Archive
THEATRICAL REVIEW: Jurassic World
Directed by: Colin Trevorrow
Produced by: Frank Marshall, Patrick Crowley; Steven Spielberg, Thomas Tull (executive producers)
Screenplay by: Rick Jaffa, Amanda Silver, Derek Connolly, Colin Trevorrow
Story by: Rick Jaffa, Amanda Silver
Edited by: Kevin Stitt
Cinematography by: John Schwartzman
Music by: Michael Giacchino, John Williams (themes)
Starring: Chris Pratt, Bryce Dallas Howard, Vincent D’Onofrio, Ty Simpkins, Nick Robinson, Omar Sy, B.D. Wong, Irrfan Khan, Katie McGrath, Jake Johnson, Lauren Lapkus, Judy Greer, Andy Buckley
Year: 2015
By now, you probably don’t need for me to review this film, as it seems like the whole world has thrown their money at it. However, I went bonkers a couple years ago when the original film was re-released in theatres in 3D, prompting me to do a complete run through of the entire then-trilogy. As a result, I kind of feel obligated to review the latest one. Besides, some of you might be insane or too “hip” to buy into this dinosaur spectacle “nonsense” but might be thinking of giving it a go on DVD or something in what is, for me, the future, so, yeah, I’m here to help. Read more…
REVIEW: Poltergeist (1982)
Directed by: Tobe Hooper
Produced by: Steven Spielberg, Frank Marshall
Written by: Steven Spielberg (screenplay & story), Michael Grais, Mark Victor (screenplay)
Edited by: Steven Spielberg, Michael Kahn
Cinematography by: Matthew F. Leonetti
Music by: Jerry Goldsmith
Starring: Craig T. Nelson, JoBeth Williams, Beatrice Straight, Heather O’Rourke, Oliver Robins, Dominique Dunne, Richard Lawson, Zelda Rubinstein, Martin Casella, James Karen
Year: 1982
Poltergeist and the films that followed it have become some of the most fabled films in Hollywood history. Seemingly everyone knows about “Poltergeist curse” that was often been attributed to the ironic fact that the first film used real human skeletons as props in one pivotal scene and was rumored to have afflicted many people who worked on the films throughout the trilogy, ranging from small incidents on the set to the deaths of many of the films’ stars during that time. Producer Steven Spielberg was also the subject of much Hollywood scrutiny over his role in the first film’s creation, as he had a contract with Universal to not direct another film while he worked on E.T.: The Extra-Terrestrial for them, but many who worked on the film claim that Spielberg had, in fact, taken over a lot of the directing duties on the set from its credited director, Tobe Hooper, likely in order to avoid any legal ramifications. Content wise, the film was also one of the most controversial films of its time, initially being issued an R-rating from the MPAA before Spielberg and Hooper talked them down to a PG, thus making it perfectly acceptable for younger audiences to see this scary movie without adult supervision if they so wished. Though it wouldn’t be the final straw that broke the camel’s back, it would be just one of the many that would convince the MPAA that a rating between the two was needed and eventually lead to the creation of the now ubiquitous PG-13 rating. Read more…
REVIEW: An American Tail
Directed by: Don Bluth
Produced by: Don Bluth, Gary Goldman, John Pomeroy; Steven Spielberg (executive producer)
Written by: Judy Freudberg, Tony Geiss (screenplay), David Kirschner, Judy Freudberg, Tony Geiss (story)
Edited by: Dan Molina
Production Design by: Don Bluth
Music by: James Horner
Starring: Phillip Glasser, John Finnegan, Pat Musick, Cathianne Blore, Nehemiah Persoff, Amy Green, Dom DeLuise, Christopher Plummer, Neil Ross, Madeline Kahn, Erica Yohn
Year: 1986
I got pretty excited recently when I discovered that this movie was coming out on Blu-Ray. This was a childhood favorite of mine, and I grew up pretty much singing a few the songs featured in the film along with Disney songs that have since proven to be far more enduring and are likely far more recognizable today – even if Community did that awesome reference to “Somewhere Out There” in that one episode. However, I only ever owned the movie on VHS, never upgrading to the DVD, and it got to the point where I decided I’d hold out for a hopeful Blu-Ray release. The patience paid off. Sure, it was a barebones disc, containing a sing-along and a theatrical trailer and little else, beyond an almost superfluous digital copy, but I finally owned An American Tail, once again, now in glorious HD!
