Archive
REVIEW – Avengers: Endgame
Directed by: Anthony Russo, Joe Russo
Produced by: Kevin Feige
Screenplay by: Christopher Markus, Stephen McFeely
Edited by: Jeffrey Ford, Matthew Schmidt
Cinematography by: Trent Opaloch
Music by: Alan Silvestri
Starring: Robert Downey Jr., Chris Evans, Mark Ruffalo, Chris Hemsworth, Scarlett Johansson, Jeremy Renner, Don Cheadle, Paul Rudd, Brie Larson, Karen Gillan, Danai Gurira, Bradley Cooper, Benedict Wong, Josh Brolin
Year: 2019
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It’s been about 11 years since Marvel began this grand experiment that would change the way that people looked at superhero movies forever – yes, arguably even more so than Christopher Nolan’s Dark Knight Trilogy and probably more so than even Richard Donner’s Superman. Twenty-two films and counting, all standing alone and yet tying into one another (with a few fringe TV shows on the side that are themselves ostensibly part of the same universe) and culminating into two films: last year’s Avengers: Infinity War, which saw Marvel doing the unthinkable and delivering on the promise that Thanos – the big bad teased at the end of the first Avengers film six years prior – would live up to the hype and even see the studio doing the unthinkable by letting the villain actually win, and now this film, Avengers: Endgame, the film that would feature the surviving heroes – conveniently including the ones who started it all – returned to the spotlight and going on a journey to correct what went wrong in what is arguably the most deserved victory lap film any studio has ever deserved. Does this one, with Infinity War setting the bar so high, live up to the standards set by its predecessor?… Well, if it doesn’t, it pretty damn well comes close! Read more…
REVIEW – Ewoks: The Battle for Endor
Directed by: Jim Wheat, Ken Wheat
Produced by: Thomas G. Smith, Ian Bryce
Screenplay by: Jim Wheat, Ken Wheat
Story by: George Lucas
Edited by: Eric Jenkins
Cinematography by: Isidore Mankofsky
Music by: Peter Bernstein, John Williams (themes)
Starring: Wilford Brimley, Warwick Davis, Aubree Miller, Siân Phillips, Paul Gleason, Carel Struycken, Niki Botelho, Eric Walker, Daniel Frishman, Tony Cox, Pam Grizz, Roger Johnson
Year: 1985
Well, they talk now… Or, at least, Wicket does. And by “talk,” I of course mean “speaks English” – or, if you will, “speaks Galactic basic” – rather than just Ewokese. Released a year after the first Ewok-starring Star Wars spinoff, Caravan of Courage, and set months after the events of that film, The Battle for Endor sees the friendship between Cindel Towani and Wicket the Ewok blossoming, to the point where Cindel’s lessons from the first film have apparently paid off. But, sadly, the Towanis have also made progress in repairing their star cruiser since being rescued from the Gorax by Cindel, her brother Mace, and the Ewoks, and so it’s almost time for them to go back home and say good-bye to their furry friends. Read more…
Star Wars 40th Anniversary Mini-Event
On this day, forty years ago, a film was released that changed the landscape of filmmaking forever…
Star Wars (later known as Star Wars Episode IV: A New Hope), was released on May 25, 1977, becoming a worldwide phenomenon, expanding its universe beyond films into books, comics, video games, television shows, and… well, you name it, and Star Wars has probably licensed itself to it in some form. Who knew back then that the franchise would also go on to become part of the Walt Disney empire alongside the likes of Marvel Comics? Or that the House of Mouse would actually do such a great, respectful job of handling the franchise?
As a result of this momentous event, I wanted to actually do some more reviews.
If you know me, you know I’m a pretty big fan of this universe. Perhaps not the biggest fan, but pretty big, all the same. I followed The Clone Wars TV series and am following Rebels. I saw the prequel films each at least three times in theatres, and have also made a point of seeing Disney’s films the same number. My only regret in all this is that I only ever got to see the original film theatrically was its 1997 Special Edition, and also that The Empire Strikes Back and Return of the Jedi never made it to the theatres where I was living at the time (i.e., a military base overseas).
“But, CJ,” I hear you exclaim, “you’ve already reviewed all the movies! Including Rogue One and that hastily put together pastiche of an animated ‘movie,’ The Clone Wars! What are you going to do, review The Holiday Special in May!?”
