Archive
REVIEW: Tron
Directed by: Steven Lisberger
Produced by: Donald Kushner
Written by: Steven Lisberger (screenplay), Steven Lisberger, Bonnie MacBird (story)
Edited by: Jeff Gourson
Cinematography by: Bruce Logan
Music by: Wendy Carlos
Starring: Jeff Bridges, Bruce Boxleitner, David Warner, Cindy Morgan, Dan Shor, Barnard Hughes, Peter Jurasik, Tony Stephano
Year: 1982
For the longest time, Tron was somewhat of a white whale for me. Apart from fleeting footage on TV here and there, I’d only heard and read about it several times in my childhood, having only gotten a very rudimentary understanding that it was some kind of old Disney film set in a computer. References to the movie seemed to pop up everywhere, though, from video games to that one Halloween episode of The Simpsons where Homer crosses over into a computer generated 3D world, and I’d always be reminded of that one Disney film set inside a computer that everyone seemed to have seen, including my own mom, who had seen it back when she was in high school and who mentioned it more often than probably anyone else in my life. I never was able to get a hold of a copy, however. It never seemed to turn up in rental stores on VHS or DVD (and LaserDisc was something my family never adopted), and not even cable TV seemed to turn up any airings. It wasn’t until the release of the 20th anniversary DVD in 2002 that I was provided with an opportunity to finally watch it, thanks to my fellow nerd and friend loving the film enough to actually get the 2-disc set. While I don’t recall exactly when we actually got around to watching it, I do remember the emotion that ran through me upon getting to the middle part of the movie: Complete and utter boredom. Read more…
Independence Day Review: “Live Free or Die Hard”
Directed by: Len Wiseman
Produced by: Michael Fottrel
Written by: Mark Bomback (screenplay and story), David Marconi (story)
Edited by: Nicolas De Toth
Cinematography by: Simon Duggan
Music by: Marco Beltrami
Starring: Bruce Willis, Justin Long, Timothy Olyphant, Cliff Curtis, Maggie Q, Mary Elizabeth Winstead, Jonathan Sadowski, Kevin Smith
Based on the Wired article “A Farewell to Arms” by John Carlin
Year: 2007
People understandably lament the quick devolution that John McClane has undergone over the course of the four movies that have followed the original. The quick-witted everyman cop trying to win back his wife has become more known for performing ridiculous stunts and frequently being in the wrong place at the wrong time and yet just the right man for the job. The issue was already apparent in the incredibly dull Die Hard 2, and by the third film, the coincidences of his involvement become too glaring to ignore unless you suspend your disbelief and pretend like this is something that regular cops have to deal with every now and then in the Die Hard world. (Considering the ties that were later made to the TV series Chuck, I wouldn’t put it past them on that point, though.)
Read more…
Theatrical Review: “Skyfall”
Directed by: Sam Mendes
Produced by: Michael G. Wilson, Barbara Broccoli
Written by: Neal Purvis, Robert Wade, John Logan
Cinematography by: Roger Deakins
Music by: Thomas Newman (score), Adele (title song)
Editing by: Stuard Baird, Kate Baird
Starring: Daniel Craig, Judi Dench, Javier Bardem, Ralph Fiennes, Naomie Harris, Rory Kinnear, Bérénice Lim Marlohe, Ben Whishaw, Albert Finney
Based on the characters created by Ian Fleming
Year: 2012
One of the best things about Skyfall, Bond movie #23, is that, being released on the 50th anniversary of the film franchise means that it gets a bit of leeway for being a bit reverential towards its series legacy. Fans of the series from any era will find a few bits here and there to point at and go, “Hey, look!” A lot of franchises do this on their anniversaries, and the Bond franchise even went and did this ten years ago, when Die Another Day was released as not only the 20th Bond movie, but also on the somewhat less glamorous 40th anniversary of the film franchise.
Whereas that film felt more like an exploitation of the series history through a poorly assembled “Greatest Hits” compilation, however, Skyfall feels more like a reverential tribute that smartly takes these well known and celebrated elements (ridiculous stunts, expensive gadgetry, eccentric villains, and sweeping theme songs) and reworks them to fit into the new tone set in place by the reboot films, Casino Royale and Quantum of Solace. From the opening gambit onward, director Sam Mendes establishes this tone with a great mix of the old and new, as Bond is faced with not just physical struggles, but also emotional and personal struggles.
(Very mild spoilers ahead.) Read more…