It’d been a while since I’d seen the film when it finally arrived in my mailbox. I believe it was once part of the Netflix streaming catalog, as I had actually watched it once a few years ago, but even before that, it’d also been an even longer amount of time since I had seen this Don Bluth-directed classic, so I still had my nostalgia goggles on when I popped the disc in to my PlayStation and settled in. Read more…
2013 IN REVIEW: Neither the Best, Nor the Worst Films I Saw
I apparently watched a lot more movies in 2013 than I had realized… The films below represent not the worst, not the best, but certainly not always good, but also certainly not always bad movies that I saw in and from 2013. Only films released theatrically were counted, and film festival debuts did not count. Some of these films were truly great, others were truly awful, but none of them were seen fit to be placed in “the worst,” “the best,” nor “my favorite” categories. And so, they go here. Here are some of the films I watched in 2013, in order of release! Read more…
Review: “Jurassic Park III”
Directed by: Joe Johnston
Produced by: Kathleen Kennedy, Larry J. Franco
Written by: Peter Buchman, Alexander Payne, Jim Taylor
Edited by: Robert Dalva
Cinematography by: Shelly Johnson
Music by: Don Davis, John Williams (themes)
Starring: Sam Neill, William H. Macy, Téa Leoni, Alessandro Nivola, Trevor Morgan, Michael Jeter
Based on the Jurassic Park book series by Michael Crichton
Year: 2001
I remember when I first found out this movie was actually a thing that was happening. It was amazingly sudden, if I recall correctly. I was still fairly new to the internet back in 2001, and the only magazines I read at the time were gaming magazines like Electronic Gaming Monthly, so it’s not like I was exactly up on the latest movie news. So imagine my surprise when I saw several ads and merchandise hanging around Wal-Mart (as it was written at the time) for a third Jurassic Park film that I had never even heard about. Read more…
Review: “The Lost World: Jurassic Park”
Directed by: Steven Spielberg
Produced by: Gerald R. Molen, Colin Wilson
Written by: David Koepp (screenplay)
Edited by: Michael Kahn
Cinematography by: Janusz Kamiński
Music by: John Williams
Starring: Jeff Goldblum, Julianne Moore, Pete Postlethwaite, Vince Vaughn, Richard Schiff, Peter Stormare, Vanessa Lee Chester, Arliss Howard, Harvey Jason, Thomas F. Duffy, Don S. Davis
Based on the novel The Lost World by Michael Crichton
Year: 1997
This review contains spoilers…
You know when I said in my last review, the one for the original Jurassic Park, that the characters didn’t matter so much, and how the big highlight was the collection of dinosaur sequences? Yeah… I didn’t entirely mean it. Case in point: The Lost World, the sequel to one of the most groundbreaking blockbusters ever. You might think that, given a few years and a bigger budget, the film would be even more magical — better effects, more dinosaurs, larger cast of characters. As is the way with these things, however, the film suffers from diminishing returns. Read more…
Review: “Jurassic Park” (IMAX 3D)
Directed by: Steven Spielberg
Produced by: Kathleen Kennedy, Gerald R. Molen
Written by: Michael Crichton, David Koepp (screenplay)
Edited by: Michael Kahn
Cinematography by: Dean Cundey
Music by: John Williams
Starring: Sam Neill, Laura Dern, Jeff Goldblum, Richard Attenborough, Joseph Mazzello, Ariana Richards, Bob Peck, Martin Ferrero, Samuel L. Jackson, Wayne Knight, B.D. Wong
Based on the novel by Michael Crichton
Year: 1993 (2013 for IMAX 3D)
I know it’s a common sentiment and, therefore, hardly original, but it bears repeating multiple times until that sentiment is driven into the ground about this wondrous, marvelous film: IT’S SO FREAKING AWESOME! Read more…
2012 IN REVIEW: The Best Films of the Year
At last, we come to the climax of my review of the films of 2012. To those of you who continue to keep up with me, I one again apologize for the slow updates — I saw so many movies this past year and have been doing so much this past month that it’s been hard to keep up with a regular update schedule!
This is how I felt ALL WEEK!
I’m currently in the process of moving, with my best friend / roommate moving back to his hometown to be closer to family, so it’s been tough keeping up with the blog, hanging out with him a few more times after seven awesome years of being roommates, while also just figuring stuff out for the next period of my life living as a single person for the first time. It’s tough, but thankfully he lives where my family lives, and it’s only 100 miles away. Lucky for any fans I may have (Hello!…?), it’ll likely result in me doing more reviews, though the higher amount of rent I’ll be paying will undoubtedly impact my ability to go to the theatre as often as I have been.
On that note, before I get to the meat of this final entry, I want to thank everyone who has been reading this blog, regularly or even sporadically. I may not know you, but I appreciate you! This may be a hobby of mine, but it’s meaningful to me and keeps me sharp. I started The Viewer’s Commentary in September of 2011, after lots of personal setbacks and a good long while of feeling stupid and even being made to feel stupid for wanting to start a blog about movies, and by the time I finally decided to just go for it and not listen to the negativity, I still didn’t really know whether I was going to still be writing in even a few months’ time. So to already be in the middle of my second year and still be having a blast getting my thoughts and opinions out there about one of my favorite subjects has truly been a great experience. To those of you who have read, continue to read, and even to those of you I know personally who encouraged me and maybe don’t even share my passion and probably aren’t even reading this now but you supported me all the same, thank you again for being there! I’m definitely looking forward to what 2013 promises to bring! (STAR TREK INTO DARKNESS! FINALLY!)