Well, to answer your question, no! I do not. I still plan on doing that around Christmas – you know, whenever I get around to actually getting the resolve to watch that again. [shudders] Instead, I intend to review a couple actual, honest-to-George movies you may have forgotten existed, but ones that I sure haven’t! You might also find it odd that these films were actually – gasp! – my first introduction ever to the Star Wars universe, period. I’m talking, of course, about…
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… Caravan of Courage: An Ewok Adventure and Ewoks: The Battle for Endor!
Yup. My first exposure to anything Star Wars-related was actually the post-Return of the Jedi TV movie spinoffs starring the original trilogy’s most annoying characters – the cuddly teddy bears who inexplicably helped Leia, Han, and Chewie take down the Empire on the forest moon of Endor.
I had no idea at the time that these were part of a greater whole, having only watched them because a friend insisted on watching his VHS copies every now and then when I came over or spent the night at his place when we were about 7 or 8. Oddly, he didn’t have any Star Wars films, but he had all six original Star Trek films – those VHS copies that, when the spines were lined up, created a tantalizing picture of the Enterprise. Luckily, he was also my gateway to that franchise, but while I do love that series and don’t ever really understand the supposed rivalry between the two franchises and its fans, I’d be lying if I said I wasn’t far more inclined to call myself more a fan of Star Wars and its whimsical, fantasy-based world.
But I have seen neither Caravan of Courage (originally known as The Ewok Adventure) nor The Battle for Endor since then, and so I decided to revisit the movies that started it all – well, for me, at least. What would I suddenly remember from these films that I’d forgotten in the last two decades? Do the movies hold up? Did they expand upon the greater Star Wars universe in any meaningful or even little but appreciable ways? Are they as bad as enduring Jar Jar Binks for an entire movie or watching Chewbacca’s family roar-gurgling at each other incessantly and without subtitles while we, the audience, stare at our screens aghast as to why we continue to watch that monstrosity? These were questions I needed answers to, and while I intended to do this for May the Fourth, I figured the franchise’s 40th anniversary was an even better time, signifying not just its beginning, but also in remembrance of my own fandom’s beginning – and I also got a little too busy and, therefore, tired around May 4….
REVIEW – Guardians of the Galaxy Vol. 2
Directed by: James Gunn
Produced by: Kevin Feige
Written by: James Gunn
Edited by: Fred Raskin, Craig Wood
Cinematography by: Henry Braham
Music by: Tyler Bates
Starring: Chris Pratt, Zoe Saldana, Dave Bautista, Bradley Cooper, Vin Diesel, Michael Rooker, Karen Gillan, Pom Klementieff, Kurt Russell, Sean Gunn, Elizabeth Debicki, Chriss Sullivan, Sylvester Stallone
Based on characters from Marvel Comics
Year: 2017
The first Guardians of the Galaxy was the little known film that could, becoming an unexpected smash hit with audiences and critics back in 2014 despite possibly being the most obscure and quite literally out-there property to be given a major film by Marvel Studios – or, really, any previous comic book adaptation, save for maybe Howard the Duck, a fact acknowledged by Guardians’ post-credits scene. Say what you will about Phase 1 of the Marvel Cinematic Universe, but while Iron Man, Captain America, and Thor were almost certainly not on the same level as Batman, Superman, and Spider-Man, they weren’t nearly as bizarre in concept as a team that features a talking, gun-toting cybernetic raccoon and his sentient tree companion whose specifically limited vocabulary makes Chewbacca’s system of howls seem plausibly understandable by comparison. Smart marketing and director/writer James Gunn’s keen sense on how to make all this palatable to even mainstream audiences, however, won out, and the film – and even its soundtrack – was, again, a massive success. Naturally, a sequel has been made. Read more…
REVIEW – Power Rangers
Directed by: Dean Israelite
Produced by: Haim Saban, Brian Casentini, Marty Bowen, Wyck Godfrey
Screenplay by: John Gatins
Story by: Matt Sazama, Burk Sharpless, Michele Mulroney, Kieran Mulroney
Edited by: Martin Bernfeld, Dody Dorn
Cinematography by: Matthew J. Lloyd
Music by: Brian Tyler
Starring: Dacre Montgomery, Naomi Scott, RJ Cyler, Becky G, Ludi Lin, Bill Hader, Bryan Cranston, Elizabeth Banks, David Denman
Based on the Power Rangers and Super Sentai TV series
Year: 2017
The film I’d always been asking for is finally here! … Sort of.
