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THEATRICAL REVIEW: Spectre (2015)
Directed by: Sam Mendes
Produced by: Michael G. Wilson, Barbara Broccoli
Screenplay by: John Logan, Neal Purvis, Robert Wade, Jez Butterworth
Story by: John Logan, Neal Purvis, Robert Wade
Edited by: Lee Smith
Cinematography by: Hoyte van Hoytema
Music by: Thomas Newman, Sam Smith (theme)
Starring: Daniel Craig, Christoph Waltz, Léa Seydoux, Ben Whishaw, Naomie Harris, Dave Bautista, Andrew Scott, Monica Bellucci, Ralph Fiennes, Rory Kinnear, Jesper Christensen, Alessandro Cremona, Judi Dench
Based on characters created by Ian Fleming
Year: 2015
It’s been three years since the release of the last James Bond film, Skyfall, but it seems as though a mere matter months have passed by the time Spectre begins, with Bond tracking down an assassin named Marco Sciarra, who is suspected of having ties to a larger organization that has been causing headaches for MI6 and, more generally, the world at large. Fans of the series, particularly those who have either read the books or seen the older films, will by no means have any trouble quickly knowing exactly what organization Sciarra is working for (hint: it’s in the title) as well as what this will likely mean for the Bond franchise going forward. Your enthusiasm for the film and the implications of this organization’s presence from here on out will largely depend upon one’s devotion to the series and whether you’re willing to accept that the more serious, grounded, and gritty Bond films that began with the Daniel Craig era of films were pretty much always going to build up to this from the very beginning. And even if you’re willing to accept this inevitable return to a refreshed but familiar form, what few surprises Spectre does have in store for audiences will actually be a far greater point of contention than the choice to continue moving these films “backward” in terms of tone and grandiosity. Read more…
2012 IN REVIEW: The Best Films of the Year
At last, we come to the climax of my review of the films of 2012. To those of you who continue to keep up with me, I one again apologize for the slow updates — I saw so many movies this past year and have been doing so much this past month that it’s been hard to keep up with a regular update schedule!
This is how I felt ALL WEEK!
I’m currently in the process of moving, with my best friend / roommate moving back to his hometown to be closer to family, so it’s been tough keeping up with the blog, hanging out with him a few more times after seven awesome years of being roommates, while also just figuring stuff out for the next period of my life living as a single person for the first time. It’s tough, but thankfully he lives where my family lives, and it’s only 100 miles away. Lucky for any fans I may have (Hello!…?), it’ll likely result in me doing more reviews, though the higher amount of rent I’ll be paying will undoubtedly impact my ability to go to the theatre as often as I have been.
On that note, before I get to the meat of this final entry, I want to thank everyone who has been reading this blog, regularly or even sporadically. I may not know you, but I appreciate you! This may be a hobby of mine, but it’s meaningful to me and keeps me sharp. I started The Viewer’s Commentary in September of 2011, after lots of personal setbacks and a good long while of feeling stupid and even being made to feel stupid for wanting to start a blog about movies, and by the time I finally decided to just go for it and not listen to the negativity, I still didn’t really know whether I was going to still be writing in even a few months’ time. So to already be in the middle of my second year and still be having a blast getting my thoughts and opinions out there about one of my favorite subjects has truly been a great experience. To those of you who have read, continue to read, and even to those of you I know personally who encouraged me and maybe don’t even share my passion and probably aren’t even reading this now but you supported me all the same, thank you again for being there! I’m definitely looking forward to what 2013 promises to bring! (STAR TREK INTO DARKNESS! FINALLY!)
The film’s villain amongst a bunch of red shirts. This isn’t going to end well…
Anyway, enough self-reflection! You’re here for the rundown of the best films of 2012, aren’t you? I assume so, since you are continuing to read this. I’ll let you get to that, but first, let me explain how this list is working, as I’ve changed it up a bit from last year and from most other “Best Of” lists.
First off, last year I did it in multiple parts (here, here, and, finally, here – in order). None of that this time. You’re getting this all in one big wave!
Secondly, and this is related to the third alteration, there are no longer just 10 films on this list, but rather a whopping 17. Why?
Well, that’s because the third alteration I made is that I’ve decided that a lot of the best films of the year weren’t necessarily my favorites, but I wanted to recognize their greatness by putting them on this list anyway, rather than lump them in with the films that were just average. (I did something similar with the “Films I Liked” this year after realizing I didn’t necessary love nor despise a lot of films enough to put them on the worst or best of lists.)
This did not make the list. This shouldn’t make any lists… BECAUSE IT SHOULDN’T EXIST!
