Archive

Posts Tagged ‘comedy’

REVIEW – Trading Places

January 1, 2017 Leave a comment
Trading PlacesDirected by: John Landis
Produced by: Aaron Russo
Written by: Timothy Harris, Herschel Weingrod
Edited by: Malcolm Campbell
Cinematography by: Robert Paynter
Music by: Elmer Bernstein
Starring: Dan Aykroyd, Eddie Murphy, Jamie Lee Curtis, Ralph Bellamy, Don Ameche, Denholm Elliott, Paul Gleason, Kristin Holby, James Belushi, Tom Davis, Al Franken
Year: 1983

 

I’d always managed to forget this movie for the Christmas/New Year’s season in years past – it takes place predominately over the time between Thanksgiving and New Year’s Day. Not this year, though, thanks to a friendly reminder to not do that. My family was pretty big on this movie when I was growing up. Sure, I had to cover my eyes quite a few times (it’s an R-rated ‘80s comedy, after all), but apart from that, even I found it pretty enjoyable as a kid. But I haven’t seen it in a few years, as evidenced by my constant forgetfulness of its existence, and as the years went on, and the cycle of trying to remember this film at an appropriate time, forgetting, and then holding off until an appropriate time continued, I began to wonder to myself – was it actually Coming to America that I liked better than the other? Well, I don’t really know the answer to that one, as I also have to watch Coming to America again for the first time in years. However, the time has at least finally come for me to get around to reviewing Trading Places at what is ostensibly an “appropriate time” of year. So… Read more…

REVIEW – Gremlins

December 25, 2016 Leave a comment
gremlinsDirected by: Joe Dante
Produced by: Michael Finnell
Written by: Chris Columbus
Edited by: Tina Hirsch
Cinematography by: John Hora
Music by: Jerry Goldsmith
Starring: Zach Galligan, Phoebe Cates, Hoyt Axton, Francess Lee McCain, Corey Feldman, Dick Miller, Judge Reinhold, Glynn Turman, Polly Holliday, Keye Luke, Frank Welker, Howie Mandel
Year: 1984

 

Don’t expose them to bright lights. Do not get them wet. And never, ever feed them after midnight. The three rules about owning a mogwai are pretty well-known, even to people like me, who went a couple decades of their lives before seeing either of the Gremlins films – one of the most often cited Christmas films for people who don’t want a traditional Christmas film – much like Die Hard or even last year’s Krampus, itself kind of an adult Gremlins. I wasn’t allowed to see this movie growing up – the combination of monsters, magic, and the fact that it was a horror film were pretty critical factors in that. And probably in a lot of other kids’ lives, too, since it was a major reason why the PG-13 rating was created. Alongside Indiana Jones and the Temple of Doom, due to their scarier and more violent content than the usual PG-rated film, Steven Spielberg collaborated with the MPAA and created a rating between PG and R due to the films he was producing. I only ever got around to seeing it as an adult – not, mind you, because my mom told me I couldn’t all my life (that had long since passed, even as a kid). I just never got around to it until then! Luckily, I think I’ve held on to my inner child… Read more…

REVIEW – The Ref

December 14, 2016 Leave a comment
The RefDirected by: Ted Demme
Produced by: Ron Bozman, Richard LaGravenese, Jeffrey Weiss
Written by: Richard LaGravenese, Marie Weiss
Edited by: Jeffrey Wolf
Cinematography by: Adam Kimmel
Music by: David A. Stewart
Starring: Denis Leary, Judy Davis, Kevin Spacey, Glynis Johns, Robert J. Steinmiller, Jr., Raymond J. Barry, Adam LeFevre, Christine Baranski, J.K. Simmons, Richard Bright
Year: 1994

 

Bad Santa 2 not doing it for your angry Christmas comedy hankering this year? Yeah, I don’t blame you. That movie looked freaking horrible. And apparently is. I’m not spending money on it. Good riddance. Thank goodness a friend recommended a movie to me that fit the bill for such a bad craving. I mean, I could have seen the first again, too, but I’ve seen that before! And The Ref was right there on Netflix streaming, so… Read more…

REVIEW – This Christmas

December 7, 2016 Leave a comment
This ChristmasDirected by: Preston A. Whitmore II
Produced by: Preston A. Whitmore II, Will Packer
Written by: Preston A. Whitmore II
Edited by: Paul Seydor
Cinematography by: Alexander Gruszynski
Music by: Marcus Miller
Starring: Loretta Devine, Delroy Lindo, Idris Elba, Regina King, Sharon Leal, Columbus Short, Lauren London, Chris Brown, Laz Alonso, Ricky Harris, Keith Robinson, Jessica Stroup, Lupe Ontiveros, David Banner, Ronnie Warner, Mekhi Phifer
Year: 2007

 

Holiday drama. For many, if not most families, it’s intrinsic to the time of year. Usually, or at least hopefully, families usually get through it all, however, come together, and celebrate in unison, as it should be, and forget all the troubles, at least for now. Of course, such an idyllic situation would not necessarily make for good storytelling, and so we have a whole swath of Christmas films centered around seasonal drama, regardless of whether or not the films themselves categorically fall into that genre, and that is how we get films like Four Christmases, The Family Stone, Christmas Vacation, Happy Christmas, The Santa Clause, A Madea Christmas, Krampus… And those are just the Christmas movies I’ve reviewed that are centered on the drama of family during the Christmas season. This year also sees the release of Almost Christmas, a film centered on yet another family coming together and enduring their wacky antics while learning to accept each other’s faults and “act like a family.” Well, I’m not paying money for that, namely because the movie got mediocre reviews, and I have things to afford. I will, however, watch producer Will Packer’s previous Christmas family dramedy This Christmas. Read more…

