriously – I’ve even decided to mark the Oscar nominations this year. They were all very good and justifiably nominated, and while I might have my preferences as to who should win, they’re all remarkable, worthwhile films if you should ever consider watching them. Some of the other movies on this list, however, are also quite awesome, some of which I like better than the films that were nominated, and one of which I’m still very annoyed didn’t at least get the tenth vacant slot in their nominees list, just out of principle for how awesome it was. (I’m just going to tell you now, that movie is Inside Llewyn Davis.) How annoying!

The World's End - Martin Freeman, Paddy Considine, Simon Pegg, Nick Frost, Eddie Marsan - beer

So what of the rankings? Lists like these tend to demand them, so I include them, and I do think they are helpful in making priorities in our very busy lives as to what to see first and give preference to. Since the rankings are so subjective and sometimes even arbitrary, my main rule is to go with my gut on these things. Seriously. That’s what it boils down to. It’s a mixture of favoritism, enjoyment, entertainment, and, yes, the actual skill behind the scenes and within them. As such, films that were without a doubt brilliant masterpieces that will go on to receive tons of accolades and be remembered forever may be outranked by flash-in-the-pan popcorn films that have very little to say except, “Hey, look at this awesome thing we did!” but were also very skilled at doing so and are films that I will revisit time and time again whenever I want to be entertained. It’s hard to rank films of these sorts against one another, and if I felt that I could be that much more objective about these things and take out the entertainment factor, I would probably top load this list with all the heavyweight dramas and such. But I don’t think I can, so I don’t put up any airs of being able to do so.

But, you know, I think that’s alright. Variety is the spice of life, you know, and to say that dramas should be exalted at all times above the comedies and action films is, I think, false doctrine when it comes to film criticism and lessens the true value of joy and wonderment that isn’t always found in those serious dramas – so long as that joy and wonderment is done very well, of course.

So, with that all in mind, I feel I’ve prepared you for this eclectic list of my picks for not just the best films of the year, but also the ones that are my favorites, the ones I find most enjoyable, and the ones that blew me away with their spectacle. Read more…

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Spoilers: The New “Just Say No” Campaign

November 18, 2011 2 comments
Image

Click to see more Anti-Spoiler Campaign posters. Spoiler Alert: Possibly "offensive" language?

I know the world supposedly has a severe attention span problem, but seriously, why would you want to know the ending of something before you even bother diving in or before you’re even halfway through the movie?

Whenever I’m discussing a movie I’d like for someone to see, it’s almost inevitable that somebody is going to ask, in some shape or form or manner, “What happens at the end?” Why is that? Why would you want to know?

The movie, TV show, whatever you’re discussing, has been laid out for you already. If you don’t care enough about it, then fine, I get it. I reluctantly will stoop to spoiling it for you then, if you really don’t have an interest in seeing the film, though I’ll likely feel dirty doing it. But if you’ve already committed yourself to seeing it, even going as far as to sitting down and starting the movie, why would you then ask, “So why did that just happen?”

YOU WILL FIND OUT IF YOU JUST PAY ATTENTION.

When I go into the theatre or pull up a movie I have never seen, I want to know only one thing: the basic concept of the film. That’s it. That’s what informs me what a movie is about and whether it is worth my attention. Whether the film turns out good or bad, I have already decided to let the filmmakers tell me the story, not my friends, not my family, not someone on the Internet.

This goes along with my idea of art being a testimony. A film is more than just its plot — it is also the assemblage of its plot, the delivery of its plot, perspective of the plotters, etc. Context is everything. Consuming art from its intended context is how we get a full view, or at least begin to get a full view, of what the artist intended for us to take from it as an audience, and also what we as an audience actually do take from the film from our own perspective. Discussion of a plot before you know the outcome just ruins the experience of gaining that first impression from the artist themselves, rather than your friend’s rough summary of the experience. (On a related note, this is related to why it’s generally pretty rude to talk or make obnoxious noises during movies if someone hasn’t seen it yet, too.)

Even if you haven't seen this film, you probably know what happens in the end. Kinda sucks for you, doesn't it?

Once you have both seen the film, then by all means, discuss it and get someone else’s full perspective on it. That’s how we learn from art, and that’s how we get smarter, but we should always be mindful of the fact that there are others out there who have yet to be given the chance to experience some films, both awesome and bad, on a firsthand basis. And why would you want to rob them of that?

So I encourage you, if you spot someone about to spoil a movie for someone who hasn’t yet had a chance to experience it, stick up for the victim. Grab a sock and shove it in the spoiler’s mouth! And if the person you just stuck up for tells you they wanted to know the spoilers, give them a dirty look and say to them, “What’s wrong with you? You… you’re stupid, is what you are!” That’ll show ’em.

(Sidenote: Now I admit, I often do want to know whether the movie is good or bad, as well. I get the whole issue of having limited time, and I do not think reading a thoughtful review – one that is mindful of not discussing the plot in full detail, that is – is contrary to having a movie spoiled. We are limited in our time, and our time is often best served elsewhere. I also understand that my reviews are often filled with spoilers. I try to notify you of this when I can, and if I don’t, then I really do apologize. I tend to review older films, and so these reviews are often intended to be at least an attempt at going deeper into my opinions and thoughts on the film as a whole and encouraging discussion, rather than just telling you a plot summary and what my rating is, but this site is essentially intended to encourage the post-viewing discussion more than it is just a reporter of quality. … At least that is my intent!)

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