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Posts Tagged ‘Keanu Reeves’

THEATRICAL REVIEW: Keanu

May 27, 2016 1 comment
KeanuDirected by: Peter Atencio
Produced by: Jordan Peele, Keegan-Michael Key, Peter Principato, Paul Young, Joel Zadak
Written by: Jordan Peele, Alex Rubens
Edited by: Nicholas Monsour
Cinematography by: Jas Shelton
Music by: Steve Jablonsky, Nathan Whitehead
Starring: Jordan Peele, Keegan-Michael Key, Method Man, Tiffany Haddish, Luis Guzmán, Nia Long, Will Forte, Jason Mitchell, Dee Bradley Baker
Year: 2016

 

I don’t know why I didn’t ever watch more of Keegan-Michael Key and Jordan Peele’s show – you know the one. I’ve obviously seen skits of theirs that have gotten around on YouTube and such and have always found them very funny, so… I have no idea. I do watch a lot of shows, though. That’s probably why. Regardless, the show ended back in 2015, so it’s only fitting that the duo make the leap from TV to the big screen, as they say. And, so, yes, they have done that, and the result is Keanu. … And here is my review of it. Read more…

2014 IN REVIEW: My Top Films of the Year

February 22, 2015 1 comment

The LEGO Movie - Batman and Benny

I saw so many movies this year, I honestly couldn’t pick the best movie. The selection was so wide because I saw so many, I honestly couldn’t pit movies I just enjoyed versus films I admired. So, this year, I’ve decided to do something different — I separated them into genres. it’s not exactly what you might expect – Guardians of the Galaxy isn’t in sci-fi, for instance, because it’s much more of an adventure film in space.

I’ve ordered these based on gut instinct overall, however, and so you’ll be able to see what I (currently) favored over others. That being said, however, all of these movies are fantastic.

I’m tired of explaining things, honestly. The process of doing the year in review this year was a lot longer than I intended. So, yeah. You know the drill. Read below! Read more…

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2013 IN REVIEW: The Films I Didn’t See (September – December)

January 25, 2014 1 comment

Inside Llewyn Davis - Oscar Isaac

Oscar season! This is when the studios want to release the best films of the year (or so they say). Why? Because they want the films to be fresh in the voters’ minds. Prestige films and the like. Indie dramas, historical period films, war films, controversial films… If it can make you cry, your heartbreak, your spirit lift with joy, make you see things from a new light, this is the season.

It’s also a good time for seasonal holiday films. You’ve got your horror films to cover Halloween, your Christmas films for Christmas, and this year we even got an animated Thanksgiving film (though I’m not certain that all you people looking forward to a big piece of juicy turkey are going to love it). Meanwhile, Hanukkah and Kwanzaa get left out, once again. For some reason, this season was also rife with Christian films, from Kirk Cameron, to Miley Cyrus analogs, to Christmas miracles, the industry that claims to represent my faith has got you covered in that area. Woo.

It’s not all your typical films, though. More and more, Hollywood is figuring out that you should spread your action films and your romantic comedies throughout the year, rather than bunching them all into the middle. Consequently, we got a few Sylvester Stallone-involved flicks this season, a sequel to Robert Rodriguez’s Machete, as well as the latest in the Marvel Cinematic Universe, Thor: The Dark World.

Nevertheless, as with the first and second entries, I couldn’t see them all, so, as with the last time, here are the films that, as of this writing, I did not see from May– August 2013, in order of release, as noted on Wikipedia. Please note that, as in the past, I still reserve the right to watch any film that is listed here and then re-remark on the film in one of the upcoming articles on films I did see from 2013. So, yes, again, you might see some of these films again, and soon, since this is the last of the films that I haven’t seen from the year. Enjoy! Read more…

Categories: Lists, Year in Review Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Review: “The Animatrix”

August 23, 2013 1 comment

The AnimatrixThe Matrix has remained one of the most influential action films ever created. Naturally, its financial success and popularity with critics and audiences meant that Warner Bros. would most certainly capitalize on their new property. The lead up to the sequels saw a big marketing push, leading to plenty of tie-in products, such as Nokia’s cellphones that resembled the ones in the films and PowerAde’s infamous product placement. This also meant that the Wachowskis gained a lot of clout with studio execs, who seem to still think that the sequels’ poor critical reception should be ignored in the name of hoping that, one day, the duo would once again deliver a Matrix­-level franchise for them.

Not all of the marketing for the films consisted solely of cynical product placements, however. Though it was a complete disaster, the video game Enter the Matrix was still one of the first efforts on behalf of filmmakers to synergize the film and video game mediums and tell an even bigger story than you would get from having just seen the films, a tradition that would continue with The Matrix Online, which functioned as a direct, totally canonical follow up to the final film, The Matrix Revolutions.

Similarly, the Wachowskis, who were influenced heavily by anime, also commissioned various animation studios to produce a series of shorts that would tie into their universe – some of them directly into the movies, others giving us an even greater perspective outside the narrative of how Neo would fulfill the prophesy of The One. The resulting collection of nine shorts (eight, if you wish to see the single two-parter as a whole work) was The Animatrix, a collection that was deemed so essential to the overall Matrix narrative that it’s included in every iteration of the films’ box sets, including the cheap-o barebones 4-film collections you see on Walmart shelves every now and then.

Below you will find eight mini-reviews of the shorts, each of them being rated and reviewed on their own merits, followed, in the end, by an overall rating of the complete Animatrix anthology.

Please note that clicking on the titles before each reviews will lead you to a free and legal (but admittedly low quality) streaming version of the shorts straight from TheWB.com (the embedding doesn’t work on WordPress), so feel free to watch the shorts on your own and see if you agree with my assessments, too! Read more…

Review: “Point Break”

June 14, 2013 1 comment
Point BreakDirected by: Kathryn Bigelow
Produced by: Peter Abrams, Robert L. Levy
Written by: W. Peter Iliff (screenplay), Rick King, W. Peter Iliff (story)
Edited by: Howard L. Smith
Cinematography by: Donald Peterman
Music by: Mark Isham
Starring: Keanu Reeves, Patrick Swayze, Gary Busey, Lori Petty, John C. McGinley, James LeGros
Year: 1991

 

I watched this film at the suggestion of Hot Fuzz. Until that movie came out, this movie was never even really on my radar beyond maybe seeing it on rental shelves when I was little kid. Based on that movie, a tribute to ridiculous buddy cop movies and such, I pretty much had my expectations in check when I suddenly realized that this would be perfect for Guy Movie Month. Read more…

Review: “The Lake House”

September 27, 2012 1 comment
Directed by: Alejandro Agresti
Produced by: Roy Lee, Doug Davison; Sonny Mallhi (co-producer); Bruce Berman, Erwin Stoff, Dana Goldberg, Mary McLalen (executive producers)
Written by: David Auburn
Cinematography by: Alar Kivilo
Music by: Rachel Portman, Paul McCartney (songs)
Starring: Keanu Reeves, Sandra Bullock, Shohreh Agdashloo, Christopher Plummer, Dylan Walsh, Ebon Moss-Bachrach, Willeke van Ammelroy, Lynn Collins
Based on the South Korean film Il Mare (시월애), directed by Lee Hyun-seung
Year: 2006

 

The concept behind The Lake House is a terribly romantic but completely promising one: there’s this mailbox, you see, and in it, there is apparently a portal that transports mail and presumably other such items between the present and two years in the past (or two years in the future, depending on your perspective). It sounds like something out of The Twilight Zone, but here in The Lake House, this mystical and possibly world-changing item is used to send love notes between two time-crossed lovers who are each desiring something more out of their lives and personal relationships. Read more…

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