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2013 IN REVIEW: The Films I Didn’t See (May – August)

January 18, 2014 2 comments

Monsters University - Mike Wazowski

Blockbuster season. Typically the season where most of the most anticipated films of the year — the ones that were hyped perhaps years in advance — are released. Since 2012 was the year when The Avengers gave us the first superhero team-up film and the year when The Dark Knight Trilogy came to a close, 2013 looked like it was going to be rather underwhelming this time of year. I already mentioned that Iron Man 3 was released in April, starting the season early, but Thor: The Dark World wasn’t coming until October!

So that left us with two major superhero films to look forward to: Man of Steel, which divided audiences and critics alike in its more serious, violent portrayal of Superman, and The Wolverine, which made good on its promise to improve upon its abysmal predecessor and managed to be both coherent and quite entertaining. Pixar and DreamWorks continued their rivalries, however, with the release of Pixar’s first prequel, Monsters University, and DreamWorks’ first sequel to cash-cow Despicable Me. (The less said about Turbo, the better.) World War Z finally came out and, predictably, did very well for itself, what with people being starved for zombie entertainment until the next season of The Walking Dead started. Summer also saw the release of some fairly big “prestige” films, however, the likes of which you’d normally expect to come out during the fall and winter Oscar season: Fruitvale Station, The Spectacular Now, and Blue Jasmine each received widespread critical acclaim.

Perhaps my most anticipated films of the summer were Star Trek Into Darkness, Pacific Rim, and The World’s End, which were all released during this time, and I personally actually enjoyed each of them immensely, though to also varying degrees. This was the time period where I did get promoted at my job and also got a raise, so I was able to see a few more films that I just wanted to see during this time. Nevertheless, I couldn’t see them all, so, as with the last time, here are the films that, as of this writing, I did not see from May– August 2013, in order of release, as noted on Wikipedia. Please note that, as in the past, I still reserve the right to watch any film that is listed here and then re-remark on the film in one of the upcoming articles on films I did see from 2013. So, yes, again, you might see some of these films again, and soon… Read more…

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Theatrical Review: “ParaNorman”

August 26, 2012 6 comments
Directed by: Sam Fell, Chris Butler
Produced by: Travis Knight, Arianne Sutner
Written by: Chris Butler (screenplay), Arianne Sutner, Stephen Stone (story)
Cinematography by: Tristan Oliver
Music by: Jon Brion
Starring: Kodi Smit-McPhee, Tucker Albrizzi, Anna Kendrick, Casey Affleck, John Goodman, Leslie Mann, Jeff Garlin, Jodelle Ferland, Christopher Mintz-Plasse, Elaine Stritch, Bernard Hill, Jodelle Ferland, Tempestt Bledsoe, Hannah Noyes, Ariel Winter
Year: 2012

 

There are several things that I admire about this movie that I’m just going to highlight from the outset:

  1. The animation is impressive. I have no idea how they pulled off the visually (not to mention emotionally) charged ending effects, but I would really like to see the featurette on the home release on that.
  2. Getting back to the emotion, there are moments in the film that feel stunningly authentic, and that ending really does pay off.
  3. The filmmakers largely stayed away from obvious pop culture horror references that would be so prevalent in so many big studio film efforts. There are some, one of which is revealed in the trailers (“You want to play hockey?”) and another that is a lot more subtle than this (Norman’s ringtone is from The Exorcist), but, for the most part, the film is a much calmer, more self-contained experience than it could have been.

I lead into this review with those points because I don’t want to sound like I didn’t enjoy this film, because that wouldn’t necessarily be true. The fact of the matter, however, is that for all the things this film excels at, there are several things that hold it back for me from being the apparent critical darling that Rotten Tomatoes would suggest that ParaNorman is.

Read more…

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