Archive
REVIEW: That Thing You Do!
Directed by: Tom Hanks
Produced by: Jonathan Demme, Gary Goetzman, Edward Saxon
Written by: Tom Hanks
Edited by: Richard Chew
Cinematography by: Tak Fujimoto
Music by: Howard Shore
Songs by: Tom Hanks, Adam Schlesinger, Rick Elias, Scott Rogness, Mike Piccirillo, Gary Goetzman, Howard Shore
Starring: Tom Everett Scott, Liv Tyler, Johnathon Schaech, Steve Zahn, Ethan Embry, Tom Hanks, Obba Babatundé, Holmes Osborne, Charlize Theron, Bill Cobbs, Giovanni Ribisi
Year: 1996
If there were any two comedies that resonated with me as a kid as being truly “great” versus merely “entertaining,” those movies were Groundhog Day and That Thing You Do! These were movies I would watch when I was bored or when I was doing chores or when I was in a bad mood or when I was in a good mood – or when I was just really in the mood for some truly great movies, period. These were also two of the few movies that everyone in my family could agree upon to watch together and be contented with while growing up, which, if you know my childhood, was something very significant. Read more…
REVIEW: Joe Versus the Volcano
Directed by: John Patrick Shanley
Produced by: Teri Schwartz
Written by: John Patrick Shanley
Edited by: Richard Halsey, Kenneth Wannberg
Cinematography by: Stephen Goldblatt
Music by: Georges Delerue
Starring: Tom Hanks, Meg Ryan, Lloyd Bridges, Robert Stack, Ossie Davis, Abe Vigoda, Dan Hedaya, Barry McGovern, Amanda Plummer, Nathan Lane, Carol Kane
Year: 1990
I’d always been curious about Joe Versus the Volcano, mostly because it was the first pairing of Tom Hanks and Meg Ryan – and you know from a past review that I actually quite like the pairing – but my mom basically shaped my understanding of the movie to the point of making me mostly be ambivalent about it by hammering it into my mind that the movie was stupid. That curiosity was obviously not enough to cause me to seek it out, as I had basically not seen it up until this past week, but, whenever I did remember it existed, there was a moment where I would think to myself, “Huh. I should see that someday,” before quickly forgetting about it. This time, though, I finally saw it, mostly because a friend/coworker/fellow cinephile recommended the movie as being his favorite bad movie. Me being who I am, I took it as a sign that, yes, I should finally see this movie, so it instantly went onto the top of my Netflix DVD queue.
So… yeah, I saw this movie. Finally. Was it worth it?… Read more…
2013 IN REVIEW: My Top Films of the Year
FINALLY! The moment I’ve been building up to for far too long! It’s been a busy month… and a half… for me, but I’m finally done, and this is my last of my 2013 in Review articles! (Consequently, while none of these are exactly final reviews, many of them may as well be and portions of what is stated here may show up in a future review. For the sake of my sanity and my time, however, I’ve decided to present what I felt the need to write without very many edits!)
The format I’ve chosen for my annual Year in Review articles is a bit insane, I know, but while it’s time consuming, its also quite fun, and it’s just as much about sharing all the films released in the last year (or at least most, as I probably missed some in the sections where I went over films I didn’t get around to seeing) as it is about me locating films that you and I have both overlooked, which is also why a lot of the films I didn’t see this year made repeat appearances, as I couldn’t resist the urge to watch them, and it’s not like I’d be able to do another year in review for them, too, you know? This year, one of those movies I didn’t see at first but did during my writing these articles even made it onto this list, My Top Films of the Year!
So why don’t I call it “The Best Films of the Year”? It’s simple, really – it’s subjective, yes, but it’s also because even I switch around the order at times. I guarantee you that at some point in the past and future, I might have ordered these films differently. It took some time and thought, and this is ultimately what I felt comfortable enough with to publish, but I’ll tell you that this was a hard process, particularly in the top 10.
All of this year’s Best Picture Academy Award nominees are on this list. Seriously – I’ve even decided to mark the Oscar nominations this year. They were all very good and justifiably nominated, and while I might have my preferences as to who should win, they’re all remarkable, worthwhile films if you should ever consider watching them. Some of the other movies on this list, however, are also quite awesome, some of which I like better than the films that were nominated, and one of which I’m still very annoyed didn’t at least get the tenth vacant slot in their nominees list, just out of principle for how awesome it was. (I’m just going to tell you now, that movie is Inside Llewyn Davis.) How annoying!
So what of the rankings? Lists like these tend to demand them, so I include them, and I do think they are helpful in making priorities in our very busy lives as to what to see first and give preference to. Since the rankings are so subjective and sometimes even arbitrary, my main rule is to go with my gut on these things. Seriously. That’s what it boils down to. It’s a mixture of favoritism, enjoyment, entertainment, and, yes, the actual skill behind the scenes and within them. As such, films that were without a doubt brilliant masterpieces that will go on to receive tons of accolades and be remembered forever may be outranked by flash-in-the-pan popcorn films that have very little to say except, “Hey, look at this awesome thing we did!” but were also very skilled at doing so and are films that I will revisit time and time again whenever I want to be entertained. It’s hard to rank films of these sorts against one another, and if I felt that I could be that much more objective about these things and take out the entertainment factor, I would probably top load this list with all the heavyweight dramas and such. But I don’t think I can, so I don’t put up any airs of being able to do so.
But, you know, I think that’s alright. Variety is the spice of life, you know, and to say that dramas should be exalted at all times above the comedies and action films is, I think, false doctrine when it comes to film criticism and lessens the true value of joy and wonderment that isn’t always found in those serious dramas – so long as that joy and wonderment is done very well, of course.