So, while the films below are all fantastic films and deserve to be considered among the best of the year, their order has everything to do with favoritism over quality. After all, lists like these are highly subjective, and while it’s certainly possible to objectively call a film “one of the best,” ultimately by ranking such diverse works against one another, you just have to acknowledge the fact that you’re playing favorites.
So, yeah, anyway to review and summarize: These are, in my opinion, THE BEST FILMS OF 2012, but they are ORDERED ACCORDING TO FAVORITISM. Make sense? I hope so! If not, then just keep reading on, ’cause I think you’ll get it, anyway! Read more…
Theatrical Review: “Skyfall”
Directed by: Sam Mendes
Produced by: Michael G. Wilson, Barbara Broccoli
Written by: Neal Purvis, Robert Wade, John Logan
Cinematography by: Roger Deakins
Music by: Thomas Newman (score), Adele (title song)
Editing by: Stuard Baird, Kate Baird
Starring: Daniel Craig, Judi Dench, Javier Bardem, Ralph Fiennes, Naomie Harris, Rory Kinnear, Bérénice Lim Marlohe, Ben Whishaw, Albert Finney
Based on the characters created by Ian Fleming
Year: 2012
One of the best things about Skyfall, Bond movie #23, is that, being released on the 50th anniversary of the film franchise means that it gets a bit of leeway for being a bit reverential towards its series legacy. Fans of the series from any era will find a few bits here and there to point at and go, “Hey, look!” A lot of franchises do this on their anniversaries, and the Bond franchise even went and did this ten years ago, when Die Another Day was released as not only the 20th Bond movie, but also on the somewhat less glamorous 40th anniversary of the film franchise.
Whereas that film felt more like an exploitation of the series history through a poorly assembled “Greatest Hits” compilation, however, Skyfall feels more like a reverential tribute that smartly takes these well known and celebrated elements (ridiculous stunts, expensive gadgetry, eccentric villains, and sweeping theme songs) and reworks them to fit into the new tone set in place by the reboot films, Casino Royale and Quantum of Solace. From the opening gambit onward, director Sam Mendes establishes this tone with a great mix of the old and new, as Bond is faced with not just physical struggles, but also emotional and personal struggles.
(Very mild spoilers ahead.) Read more…
Review: “Quantum of Solace”
Directed by: Marc Forster
Produced by: Michael G. Wilson, Barbara Broccoli
Written by: Paul Haggis, Neal Purvis, Robert Wade
Cinematography by: Roberto Schaefer
Music by: David Arnold (score), Jack White and Alicia Keys (title song)
Starring: Daniel Craig, Olga Kurylenko, Mathieu Amalric, Judi Dench, Giancarlo Giannini, Jeffrey Wright, Gemma Arterton, Anatole Taubman, David Harbour, Joaquín Cosío, Rory Kinnear
Based on the character created by Ian Fleming
Year: 2008
After the considerable critical enthusiasm over the James Bond reboot, Casino Royale, it was probably inevitable that disappointment would have surrounded the followup. Consider the fact that the film’s production was affected by the 2007 – 2008 Writer’s Guild strike (with writer Paul Haggis reportedly completing the final touches just two hours prior to the beginning of the strike) and the fact that the film’s director, Marc Forster, was making his action movie debut. So, yes, the odds were stacked up against this already unusually named Bond entry (which is named after but not an adaptation of a collection of Bond short stories — in case you didn’t know). Read more…
Review: “Casino Royale” (2006)
Directed by: Martin Campbell
Produced by: Michael G. Wilson, Barbara Broccoli
Written by: Neal Purvis, Robert Wade, Paul Haggis (screenplay)
Cinematography by: Phil Meheux
Music by: David Arnold (score), Chris Cornell (title song)
Starring: Daniel Craig, Eva Green, Mads Mikkelsen, Judi Dench, Jeffrey Wright, Giancarlo Giannini, Simon Abkarian, Caterina Murino, Ivana Miličević
Based on the novel by Ian Fleming
Year: 2006
There are always going to be arguments about who did Bond best. I grew up watching the films but can honestly say that I don’t remember much of the 60s – 80s thanks to the films largely feeling quite… samey. As a kid, however, I did love the character and his world, and, for a while, Pierce Brosnan was my Bond — cocky, suave, witty, and boy did he have a lot of gadgets. Brosnan’s still just fine in my book, but there’s no hiding the fact that his Bond was saddled with the task of carrying a series of films that increasingly got more and more ridiculous and bland.