The film’s villain amongst a bunch of red shirts. This isn’t going to end well…
Anyway, enough self-reflection! You’re here for the rundown of the best films of 2012, aren’t you? I assume so, since you are continuing to read this. I’ll let you get to that, but first, let me explain how this list is working, as I’ve changed it up a bit from last year and from most other “Best Of” lists.
First off, last year I did it in multiple parts (here, here, and, finally, here – in order). None of that this time. You’re getting this all in one big wave!
Secondly, and this is related to the third alteration, there are no longer just 10 films on this list, but rather a whopping 17. Why?
Well, that’s because the third alteration I made is that I’ve decided that a lot of the best films of the year weren’t necessarily my favorites, but I wanted to recognize their greatness by putting them on this list anyway, rather than lump them in with the films that were just average. (I did something similar with the “Films I Liked” this year after realizing I didn’t necessary love nor despise a lot of films enough to put them on the worst or best of lists.)
This did not make the list. This shouldn’t make any lists… BECAUSE IT SHOULDN’T EXIST!
So, while the films below are all fantastic films and deserve to be considered among the best of the year, their order has everything to do with favoritism over quality. After all, lists like these are highly subjective, and while it’s certainly possible to objectively call a film “one of the best,” ultimately by ranking such diverse works against one another, you just have to acknowledge the fact that you’re playing favorites.
So, yeah, anyway to review and summarize: These are, in my opinion, THE BEST FILMS OF 2012, but they are ORDERED ACCORDING TO FAVORITISM. Make sense? I hope so! If not, then just keep reading on, ’cause I think you’ll get it, anyway! Read more…
2011 in Review: My 10 Favorite Films, 3 – 1
3. Mission: Impossible – Ghost Protocol (December 21)
This film barely made this list. For the longest time, it was actually on the Notable Films I Managed to Avoid list thanks to its late December release date. In the middle of writing these 2011 in Review articles, however, I managed to run out into theatres and catch an early morning showing a couple weeks ago while it was still on a properly large-sized screen. I’m glad I did, too! Read more…
2011 in Review: Notable Films I Managed to Avoid, For Better or For Worse, October – December 2011
<< Part 1 – January – April 2011
<< Part 2 – May – September 2011
Here it is — the final chapter of films I didn’t see in (or from) 2011. This time of year is usually considered the “Oscar season.” This doesn’t necessarily mean that there aren’t some blockbuster hits still spilling out of the summer months, avoiding much bigger blockbuster hits in favor of taking on films more serious and, presumably, meant for a different audience.
After all, October is Halloween month, and so we usually get a spat of horror films which have a reputation, justified or not, for being generally awful but widely seen films. Since the Saw franchise presumably ended last year with Saw 3D: The Final Chapter, making 2011 the first year without a theatrical Saw release since 2003, perhaps many would consider it refreshing that we got two horror film prequels this year with The Thing and Paranormal Activity 3, with The Human Centipede 2 inexplicably filling in the gap for necessary sequels. Strangely enough, no remakes of horror films. Just a remake of Footloose, which, depending on your perspective, might be scary enough. Zing!
Personally, this was also the time of year where I didn’t really go see any films in theatres at all, having to save up to go see family for Christmas and, thus, get by without pay for work by the end of the year. And Mission: Impossible – Ghost Protocol nearly made this list, had I not gone and seen it at a 9AM showing this past Sunday, which, technically was seeing the film in 2012, but it’s still a 2011 film and I wanted to have it on my favorite list, as I was certain it would be on there. I spent most of this time engrossing myself with films rented and streamed, as evidenced by my focus on getting to know more established horror films I hadn’t seen before in October and my Christmas movie reviews in December (with a lone Thanksgiving film, for good measure) as well as getting more familiar with my own personal, neglected movie collection once again. (I forgot how good most of the films I own are!)
Closing out the year, we seemed to have gotten a lot of Oscar bait that wasn’t necessarily as promising as previous years. No Black Swans. No True Grits. Even the usually reliable Clint Eastwood, having directed Oscar gold for so many years, was having a tough time this year. Like a second coming of summer, the films of fall/winter 2011 were largely big name releases seemingly missed the summer window in production. Not all of them were bad, and some were even brilliant, but ultimately this felt like a season where there were very few worthy contenders for Oscar gold. Luckily, this might just mean that the types of films being released are just being spread across the year now instead of being concentrated all at once. Ticket sales are supposedly dropping, and the studios are possibly experimenting with timing, but only time will tell if the coming years prove whether this theory of mine that I admit I just came up with holds any water. Read more…
The Viewer's Commentary 