… Okay, let me clarify. A few years ago, I’d gotten all nostalgic about my childhood along with some friends, as people are wont to do, and the idea of creating a serious adaptation of the Power Rangers series we’d grown up with became a topic of fascination – at least for myself. I’d always imagined it as being something between serious and openly campy, acknowledging the series’ ridiculous qualities (“teenagers with attitude,” frenetic gesticulating and dramatic declarations prefacing every action, Rita Repulsa and her frequently giant-sized cronies, etc.) and embracing them alongside the aspects that could be made obviously and genuinely awesome (the action, the Zords, the monster battles).
Years later, we got what I always wanted. It’s called Pacific Rim. And it is incredible.
Now, years after that, we now have an actual Power Rangers movie – one that is somehow a more serious film than Pacific Rim, which is actually based on the original Mighty Morphin Power Rangers series – Zordon, Alpha 5, Rita, and everything. Read more…
REVIEW – Logan
Directed by: James Mangold
Produced by: Hutch Parker, Simon Kinberg, Lauren Shuler Donner
Screenplay by: Scott Frank, James Mangold, Michael Green
Story by: James Mangold
Edited by: Michael McCusker, Dirk Westervelt
Cinematography by: John Mathieson
Music by: Marco Beltrami
Starring: Hugh Jackman, Patrick Stewart, Dafne Keen, Boyd Holbrook, Stephen Merchant, Richard E. Grant, Eriq La Salle, Elise Neal, Elizabeth Rodriguez, Jayson Genao
Year: 2017
Released in 2000, about 3 years after the abomination known as Batman & Robin seemingly killed off the superhero film genre, the first X-Men, even more so than its 1998 predecessor Blade, proved that comic book superhero movies really could find new life in cinemas, provided that the filmmakers took their subjects seriously. While Fox’s X-Men films have had more than their fair share of stumbles, particularly last year’s massively disappointing X-Men: Apocalypse as well as more egregious works like X-Men Origins: Wolverine and The Last Stand, they have also proven that the studio is willing to take some bold chances, too, rebooting and reorienting timelines with period films, or greenlighting a breakout R-rated comedy action film that proved that risks sometimes pay off with Deadpool. By far, however, the breakout element out of any of these films has been Hugh Jackman as Wolverine, who has been a constant presence throughout all these films from the very beginning, appearing in films even when his presence wasn’t necessarily needed because the studio knew he was just that good in the role. Hugh Jackman’s a talented guy, no doubt, but we’re all curious about whether or not it would have been as good as it has been had it not been for his casting in the first X-Men film – something that both nearly didn’t happen and was once a controversial decision at the time due to Jackman’s height betraying the comic character’s usually small stature. That was over 17 years ago, however, and now we’re facing the end of an era, with Jackman declaring Logan will be his final film as the iconic berserker. And thank God for that, as I think we’d all be disappointed if his cameo in Apocalypse was the end and not the phenomenal Logan – a film that may very well be the best superhero adaptation since The Dark Knight. Read more…
THEATRICAL REVIEW – Rogue One: A Star Wars Story
Directed by: Gareth Edwards
Produced by: Kathleen Kennedy, Allison Sheamur, Simon Emanuel
Screenplay by: Chris Weitz, Tony Gilroy
Story by: John Knoll, Gary Whitta
Edited by: John Gilroy, Colin Goudie, Jabez Olssen
Cinematography by: Greig Fraser
Music by: Michael Giacchino
Starring: Felicity Jones, Diego Luna, Ben Mendelsohn, Donnie Yen, Mads Mikkelsen, Alan Tudyk, Riz Ahmed, Jiang Wen, Forest Whitaker, Genevieve O’Reilly, James Earl Jones, Valene Kane
Based on characters and concepts by George Lucas
Year: 2016
Disappointment. No, that’s not my reaction to Rogue One. Heck no! But it was the general consensus I gathered from people after they were told that the 2016 Star Wars film was not a follow-up to last year’s The Force Awakens but rather an ominously pre-A New Hope film that was mostly independent from the Skywalker family and friends’ saga. Most of that was just because they were eager to see that story continue, but, for some, there was also an added level of scorn for a film they seemed to consider… illegitimate. Which is unfortunate, as Rogue One, in both style and focus, is a much more important and bolder move forward for Disney and their still nascent new property, signaling a promising future for the franchise that isn’t beholden to repeating itself for the sake of nostalgia and familiarity. Read more…