Archive
THEATRICAL REVIEW: Swiss Army Man
Directed by: Daniel Scheinert, Daniel Kwan – as “Daniels”
Produced by: Eval Rimmon, Lauren Mann, Lawrence Inglee, Jonathan Wang, Miranda Bailey, Amanda Marshall
Written by: Daniel Scheinert, Daniel Kwan
Edited by: Matthew Hannam
Cinematography by: Larkin Seiple
Music by: Andy Hull, Robert McDowell
Starring: Paul Dano, Daniel Radcliffe, Mary Elizabeth Winstead
Year: 2016
I’ve never been so moved by a movie with this many farts since… well, probably ever…. Read more…
2012 IN REVIEW – The Films I Didn’t See: May – August
Ah, summer — the time of tentpole blockbuster films that are meant to pad out the studios’ budgets for the next few months. I believe I saw most of the major films released during this period, at least at some point in the year, if not the theatre: The Dark Knight Rises, The Avengers, The Amazing Spider-Man, Men in Black 3, Battleship… Overall, it was a more than satisfying year for quality summer blockbusters that pleased both audiences and critics. … Well, probably not Battleship. That movie was awful.
With so many films that release in theatres that are best seen actually on the big screen, though, it was only inevitable that smaller and/or less interesting films fell by the wayside of my attention span. Critically acclaimed features like Beasts of the Southern Wild and Oslo, August 31st would get unfortunately lumped in with similarly ignored-by-me crap like Step Up Revolution and That’s My Boy this past summer, which isn’t a commentary on their quality as much as it is a reflection of my time and budgetary restrictions. (I subscribe to a number of rental services and still buy and go see movies in theatres, but I can only do so much and thus prioritize quality spectacle films usually over the quality comedies and dramas.)
So while I do believe I got the most out of my summertime viewings that I possibly could, let’s go over the films that I somehow managed to not see as of the time of this writing, for better or for worse. Read more…
Theatrical Review: “Looper”
Directed by: Rian Johnson
Produced by: Ram Bergman, James D. Stern
Written by: Rian Johnson
Cinematography by: Steve Yedlin
Music by: Nathan Johnson
Starring: Bruce Willis, Joseph Gordon-Levitt, Emily Blunt, Jeff Daniels, Noah Segan, Piper Perabo, Pierce Gagnon, Paul Dano, Garret Dillahunt, Summer Qing
Year: 2012
If there’s any one element to appreciate in Looper, it’s the fact that writer/director Rian Johnson has committed to this sort of matter of fact tone with the film. Sure, there’s a bit of exhibition in the form of Joseph Gordon-Levitt’s noir-ish narration, but, for the most part, this is a universe that we’re thrown into, given a bit of explanation for, and are asked to just accept. Though the world of the future as portrayed in the film from the years 2044 – 2074 is one that is relatively plausible in appearance (you’re not going to be seeing any androids, aliens, or regular use of spaceflight), it’s important that we accept this world for what it is despite its more fantastical elements, such as the mutation of telekinetic abilities in some members of the future population, as well as the film’s portrayal of the discovery of backwards time travel. The reason for this is because, though these elements play a great deal of a role in the story, the story itself is not necessarily about these elements. You’re not, for example, going to be getting an explanation as to how time travel was uncovered, just that it exists and is being used for nefarious purposes.
It’s almost impossible to sum up the narrative of Looper without delving into too many specifics and spoiling the plot for you, but I’ll try my best to summarize the premise without giving too much away. Read more…