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THEATRICAL REVIEW: Independence Day: Resurgence

July 2, 2016 1 comment
Independence Day ResurgenceDirected by: Roland Emmerich
Produced by: Dean Devlin, Roland Emmerich, Harald Kloser
Screenplay by: Roland Emmerich, Dean Devlin, Nicolas Wright, James A. Woods, James Vanderbilt
Story by: Roland Emmerich, Dean Devlin, Nicolas Wright, James A. Woods
Edited by: Adam Wolfe
Cinematography by: Markus Förderer
Music by: Harald Kloser, Thomas Wanker
Starring: Liam Hemsworth, Jeff Goldblum, Jessie T. Usher, Maika Monroe, Brent Spiner, Bill Pullman, Deobia Oparei, Travis Tope, Angelababy, Nicolas Wright, William Fichtner, Charlotte Gainsbourg, Sela Ward, Judd Hirsch, Joey King, Vivica A. Fox, Nicolas Wright
Year: 2016

 

I’ve long held that the first Independence Day was one of the best bad movies ever made. Of course, as a kid, I thought the movie was genuinely one of the best movies ever made, and it was the first movie I was able to convince my parents to let me see multiple times while it was still in theatres. As time went on, the flaws and eccentricities of Roland Emmerich’s ridiculous alien invasion movie became much more apparent, of course. However, what became even more apparent was that I still undoubtedly loved the movie, often more because of its quirks rather than in spite of them. The cast that was assembled for that movie was seriously stellar: Will Smith, Jeff Goldblum, Bill Pullman, Judd Hirsch, Vivica A. Fox, Brent Spiner… And that scene where the aliens finally unleash their ultimate weapon remains one of the standout special effects moments I’ve ever seen. Sure, it’s obviously an effect, but I recall watching the special effects feature on the DVD and being completely in awe of just how much care went into making those scenes. (Did you know they built model cities, tipped them on their side, and then launched the flames upward to get those destructive effects?) Read more…

Independence Day Review: “Live Free or Die Hard”

Live Free or Die HardDirected by: Len Wiseman
Produced by: Michael Fottrel
Written by: Mark Bomback (screenplay and story), David Marconi (story)
Edited by: Nicolas De Toth
Cinematography by: Simon Duggan
Music by: Marco Beltrami
Starring: Bruce Willis, Justin Long, Timothy Olyphant, Cliff Curtis, Maggie Q, Mary Elizabeth Winstead, Jonathan Sadowski, Kevin Smith
Based on the Wired article “A Farewell to Arms” by John Carlin
Year: 2007

 

People understandably lament the quick devolution that John McClane has undergone over the course of the four movies that have followed the original. The quick-witted everyman cop trying to win back his wife has become more known for performing ridiculous stunts and frequently being in the wrong place at the wrong time and yet just the right man for the job. The issue was already apparent in the incredibly dull Die Hard 2, and by the third film, the coincidences of his involvement become too glaring to ignore unless you suspend your disbelief and pretend like this is something that regular cops have to deal with every now and then in the Die Hard world. (Considering the ties that were later made to the TV series Chuck, I wouldn’t put it past them on that point, though.)
Read more…

Independence Day Review: … “Independence Day” of course!

July 3, 2012 2 comments
Directed by: Roland Emmerich
Produced by: Dean Devlin
Written by: Dean Devlin, Roland Emmerich
Cinematography by: Karl Walter Lindenlaub
Music by: David Arnold
Starring: Will Smith, Jeff Goldblum, Bill Pullman, Margaret Colin, Vivica A. Fox, Mary McDonnell, Judd Hirsch, Robert Loggia, Randy Quaid, James Rebhorn, James Duval, Adam Baldwin, Harry Connick, Jr., Mae Whitman, Harvey Fierstein, Brent Spiner, Frank Welker (voice)
Year: 1996

 

There’s an exchange between two characters in this film that I think perfectly sums up the whole attitude one should have when preparing to watch this film: “You really think you can fly this thing?” “You really think you can do all that bullshit you just said?”

The concept of a self-aware film has already become a familiar trope, but Independence Day acknowledges its nature as a big budget B-movie while never truly drawing attention to the fact. It’s all played straight, and yet it’s still hilariously playful, just the same. Here’s a film where you really have to turn off your brain and not really think too much about the action, lest you be driven into madness trying to nitpick all the little details of the plot and pinpoint all the ridiculous things that the characters within are saying and doing. Once you do that, you’ll likely find yourself enjoying it far more than the film probably deserves. Read more…

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