It was like the Batman film series all over again — a strong start (Batman / GoldenEye), a strong but bloated sequel (Batman Returns / Tomorrow Never Dies), a right turn into camp (Batman Forever/ The World is Not Enough), and then an ultimate downfall into a ridiculously gauche, almost satirical world that didn’t even resemble the first two (Batman & Robin / Die Another Day). Like with Batman, a fifth film to carry on the series was in the works, but, ultimately, the series was put on a brief hiatus for a restructuring. Luckily, Bond continued in the footsteps of Batman and went for a reboot for the “fifth” film, taking a more serious, thoughtful, and realistic approach to the character and his world and ridding the series of the excesses, and doing so by, for the first time ever, exploring the events that made Bond the hero that we know him to be today. Read more…
2011 in Review: The Films I Liked
As I stated many times over in my overviews of films I didn’t see in 2011, I was a pretty poor person this past year, which limited the number of films I could see in theatres. Luckily, I was able to make up for much of these missed showings through rentals.
Of the films I saw in 2011, few of them were truly bad films. A few were disappointing, many were just about as average as I expected, and a few turned out to be surprises. While none of the films on this list were truly awful in my eyes, not all of them were that remarkable either, with few exceptions. Before I tell you which films I considered to be the worst and which were my favorites, I am once again going to lead you through the year in review of the mostly average films that I actually did see throughout and from 2011 by the time I made this list.
2011 in Review: Notable Films I Managed to Avoid, For Better or For Worse, October – December 2011
<< Part 1 – January – April 2011
<< Part 2 – May – September 2011
Here it is — the final chapter of films I didn’t see in (or from) 2011. This time of year is usually considered the “Oscar season.” This doesn’t necessarily mean that there aren’t some blockbuster hits still spilling out of the summer months, avoiding much bigger blockbuster hits in favor of taking on films more serious and, presumably, meant for a different audience.
After all, October is Halloween month, and so we usually get a spat of horror films which have a reputation, justified or not, for being generally awful but widely seen films. Since the Saw franchise presumably ended last year with Saw 3D: The Final Chapter, making 2011 the first year without a theatrical Saw release since 2003, perhaps many would consider it refreshing that we got two horror film prequels this year with The Thing and Paranormal Activity 3, with The Human Centipede 2 inexplicably filling in the gap for necessary sequels. Strangely enough, no remakes of horror films. Just a remake of Footloose, which, depending on your perspective, might be scary enough. Zing!
Personally, this was also the time of year where I didn’t really go see any films in theatres at all, having to save up to go see family for Christmas and, thus, get by without pay for work by the end of the year. And Mission: Impossible – Ghost Protocol nearly made this list, had I not gone and seen it at a 9AM showing this past Sunday, which, technically was seeing the film in 2012, but it’s still a 2011 film and I wanted to have it on my favorite list, as I was certain it would be on there. I spent most of this time engrossing myself with films rented and streamed, as evidenced by my focus on getting to know more established horror films I hadn’t seen before in October and my Christmas movie reviews in December (with a lone Thanksgiving film, for good measure) as well as getting more familiar with my own personal, neglected movie collection once again. (I forgot how good most of the films I own are!)
Closing out the year, we seemed to have gotten a lot of Oscar bait that wasn’t necessarily as promising as previous years. No Black Swans. No True Grits. Even the usually reliable Clint Eastwood, having directed Oscar gold for so many years, was having a tough time this year. Like a second coming of summer, the films of fall/winter 2011 were largely big name releases seemingly missed the summer window in production. Not all of them were bad, and some were even brilliant, but ultimately this felt like a season where there were very few worthy contenders for Oscar gold. Luckily, this might just mean that the types of films being released are just being spread across the year now instead of being concentrated all at once. Ticket sales are supposedly dropping, and the studios are possibly experimenting with timing, but only time will tell if the coming years prove whether this theory of mine that I admit I just came up with holds any water. Read more…
Trailer Roulette – Creepy situations, eternal youth, and Anna Faris has trouble finding a good man yet again
I’ve had an exhausting few days at work and church, and I think I’m fighting off what may yet develop into a cold, so I figured I’d write something a bit more simple tonight.
First, though, I have a confession: As of right now, I’m a bit behind on what’s coming out this fall. It’s shameful, but you know, life obligations and all. It’s cool. I’ll get through it. But I figured I’d share the experience with you guys with a little activity I used to do all the time at the end of a long week of work and am now trying to revive. For the purposes of having a title, let’s call this “Trailer Roulette.”
Here’s how it will work. I’m going to browse the YouTube trailers page for random, upcoming films and work out with you guys whether these trailers look like they’re worthwhile. I used to do this using iTunes, but, frankly, iTunes is starting to hate my computer, and I’ve long been starting to hate it for hating my computer, so,while these trailers aren’t necessarily in as high quality as those, they work, load faster, and, best of all, they are shareable. Read more…
The Viewer's Commentary 