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THEATRICAL REVIEW: Star Trek Beyond
Directed by: Justin Lin
Produced by: J.J. Abrams, Roberto Orci, Lindsey Weber, Justin Lin
Written by: Simon Pegg, Doug Jung
Edited by: Greg D’Auria, Dylan Highsmith, Kelly Matsumoto, Steven Sprung
Cinematography by: Stephen F. Windon
Music by: Michael Giacchino
Starring: Chris Pine, Zachary Quinto, Karl Urban, Simon Pegg, Sofia Boutella, Zoe Saldana, John Cho, Anton Yelchin, Idris Elba, Joe Taslim, Lydia Wilson, Deep Roy, Shohreh Aghdashloo
Based on the TV series created by Gene Roddenberry
Year: 2016
These new Star Trek films are seemingly starting to make a lot of fans of the original TV series feel a lot like how Mission: Impossible TV fans must feel when a new one of those movies comes out: befuddlement at the lack of tonal comparability to the source material. Or, in the case of some even more dedicated fans, the lack of total fidelity by way of reiterating information and storylines we are already familiar with (if one must adapt it in the first place). And, you know, I kinda get it. As hard as it is to continue a property after a prolonged period of time – 50 years for Star Trek this very year, in fact – it’s probably even more pressure to adapt something into another medium and/or revive it for a new era, lest the property disappear into obscurity. In trying to appeal to potential new fans and audiences, you run the risk of ruining everything the series had set up previously and getting accused of “betraying” fans or, heaven forbid, “ruining childhoods.” With Fast & Furious director Justin Lin taking over the helm from non-fan J.J. Abrams, it seemed like fans were in for a whole new level of alleged stupidity and mindless action for a series that was previously famous for its philosophical bent. Surely, after the insult of having been lied to about Khan’s presence in Into Darkness, the third reboot film, Beyond, was destined to top even that one in terms of backhanded insults! Read more…
2011 in Review: Notable Films I Managed to Avoid, For Better or For Worse, October – December 2011
<< Part 1 – January – April 2011
<< Part 2 – May – September 2011
Here it is — the final chapter of films I didn’t see in (or from) 2011. This time of year is usually considered the “Oscar season.” This doesn’t necessarily mean that there aren’t some blockbuster hits still spilling out of the summer months, avoiding much bigger blockbuster hits in favor of taking on films more serious and, presumably, meant for a different audience.
After all, October is Halloween month, and so we usually get a spat of horror films which have a reputation, justified or not, for being generally awful but widely seen films. Since the Saw franchise presumably ended last year with Saw 3D: The Final Chapter, making 2011 the first year without a theatrical Saw release since 2003, perhaps many would consider it refreshing that we got two horror film prequels this year with The Thing and Paranormal Activity 3, with The Human Centipede 2 inexplicably filling in the gap for necessary sequels. Strangely enough, no remakes of horror films. Just a remake of Footloose, which, depending on your perspective, might be scary enough. Zing!
Personally, this was also the time of year where I didn’t really go see any films in theatres at all, having to save up to go see family for Christmas and, thus, get by without pay for work by the end of the year. And Mission: Impossible – Ghost Protocol nearly made this list, had I not gone and seen it at a 9AM showing this past Sunday, which, technically was seeing the film in 2012, but it’s still a 2011 film and I wanted to have it on my favorite list, as I was certain it would be on there. I spent most of this time engrossing myself with films rented and streamed, as evidenced by my focus on getting to know more established horror films I hadn’t seen before in October and my Christmas movie reviews in December (with a lone Thanksgiving film, for good measure) as well as getting more familiar with my own personal, neglected movie collection once again. (I forgot how good most of the films I own are!)
Closing out the year, we seemed to have gotten a lot of Oscar bait that wasn’t necessarily as promising as previous years. No Black Swans. No True Grits. Even the usually reliable Clint Eastwood, having directed Oscar gold for so many years, was having a tough time this year. Like a second coming of summer, the films of fall/winter 2011 were largely big name releases seemingly missed the summer window in production. Not all of them were bad, and some were even brilliant, but ultimately this felt like a season where there were very few worthy contenders for Oscar gold. Luckily, this might just mean that the types of films being released are just being spread across the year now instead of being concentrated all at once. Ticket sales are supposedly dropping, and the studios are possibly experimenting with timing, but only time will tell if the coming years prove whether this theory of mine that I admit I just came up with holds any water. Read more…