Archive
REVIEW – Rubber
Directed by: Quentin Dupieux
Produced by: Gregory Bernard, Julien Berian, Kevos Van Der Meiren
Written by: Quentin Dupieux
Edited by: Quentin Dupieux
Cinematography by: Quentin Dupieux
Music by: Gaspard Augé, Mr. Oizo
Starring: Stephen Spinella, Roxane Mesquida, Jack Plotnick, Wings Hauser, Ethan Cohn, Charley Koontz, Haley Ramm, Hayley Holmes, Daniel Quinn, Devin Brochu, David Bowe, Remy Thorne, Robert
Year: 2010
You didn’t think that my long absence from writing would mean that I was totally skipping Halloween 2019 entirely, did you? No sir. In fact, I’m hoping that this review will serve as a means of kicking me in the rear and getting me writing on a regular schedule again. While I had hoped that I would find motivation sooner in the month so as to provide you, my hypothetical reader, with a return to the month-long series of Halloween reviews, as the old saying goes, “Better late than never.” Maybe Christmas will turn out better? Speaking of things turning out better than expected, have you seen the movie Rubber? (Insert cliché joke about hacky segues.) Read more…
REVIEW – The Final Girls
Directed by: Todd Strauss-Schulson
Produced by: Michael London, Janice Williams
Written by: M.A. Fortin, Joshua John Miller
Edited by: Debbie Berman
Cinematography by: Elie Smolkin
Music by: Gregory James Jenkins
Starring: Taissa Farmiga, Malin Åkerman, Adam DeVine, Alia Shawkat, Thomas Middleditch, Nina Dobrev, Alexander Ludwig, Angela Trimbur, Tory N. Thompson, Chloe Bridges, Daniel Norris
Year: 2015
It’s almost a cliché by now that horror films will inevitably mock themselves, if not outright be more mock than shock. (That was terribly trite, I know, as is mocking your own writing, but, whatever – I’m keeping it.) Thanks in large part to Scream (and, yes, to a lesser extent, fellow Wes Craven film predecessor New Nightmare), the genre, more than almost any other, has become somewhat replete with meta-commentary about horror film structure and clichés, and so it takes something pretty special to make that whole shtick interesting again. The Final Girls, with its meta-to-the-nth-degree title, is one of those special films that rises above the pack because it brings something new to the table: sincerity. Where most other films seem content to take the cerebral route, horror comedy The Final Girls takes the emotional route and presents a story with a surprising amount of heart and emotion – one that’s also, more importantly, surprisingly effective. Read more…
THEATRICAL REVIEW: Popstar: Never Stop Never Stopping
Directed by: Akiva Schaffer, Jorma Taccone
Produced by: Judd Apatow, Rodney Rothman, Andy Samberg, Akiva Schaffer, Jorma Taccone
Written by: Andy Samberg, Akiva Schaffer, Jorma Taccone
Edited by: Jamie Gross, Stacey Schroeder, Zene Baker
Cinematography by: Brandon Trost
Music by: The Lonely Island, et al.
Starring: Andy Samberg, Akiva Schaffer, Jorma Taccone, Sarah Silverman, Tim Meadows, Imogen Poots, Joan Cusack, Maya Rudolph, Chris Redd, James Buckley, Will Arnett, Eric André, Chelsea Peretti, Mike Birbiglia, Bill Hader
Year: 2016
Ah, the lifestyles of the rich and famous. So glamorous. So scandalous. So ripe for parody. The hilariously titled Popstar: Never Stop Never Stopping is a mockumentary that was bound to draw comparisons from the very beginning to another particular musical mockumentary, This Is Spinal Tap. However, Popstar differentiates itself just enough by not only focusing on the musicians themselves, but by putting real life, self-important, money-siphoning documentaries like Justin Bieber: Never Say Never and One Direction: This Is Us in its crosshairs, resulting in a film that is, of course, a bit more current and, thus, a lot more prone to poking fun at the marketing and technological synergy inherent to modern pop stars, as well as the generic, myopic, and self-important altruism so many modern celebrities seem to espouse. And, because it’s a Lonely Island production, it has more than a touch of their signature absurdities thrown in, too. Read more…
REVIEW: Tucker & Dale vs. Evil
Directed by: Eli Craig
Produced by: Morgan Jurgenson, Albert Klychak, Rosanne Milliken, Deepak Nayar
Screenplay by: Eli Craig, Morgan Jurgenson
Story by: Eli Craig
Edited by: Bridget Durnford
Cinematography by: David Geddes
Music by: Michael Shields, Andrew Kaiser
Starring: Tyler Labine, Alan Tudyk, Katrina Bowden, Jesse Moss, Chelan Simmons, Brandon Jay McLaren, Christie Laing, Travis Nelson, Alex Arsenault, Adam Beauchesne, Joseph Allan Sutherland, Karen Reigh, Tye Evans, Philip Granger
Year: 2010
You know, hillbillies, rednecks, and hicks don’t get a lot of respect. Jokes about incest, ignorance, ugliness, and prejudices are pretty common fodder when it comes to discussing people we assign these labels, and when they’re not made out to be the butt of jokes, they’re often made out to be psychotics to be feared and villainized. You would think, though, in these days of understanding and tolerance that we’d attempt to be not so quick to return judgment on those we deem to be judgmental. Sure, sometimes the criticism is justified, but obviously not everyone is the same, and sometimes these portrayals aren’t exactly fair. So what if someone were to make a film that told the story about a hillbilly massacre from the hillbillies’ perspective? No, I’m not talking about the Texas Chain Saw Massacre prequel movie they’re making, Leatherface. I’m talking about a film where it turns out that the hillbillies were the ones being terrorized by the perceived victims, a group of attractive, entitled young people! That’s pretty much the concept behind Tucker & Dale vs. Evil. Read more…
REVIEW: Batman: The Movie
Directed by: Leslie H. Martinson
Produced by: William Dozier
Written by: Lorenzo Semple, Jr.