So, with that all in mind, I feel I’ve prepared you for this eclectic list of my picks for not just the best films of the year, but also the ones that are my favorites, the ones I find most enjoyable, and the ones that blew me away with their spectacle. Read more…
2013 IN REVIEW: Neither the Best, Nor the Worst Films I Saw
I apparently watched a lot more movies in 2013 than I had realized… The films below represent not the worst, not the best, but certainly not always good, but also certainly not always bad movies that I saw in and from 2013. Only films released theatrically were counted, and film festival debuts did not count. Some of these films were truly great, others were truly awful, but none of them were seen fit to be placed in “the worst,” “the best,” nor “my favorite” categories. And so, they go here. Here are some of the films I watched in 2013, in order of release! Read more…
2012 IN REVIEW – The Films I Didn’t See: September – December
My apologies for the slightly longer delay in getting this part out. I kinda got stricken with the flu for a few days, and didn’t exactly feel like writing. But, here it is, the final third of the films I didn’t see in the year 2012. This is the period of time where the summer movies begin to trickle out before coming to a complete stop and where film studios begin their flood of Oscar-baiting dramas and such.
That’s not to say that there are never any good action films released during this time. That also isn’t to say that none of these Oscar-baiting films are any good, too. Far from it. 2012 saw the release of Oscar-worthy greats as Argo, Lincoln, and Zero Dark Thirty releasing in the same time period as cash-grabbing features like the final Twilight film, The Hobbit, and Wreck-it Ralph, all with varying degrees of success. It’s actually a fairly ripe time to watch all sorts of movies, come to think of it. Possibly better than even summer!
Still, it’s not like I’m going to see every film released during this time. If anything, I ran out of time and risked going out of budget for all the films that I did want to see, but didn’t always have time to. Then there were also films that, quite frankly, I could just do without seeing. But, for the purposes of this article, I’ve gone through and examined all these, both enticing and repugnant, some being granted my attention possibly for the last time ever, and have collected my thoughts and impressions below. As mentioned previously in parts 1 and 2, this isn’t my final say on these films, and some of the commentary below is based pretty much on plot synopses, other reviews, skimmings, and a heavy use of Wikipedia and Rotten Tomatoes. I watched the trailers where I could and didn’t for those films that I just basically didn’t care. Which ones are those? Read, and you may just find out! Read more…
Special Review: “You’ve Got Mail”, My Favorite Nora Ephron Film
Directed by: Nora Ephron
Produced by: Nora Ephron, Lauren Shuler Donner
Written by: Nora Ephron, Delia Ephron
Cinematography by: John Lindley
Music by: George Fenton
Starring: Tom Hanks, Meg Ryan, Parker Posey, Jean Stapleton, Greg Kinnear, Steve Zahn, Heather Burns, Dave Chappelle
Based on the play Illatszertár (trans. “Parfumerie”) by Miklós László
Year: 1998
When I had heard that Nora Ephron passed away not too long ago on June 26, I knew that I had to do a tribute review for her. It’s not that I was a huge fan of her, her films, her plays, or even her widely acclaimed various writings. From my earliest memories of becoming a fan of films, Nora Ephron was among one of the earliest names in film credits that I recognized consistently outside the much more widely recognizable names like Spielberg and Robert Zemeckis. This was largely thanks in part to my mom, who was a fan of many of the films she did make, especially Sleepless in Seattle.
I originally planned on reviewing Sleepless in Seattle, in fact, which was Ephron’s second film as director and first widely acclaimed film. It also happened to be the only film of hers that I had in my library, and only then due to the fact that my mom had somehow managed to have two copies and so, you know, why not? But, though it is not at all a bad film, I must confess that my already limited affection for it has waned over the years, primarily thanks to the Meg Ryan character going completely unrecognized as an insane woman who seriously needs help. Needless to say, after re-watching it for the purposes of a review after not seeing it for several years, I felt as though I wasn’t doing the director justice in writing up a review of a film that I began to see as, well, enjoyable but quite mediocre.
Luckily, I found justification in buying up one of her other films — one that I genuinely love. At $9.99 on Amazon and featuring a DVD copy of the older film, The Shop Around the Corner, which also borrows its story from the same Miklós László’s stage play, You’ve Got Mail was a steal, and its purchase a cathartic experience for me. You see, as a guy, it was hard to admit it for a while but, yes, I genuinely have the whole guilty pleasure thing going on with this movie. Read more…
Awful Movie Review: “Larry Crowne”
Directed by: Tom Hanks
Produced by: Gary Goetzman, Tom Hanks
Written by: Tom Hanks, Nia Vardalos
Starring: Tom Hanks, Julia Roberts, Cedric the Entertainer, Taraji P. Henson, Gugu Mbatha-Raw, Wilmer Valderrama, Bryan Cranston, Pam Grier, George Takei
Music by: James Newton Howard
Year: 2011
There was nothing drawing me into this movie. Any affection I may have had towards the film’s star, Tom Hanks, was weighed unfavorably against the fact that the film was co-written by his My Big Fat Greek Wedding muse Nia Vardalos. But I dove in headfirst and nearly blind to Larry Crowne, thanks in large part to the fact that a good friend of mine recommended the film as being “not so bad.” By the time I reached the halfway point, however, I was already checking out and asking her, “Why did you recommend this?” Her answer? She was jet-lagged, awake for 24-hours, and on Vicodin. And suddenly it all came into focus, ’cause no sober, well-rested person would ever recommend Larry Crowne for entertainment purposes.