REVIEW – The Iron Giant

November 16, 2016 Leave a comment
The Iron Giant.jpgDirected by: Brad Bird
Produced by: Allison Abbate, Des McAnuff
Screenplay by: Tim McCanlies
Story by: Brad Bird
Edited by: Darren T. Holmes
Cinematography by: Steven Wilzbach
Music by: Michael Kamen
Starring: Eli Marienthal, Harry Connick, Jr., Jennifer Aniston, Christopher McDonald, John Mahoney, Vin Diesel, James Gammon, M. Emmet Walsh, Cloris Leachman
Based on the novel The Iron Man by Ted Hughes
Year: 1999

 

Disney may have reigned at the box office in the 1990s, but by the end of the decade, the quality of their non-Pixar-produced films was undoubtedly beginning to slip, and so it’s no real wonder that other studios – particularly DreamWorks – were taking notice and trying to take a bite out of their share of the box office. Despite having the backing of a major studio behind it, however, Warner Bros. Animation struggled to find its footing with theatrical releases during this era. Space Jam, the studio’s first in-house feature film production, was a considerable success, but it relied upon familiar Looney Tunes characters and Michael Jordan (and an already existing and popular advertising campaign for shoes that already merged the two brands) to basically have the film market itself. Later films wouldn’t be able to use that crutch, however, and anemic advertising strategies for films like Quest for Camelot, Osmosis Jones, and even Looney Tunes: Back in Action – which no longer had the brand popularity and the basketball star to rely upon – did little to drum up ticket sales, and none of the films achieved the critical acclaim to even make them legit cult classics. There was, of course, one film released in between all this, however, that, despite the botched advertising (some of which, for some reason, used Scorpion’s “Rock You Like a Hurricane”) and underperformance, did manage to eventually make a name for itself not just as a cult classic, but as truly one of the most underappreciated animated film classics. Read more…

REVIEW – The Final Girls

October 15, 2016 Leave a comment
The Final GirlsDirected by: Todd Strauss-Schulson
Produced by: Michael London, Janice Williams
Written by: M.A. Fortin, Joshua John Miller
Edited by: Debbie Berman
Cinematography by: Elie Smolkin
Music by: Gregory James Jenkins
Starring: Taissa Farmiga, Malin Åkerman, Adam DeVine, Alia Shawkat, Thomas Middleditch, Nina Dobrev, Alexander Ludwig, Angela Trimbur, Tory N. Thompson, Chloe Bridges, Daniel Norris
Year: 2015

 

It’s almost a cliché by now that horror films will inevitably mock themselves, if not outright be more mock than shock. (That was terribly trite, I know, as is mocking your own writing, but, whatever – I’m keeping it.) Thanks in large part to Scream (and, yes, to a lesser extent, fellow Wes Craven film predecessor New Nightmare), the genre, more than almost any other, has become somewhat replete with meta-commentary about horror film structure and clichés, and so it takes something pretty special to make that whole shtick interesting again. The Final Girls, with its meta-to-the-nth-degree title, is one of those special films that rises above the pack because it brings something new to the table: sincerity. Where most other films seem content to take the cerebral route, horror comedy The Final Girls takes the emotional route and presents a story with a surprising amount of heart and emotion – one that’s also, more importantly, surprisingly effective. Read more…

REVIEW – Beauty and the Beast (1991)

September 24, 2016 1 comment
beauty-and-the-beast-1991Directed by: Gary Trousdale, Kirk Wise
Produced by: Don Hahn
Screenplay by: Linda Woolverton
Story by: Roger Allers, Brenda Chapman, Chris Sanders, Burny Mattinson, Kevin Harkey, Brian Pimental, Bruce Woodside, Joe Ranft, Tom Ellery, Kelly Asbury, Robert Lence
Edited by: John Carnochan
Music by: Alan Menken, Howard Ashman
Starring: Paige O’Hara, Robby Benson, Richard White, Jerry Orbach, David Ogden Stiers, Angela Lansbury, Bradley Michael Pierce, Rex Everhart, Jesse Corti, Hal Smith, Jo Anne Worley, Mary Kay Bergman, Kath Soucie, Tony Jay, Frank Welker
Based on the fairy tale by Jeanne-Marie Leprince de Beaumont
Year: 1991

 

Snow White and the Seven Dwarfs may have been Disney’s (and the world’s, for that matter) first animated feature film, but, for many people (including myself), its recognition as still being their best has long since been overthrown by Beauty and the Beast, a film that was so well regarded that it also became the first animated feature to be nominated for Best Picture at the Academy Awards and the first film, period, to have three songs simultaneously nominated for Best Original Song. When you know the production history, it’s also apparent how much of a miracle it was that the film turned out so well, too. Originally planned as a non-musical, the original concept was thrown out after the success of The Little Mermaid (the film that reignited Disney’s animated feature division and pretty much audience’s interest in animated films and musicals worldwide). This change saw both the original director depart the project and the hiring of first time directors Gary Trousdale and Kirk Wise to take his place, and then the writing and recording of songs to fit the new format – songs written by Howard Ashman, who had also just found out that he was dying from complications caused by AIDS. Sadly, Ashman died eight months before the film’s release, but, at the very least, it was knowing the film he had worked so hard on was being well-received at early screenings, even in its incomplete state. The film would go on to become a massive success and would even become the first animated feature Disney would adapt into a Broadway production – one that was itself nominated for multiple Tonys (albeit, in spite of critical reviews at the time being somewhat apprehensive towards the unprecedented production) – and an upcoming live-action remake, which, if it’s closer to Cinderella than it is Maleficent, should be quite a decent film in its own right. Read more…

%d bloggers like this: