Archive
REVIEW – A Quiet Place
Directed by: John Krasinski
Produced by: Michael Bay, Andrew Form, Brad Fuller
Written by: Bryan Woods, Scott Beck, John Krasinski
Edited by: Christopher Tellefsen
Cinematography by: Charlotte Bruus Christensen
Music by: Marco Beltrami
Starring: Emily Blunt, John Krasinski, Millicent Simmonds, Noah Jupe, Cade Woodward
Year: 2018
Damn. Who knew that Krasinski had this in him? Always an affable actor, Krasinski’s work behind the camera, unfortunately, has been less than… well, good up until this point. Krasinski made his directorial debut in 2009 with the David Foster Wallace adaptation Brief Interviews with Hideous Men, which seemingly passed through the public consciousness without much notice. It took another seven years for the actor-turned-director to take another shot at directing with 2016’s The Hollars, a star-studded family dramedy that similarly fizzled. Luckily, Krasinski seemingly isn’t one to back down, as his third film, A Quiet Place, is an unexpected, drastic departure from his previous two productions, with the director putting together a fairly intense, bold horror film that has me wondering if he just hadn’t found his niche until now. Read more…
2014 IN REVIEW: My Top Films of the Year
I saw so many movies this year, I honestly couldn’t pick the best movie. The selection was so wide because I saw so many, I honestly couldn’t pit movies I just enjoyed versus films I admired. So, this year, I’ve decided to do something different — I separated them into genres. it’s not exactly what you might expect – Guardians of the Galaxy isn’t in sci-fi, for instance, because it’s much more of an adventure film in space.
I’ve ordered these based on gut instinct overall, however, and so you’ll be able to see what I (currently) favored over others. That being said, however, all of these movies are fantastic.
I’m tired of explaining things, honestly. The process of doing the year in review this year was a lot longer than I intended. So, yeah. You know the drill. Read below! Read more…
2014 IN REVIEW: Everything in Between That I’ve Seen
Finally, we come to the films that I actually did see! As with the films I didn’t see, these films will come at you in three parts: the films that were just somewhere in the middle in terms of quality, the films I greatly disliked, and the films I really enjoyed.
I use those qualitative terms just to avoid confusion over what I’m ranking here. The films in this section range from generally bad to generally quite good, but never elevating to excellence or making me fall in love with them or making me hate them with a passion. That being said, I didn’t expect to like some of the films here as much as I ended up liking them, and, of course, I was letdown by others I actually was kind of looking forward to.
If you don’t see the movie here and didn’t see it in the list of films I didn’t see, then you can almost certainly be guaranteed to find them on one of my next two lists, as this is just a portion of the 121 total films I ended up seeing from 2014 as of this writing, whether in theatres, on DVD/Blu-Ray, or through streaming. Read more…
THEATRICAL REVIEW: The Wind Rises (風立ちぬ)
Directed by: Hayao Miyazaki
Produced by: Toshio Suzuki
Written by: Hayao Miyazaki
Edited by: Takeshi Seyama
Cinematography by: Atsushi Okui
Music by: Joe Hisaishi
Starring: (Japanese) Hideaki Anno, Miori Takimoto, Hidetoshi Nishijima, Masahiko Nishimura, Steve Alpert, Morio Kazama, Keiko Takeshita, Mirai Shida, Jun Kunimura, Shinobu Otake, Nomura Mansai; (English Disney dub) Joseph Gordon-Levitt, Emily Blunt, John Krasinski, Martin Short, Werner Herzog, William H. Macy, Darren Criss, Mae Whitman, Mandy Patinkin, Jennifer Grey, Stanley Tucci, Elijah Wood, Ronan Farrow, Zach Callison
Based on the manga Kaze Tachinu by Hayao Miyazaki, the novel The Wind Has Risen by Tatsuo Hori, and inspired by a true story
Year: 2013, 2014 (US)
Review is based on the Disney/Touchstone English dub.
Touted as the last film to be directed by legendary animator Hayao Miyazaki, The Wind Rises understandably will carry a lot of weight with fans of the director, Studio Ghibli, and animation in general, with the film even being nominated recently in the Academy Awards’ Best Animated Feature category. The director has, since the 70s, made a name for himself as a whimsical filmmaker with a fine attention to detail, both visually in the work his crew puts out and within the worlds and personalities of the characters he portrays in his films, which rarely feel anything like the stereotypical animé Western audiences are more familiar with, and yet also so distinctly different from Western animation from any era. Understandably, he’s going to be missed, and while Studio Ghibli has plenty of talent to build off of and directors who have proven to be more than capable of creating films in the same mold as the elder Miyazaki, it’s unlikely that we’ll be seeing the like of his work ever again (so long as he’s actually serious about staying retired). Read more…
2013 IN REVIEW: The Films I Didn’t See (January – April)
With a few exceptions, this is the time of year when studios tend to dump lesser films and films not expected to do well during the blockbuster and Oscar seasons — stuff like low budget horror films, foreign imports, romcoms cashing in on Valentine’s Day, and films held off because the studios would rather market them at a time when nothing else is really out, and they might be able to get a few bucks out of those who crave a blockbuster but don’t want to wait a few months. Naturally, being the thrifty, frugal person I am, there were quite a few films I didn’t see during this time period, though with the summer blockbuster season creeping earlier and earlier into the year, such as with the high profile March release of Oz the Great and Powerful and the April release of Iron Man 3, it certainly seems like studios are catching on to the idea that, hey, there’s room to spread them all out. One can only hope that if that trend continues, filmmakers would be more likely to try harder and make films that standout in quality for your dollar… but that’s probably unrealistic.
Anyway, here are the films that, as of this writing, I did not see from January – April 2013, in order of release, as noted on Wikipedia. Please note that, as in the past, I still reserve the right to watch any film that is listed here and then re-remark on the film in one of the upcoming articles on films I did see from 2013. So, yes, you might see some of these films again, and soon… Read more…
2012 IN REVIEW: The Best Films of the Year
At last, we come to the climax of my review of the films of 2012. To those of you who continue to keep up with me, I one again apologize for the slow updates — I saw so many movies this past year and have been doing so much this past month that it’s been hard to keep up with a regular update schedule!
This is how I felt ALL WEEK!
I’m currently in the process of moving, with my best friend / roommate moving back to his hometown to be closer to family, so it’s been tough keeping up with the blog, hanging out with him a few more times after seven awesome years of being roommates, while also just figuring stuff out for the next period of my life living as a single person for the first time. It’s tough, but thankfully he lives where my family lives, and it’s only 100 miles away. Lucky for any fans I may have (Hello!…?), it’ll likely result in me doing more reviews, though the higher amount of rent I’ll be paying will undoubtedly impact my ability to go to the theatre as often as I have been.
On that note, before I get to the meat of this final entry, I want to thank everyone who has been reading this blog, regularly or even sporadically. I may not know you, but I appreciate you! This may be a hobby of mine, but it’s meaningful to me and keeps me sharp. I started The Viewer’s Commentary in September of 2011, after lots of personal setbacks and a good long while of feeling stupid and even being made to feel stupid for wanting to start a blog about movies, and by the time I finally decided to just go for it and not listen to the negativity, I still didn’t really know whether I was going to still be writing in even a few months’ time. So to already be in the middle of my second year and still be having a blast getting my thoughts and opinions out there about one of my favorite subjects has truly been a great experience. To those of you who have read, continue to read, and even to those of you I know personally who encouraged me and maybe don’t even share my passion and probably aren’t even reading this now but you supported me all the same, thank you again for being there! I’m definitely looking forward to what 2013 promises to bring! (STAR TREK INTO DARKNESS! FINALLY!)
The film’s villain amongst a bunch of red shirts. This isn’t going to end well…
Anyway, enough self-reflection! You’re here for the rundown of the best films of 2012, aren’t you? I assume so, since you are continuing to read this. I’ll let you get to that, but first, let me explain how this list is working, as I’ve changed it up a bit from last year and from most other “Best Of” lists.
First off, last year I did it in multiple parts (here, here, and, finally, here – in order). None of that this time. You’re getting this all in one big wave!
Secondly, and this is related to the third alteration, there are no longer just 10 films on this list, but rather a whopping 17. Why?
Well, that’s because the third alteration I made is that I’ve decided that a lot of the best films of the year weren’t necessarily my favorites, but I wanted to recognize their greatness by putting them on this list anyway, rather than lump them in with the films that were just average. (I did something similar with the “Films I Liked” this year after realizing I didn’t necessary love nor despise a lot of films enough to put them on the worst or best of lists.)
This did not make the list. This shouldn’t make any lists… BECAUSE IT SHOULDN’T EXIST!
So, while the films below are all fantastic films and deserve to be considered among the best of the year, their order has everything to do with favoritism over quality. After all, lists like these are highly subjective, and while it’s certainly possible to objectively call a film “one of the best,” ultimately by ranking such diverse works against one another, you just have to acknowledge the fact that you’re playing favorites.
So, yeah, anyway to review and summarize: These are, in my opinion, THE BEST FILMS OF 2012, but they are ORDERED ACCORDING TO FAVORITISM. Make sense? I hope so! If not, then just keep reading on, ’cause I think you’ll get it, anyway! Read more…
2012 IN REVIEW – The Films I Didn’t See: May – August
Ah, summer — the time of tentpole blockbuster films that are meant to pad out the studios’ budgets for the next few months. I believe I saw most of the major films released during this period, at least at some point in the year, if not the theatre: The Dark Knight Rises, The Avengers, The Amazing Spider-Man, Men in Black 3, Battleship… Overall, it was a more than satisfying year for quality summer blockbusters that pleased both audiences and critics. … Well, probably not Battleship. That movie was awful.
With so many films that release in theatres that are best seen actually on the big screen, though, it was only inevitable that smaller and/or less interesting films fell by the wayside of my attention span. Critically acclaimed features like Beasts of the Southern Wild and Oslo, August 31st would get unfortunately lumped in with similarly ignored-by-me crap like Step Up Revolution and That’s My Boy this past summer, which isn’t a commentary on their quality as much as it is a reflection of my time and budgetary restrictions. (I subscribe to a number of rental services and still buy and go see movies in theatres, but I can only do so much and thus prioritize quality spectacle films usually over the quality comedies and dramas.)
So while I do believe I got the most out of my summertime viewings that I possibly could, let’s go over the films that I somehow managed to not see as of the time of this writing, for better or for worse. Read more…
2012 IN REVIEW – The Films I Didn’t See: January – April
2012 was a surprisingly satisfying year for movies, whether you wanted serious dramas or escapist fantasies, but it’s pretty much impossible to for any one person to see all the movies that come out within the span of one year, and I’m no different.
While I tried my best to see most of the big movies and the movies that came out in 2012 and all the movies that I was interested in, whether in theatres or on home video, there were many that I admittedly never got around to, didn’t care to getting around to, or had never even heard of to get around to them.
Though 2013’s just getting started, I’m going take some time to look back on the past year over the next couple weeks, starting with the films that I didn’t’ see. As with last year, the commentary below is not necessarily going to match up with my final impression of any given movie once I do actually come around to seeing them (if at all), and is solely meant to express why I never got around to it and, possibly, whether or not I intend to see it all. This is all based on plot synopses, Rotten Tomatoes scores, Wikipedia entries, a few external reviews, and, of course, the films’ trailers, and, once again, are not necessarily reflective of a final opinion of a film.
I start, of course, at the very beginning for this first part. Lots of films released during this traditional dumping ground period were smaller films, films that were released in foreign countries or film festivals back in 2011, or were just outright given their timeslot because the studio just had very little faith in the film’s performance at the box office. Sometimes films fall into all three categories. You’ve possibly even forgotten about them or haven’t even heard about them, or maybe you forgot you heard about them and only vaguely remember the name, maybe a few clips from the trailers you saw some time long ago. I know that was the case for me.
But that shouldn’t discourage you from seeing some of these films. Many of them actually look quite promising, and I’ve even added several to my various media queues, too. Hopefully you’ll find some films among the rotting corpses of the genuinely awful ones that were exiled to the early year winter and feel compelled to give these films a second (or third) glance once you remember what they are. Read more…
Theatrical Review: “Looper”
Directed by: Rian Johnson
Produced by: Ram Bergman, James D. Stern
Written by: Rian Johnson
Cinematography by: Steve Yedlin
Music by: Nathan Johnson
Starring: Bruce Willis, Joseph Gordon-Levitt, Emily Blunt, Jeff Daniels, Noah Segan, Piper Perabo, Pierce Gagnon, Paul Dano, Garret Dillahunt, Summer Qing
Year: 2012
If there’s any one element to appreciate in Looper, it’s the fact that writer/director Rian Johnson has committed to this sort of matter of fact tone with the film. Sure, there’s a bit of exhibition in the form of Joseph Gordon-Levitt’s noir-ish narration, but, for the most part, this is a universe that we’re thrown into, given a bit of explanation for, and are asked to just accept. Though the world of the future as portrayed in the film from the years 2044 – 2074 is one that is relatively plausible in appearance (you’re not going to be seeing any androids, aliens, or regular use of spaceflight), it’s important that we accept this world for what it is despite its more fantastical elements, such as the mutation of telekinetic abilities in some members of the future population, as well as the film’s portrayal of the discovery of backwards time travel. The reason for this is because, though these elements play a great deal of a role in the story, the story itself is not necessarily about these elements. You’re not, for example, going to be getting an explanation as to how time travel was uncovered, just that it exists and is being used for nefarious purposes.
It’s almost impossible to sum up the narrative of Looper without delving into too many specifics and spoiling the plot for you, but I’ll try my best to summarize the premise without giving too much away. Read more…
2011 in Review: The Top 5 Worst Films I Saw
Some would say that 2011 as a very disappointing year for film. While there were definitely fewer films that I wanted to see this past year than in years past, or at least ones that I was totally looking forward to, there was hardly a shortage of films that I did see and love, all the same.
But before I get to those films, we do have some filth to get out of the way, first. Though I try to avoid them at all costs, sometimes a bad film is just too hard to avoid, whether it’s because I saw them out of obligation to someone else or, as is the case with many of the films I saw this past year, I developed a case of morbid curiosity. Sometimes it paid off. Sometimes it didn’t. And while there were some films I did see from the past year were truly very poor ones, there were some that were just downright disappointments, too.
I’ve already gone through and told you about the films that I liked, and I already have a list of my favorite films of 2011 coming to you, as well, but before we do that, let’s get this out of the way, first.
Here is a definitive list of the Top 5 Worst Films I saw from 2011 that I did see, in ascending order from bad to worse to just absolutely awful…
5. Gnomeo & Juliet (February 11)
As if this story weren’t retold enough, here comes Canadian animation studio Arc Productions’ gimmicky little collaboration with Disney, a comedic and decidedly un-tragic retelling of Shakespeare’s Romeo and Juliet. Honestly, it’s not a horrendous film and likely wouldn’t have made this list had I seen some of the more horrible-looking films this past year that I managed to avoid (which is why it’s at the bottom of this list); but Gnomeo & Juliet‘s biggest failing isn’t that it’s awful, but that it’s like that friend who cracks all those corny jokes all the time, who gets everyone laughing but only because, you know, they’re friendly enough and generally nice to have around, but you really can’t bear to hurt their feelings and tell them that they’re not as clever as they think. The title, though, should give you an idea of what kind of humor lies within the film — puns aplenty and a smearing of self-aware sensibility so heavy that you’d think the animators kind of knew they were making a rather bland film and decided to compensate for it. Read more…
The Viewer's Commentary 