Edited by: Harry Gerstad
Cinematography by: Howard Schwarts
Music by: Nelson Riddle, Neal Hefti (theme)
Starring: Adam West, Burt Ward, Lee Meriwether, Cesar Romero, Burgess Meredith, Frank Gorshin, Alan Napier, Neil Hamilton, Stafford Repp, Madge Blake, Reginald Denny, Milton Frome, Gil Perkins, Dick Crockett, George Sawaya, Van Williams
Based on the DC Comics character created by Bob Kane and Bill Finger and the TV series created by William Dozier
Year: 1966
Confession time: Though it is one of my earliest memories of being at a theatrical showing, Batman Returns was not my first exposure to Batman. There was already a lot of love for Batman instilled in me by that point. Part of that was likely due to Tim Burton’s first film, but, honestly, it was far more likely that I was introduced to the Dark Knight in the form of the campy Caped Crusader portrayed in in the 1960s TV series starring Adam West. As a little kid, I didn’t quite understand that the series was essentially a satire of the comics and serials rather than a serious attempt to adapt the character to television. When I was finally exposed to the darker, grittier stuff, I pretty much thought it was silly because it was old, and older stuff was always sillier! Why else would they release all those ridiculous musicals back then that my mom enjoyed so much, right? With age, of course, I did catch on, and after getting over an initial feeling of betrayal that came with the understanding that the show was poking fun at my favorite superhero (and, by association, me), I also came to embrace the series for what it was. Read more…
THEATRICAL REVIEW: Zombeavers
Directed by: Jordan Rubin
Produced by: Evan Astrowsky, Chris Bender, Christopher Lemole
Written by: Al Kaplan, Jordan Rubin, Jon Kaplan
Edited by: Ed Marx, Seth Flaum
Cinematography by: Jonathan Hall
Music by: Al Kaplan, Jon Kaplan
Starring: Rachel Melvin, Hutch Dano, Cortney Palm, Lexi Atkins, Bill Burr, Jake Weary, Peter Gilroy, Rex Linn, Brent Briscoe, Phyllis Katz, Robert R. Shafer, Chad Anderson
Year: 2015
“We cannot turn against each other right now. That is exactly what the beavers would want!” That’s the line in the trailer that sold my buddy and me on seeing this film. And, as if that weren’t enough, the trailer ended with the tagline, “They’ll dam you to hell!” Ha! This movie knew what it was, and the fact that it was getting decent enough reviews on Rotten Tomatoes (64% positive!), we figured, you know… why not? So he came driving up 100 miles to visit, with Zombeavers being half the reason for our hanging out. (He also wanted to go to Ikea.)
Read more…
2014 IN REVIEW: Everything in Between That I’ve Seen
Finally, we come to the films that I actually did see! As with the films I didn’t see, these films will come at you in three parts: the films that were just somewhere in the middle in terms of quality, the films I greatly disliked, and the films I really enjoyed.
I use those qualitative terms just to avoid confusion over what I’m ranking here. The films in this section range from generally bad to generally quite good, but never elevating to excellence or making me fall in love with them or making me hate them with a passion. That being said, I didn’t expect to like some of the films here as much as I ended up liking them, and, of course, I was letdown by others I actually was kind of looking forward to.
If you don’t see the movie here and didn’t see it in the list of films I didn’t see, then you can almost certainly be guaranteed to find them on one of my next two lists, as this is just a portion of the 121 total films I ended up seeing from 2014 as of this writing, whether in theatres, on DVD/Blu-Ray, or through streaming. Read more…