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2014 IN REVIEW: Everything in Between That I’ve Seen
Finally, we come to the films that I actually did see! As with the films I didn’t see, these films will come at you in three parts: the films that were just somewhere in the middle in terms of quality, the films I greatly disliked, and the films I really enjoyed.
I use those qualitative terms just to avoid confusion over what I’m ranking here. The films in this section range from generally bad to generally quite good, but never elevating to excellence or making me fall in love with them or making me hate them with a passion. That being said, I didn’t expect to like some of the films here as much as I ended up liking them, and, of course, I was letdown by others I actually was kind of looking forward to.
If you don’t see the movie here and didn’t see it in the list of films I didn’t see, then you can almost certainly be guaranteed to find them on one of my next two lists, as this is just a portion of the 121 total films I ended up seeing from 2014 as of this writing, whether in theatres, on DVD/Blu-Ray, or through streaming. Read more…
2014 IN REVIEW: The Films I Didn’t See (September – December)
I’m not going to waste too much time this year on introductions. For this third and final part of my review of films I didn’t see, we’re going through the prestige Oscar-baiting season. You know — hammy acting, controversial subjects, beautiful cinematography, politics… It’s often a mixed bag, and for every stunning masterpiece, there’s often a lot of films that misstep and come off like a cheap cheeseburger dressed up to look like prime rib. … I’m hungry.
This is by far the biggest portion of films I didn’t see, largely due to a lot of them coming out so much more recently and not being available to rent, if I missed them in theatres.
Yes, 2014 may have been a record year for me seeing the most movies from that year, but there were still movies I never got around to or never even had the ability to see due to either foreign or limited release. I still like going over them, however, as this process often leads to me finding some unexpected gems that I might enjoy. Some of these I might become so interested in that I see them before I even get to the films I did see, so there is actually a possibility you might see these films reappear in this 2014 in Review series if that becomes the case.
Anyway, here are many of the films from September to December 2014 that I didn’t see, for one reason or another. It’s by no means complete, but that’s what you get when you’re using Wikipedia and Best of/Worst of lists from other sites. Read more…
REVIEW: (500) Days of Summer
Directed by: Marc Webb
Produced by: Mason Novick, Jessica Tuchinsky, Mark Waters, Steven J. Wolfe, Scott G. Hyman
Written by: Scott Neustadter, Michael H. Weber
Edited by: Alan Edward Bell
Cinematography by: Eric Steelberg
Music by: Mychael Danna, Rob Simonsen
Starring: Joseph Gordon-Levitt, Zooey Deschanel, Geoffrey Arend, Chloe Moretz, Matthew Gray Gubler, Clark Gregg, Patricia Belcher, Rachel Boston, Minka Kelly, Maile Flanagan, Yvette Nicole Brown, Richard McGonagle
Year: 2009
“The following is a work of fiction. Any resemblance to persons living or dead is purely coincidental. Except you Jenny Beckman. Bitch.”
The opening lines to the movie – unspoken, but probably the loudest statement this film makes – sets the tone for the remainder of this quasi-romantic comedy. Reportedly inspired by a real relationship experienced by screenwriter Scott Neustadter, (500) Days of Summer is clear right from the start (heck, even from its title) that this is not a story about everlasting love, but rather a season in passing. In fact, as if that point weren’t clear enough, yes, the girl at the center of the film is, in fact, named Summer. She’s a pretty girl who floats into the life of Tom, our film’s leading man, who is immediately smitten by Summer when she is introduced to everyone at work as the boss’ new assistant at the greeting card company Tom works for (another canny element playing with the theme of cheap, temporary sentiments). Summer is, as I said before, very pretty, seems quite nice, and she shares the same taste in music as Tom, even going so far as to make the first move when she notices this coincidence. Naturally, the two decide to hang out together. And, also naturally, there’s a big misunderstanding about what all this means. Where have you heard that before?
(Minor spoilers ahead.) Read more…
Theatrical Review: “Pacific Rim”
Directed by: Guillermo del Toro
Produced by: Thomas Tull, Jon Jashni, Guillermo del Toro, Mary Parent
Written by: Travis Beacham, Guillermo del Toro
Edited by: Peter Amundson, John Gilroy
Cinematography by: Guillermo Navarro
Music by: Ramin Djawadi
Starring: Charlie Hunnam, Idris Elba, Rinko Kikuchi, Charlie Day, Burn Gorman, Robert Kazinsky, Max Martini, Ron Perlman, Ellen McLain (voice)
Year: 2013
In a year that’s been packed to the brim with follow-ups and counterparts to fan favorites, so far, I have to say that, as much as I may have loved movies like Iron Man 3, Man of Steel, and even Star Trek Into Darkness, I can declaratively state that one of the best things I’ve seen so far was this giant machines vs. giant monsters film that, despite alluding to anime like Gundam and giant monster movies like Gojira, is a completely original thing. This makes it all that much more of a tragedy, as in its first weekend, it has already fallen behind two sequels – Despicable Me 2, which had already been out for longer than a week but at least has a built-in family audience, and Grown Ups 2, which by all means really shouldn’t be a thing that exists based solely on the amount of figurative and literal human waste that went into making the first, let alone be more popular than something as magnificent as Pacific Rim. (Seriously, all you who looked forward to watching a sequel to the glorified home movie that was the first probably have some kind of issue. Seek help. Also, I hate you.) Read more…
Review: “Stand by Me”
Directed by: Rob Reiner
Produced by: Bruce A. Evans, Andrew Scheinman
Written by: Bruce A. Evans, Raynold Gideon (screenplay)
Edited by: Robert Leighton
Cinematography by: Thomas Del Ruth
Music by: Jack Nitzsche
Starring: Wil Wheaton, River Phoenix, Corey Feldman, Jerry O’Connell, Kiefer Sutherland, Richard Dreyfuss, Bradley Gregg, Casey Siemaszko, Marshall Bell, Frances Lee McCain, John Cusack
Based on the novella The Body by Stephen King
Year: 1986
Based on the Stephen King novella The Body and reportedly being the first film adaptation of King’s work that he fully approved of, Rob Reiner’s adaptation, Stand By Me (renamed due to the producers apparently thinking people would think the novella’s original sounded a little too dark or even perverse) is one of those quintessential “coming of age” films – indeed it may be the coming of age film. So much so that watching it for the first time these days after nearly three decades of imitators may take a little bit of adjusted expectations – you may have seen this done elsewhere. Stand by Me sets itself apart, however, with emotional honesty and engaging performances on the part of its four young leads. Read more…
Review: “Steel Magnolias” (1989)
Directed by: Herbert Ross
Produced by: Ray Stark, Andrew Stone, Victoria White
Written by: Robert Harling
Edited by: Paul Hirsch
Cinematography by: John A. Alonzo
Music by: Georges Delerue
Starring: Sally Field, Dolly Parton, Shirley MacLaine, Daryl Hannah, Olympia Dukakis, Julia Roberts, Tom Skerritt, Sam Shepard, Dylan McDermott, Kevin J. O’Connor
Based on the play by Robert Harling
Year: 1989
Steel Magnolias is one of those films I used to automatically think about when I thought of the term “chick flick.” It may well be one of those movies, like Sleepless in Seattle, which helped make me aware that movies can become so “gendered” and that there’s such a stigma attached to them that, if you just happened to like the film and not be part of the target demographic (i.e., women), then people begin to… well… “question” you. And I think I knowingly let this affect my enjoyment of the film and would overtly express my disgust for the film whenever the prospect of putting it on arose. Of course, I was probably ten around that time, but that stigma tainted all my future attempts to watch this movie with my mom, who happens to be a huge fan, even though I knew that, secretly, I found much to enjoy about it. And, even then, having been long since out of the house, time has also certainly taken its toll on my memory as to what it was that I enjoyed. Read more…
Special Review: “Superbad” – A Moving Dedication
Directed by: Greg Mottola
Produced by: Judd Apatow, Evan Goldberg, Seth Rogen, Shauna Robertson
Written by: Evan Goldberg, Seth Rogen
Edited by: William Kerr
Cinematography by: Russ T. Alsobrook
Music by: Lyle Workman
Starring: Jonah Hill, Michael Cera, Christopher Mintz-Plasse, Bill Hader, Seth Rogen, Emma Stone, Martha MacIsaac
Year: 2007
I’m baaaaaaack! Sorry I haven’t written in a few weeks. The reason? I moved!
And, as always, moving brought with it a great deal of stress along with a lack of time and, mostly, energy. Then, after spending a week in my new apartment doing – well, admittedly very little, I went on a much needed vacation to visit my grandparents – my first real vacation in quite some time, as I haven’t had the chance to leave the state in many years and haven’t seen my grandparents in almost as much time. So, yeah, things have been busy, and I effectively wound up taking a bit of a hiatus from my writing hobby. But, yes, I am back, and I think I’ve sufficiently stored up enough rest to once again pick up my duties. (Haha! Gross imagery…)
Now, before I begin the official portion of my review, I figure I should give the appropriate introduction as to why I have chosen this to be my first standalone review in quite some time. You see, not only did I move to a new apartment this past month, I also had to say goodbye to my roommate of the past 6 ½ years, who also just happens to be my best friend. Read more…