Produced by: Michael G. Wilson, Barbara Broccoli
Written by: Neal Purvis, Robert Wade
Edited by: Christian Wagner
Cinematography by: David Tattersall
Music by: David Arnold, Madonna (theme)
Starring: Pierce Brosnan, Halle Berry, Toby Stephens, Rosamund Pike, Rick Yune, John Cleese, Judi Dench, Will Yun Lee, Kenneth Tsang, Colin Salmon, Samantha Bond, Michael Madsen
Based on characters created by Ian Fleming
Originally, my first post-break review was going to be of the most recent film in the Bond franchise, Spectre, however, a medical emergency (not mine) led to an unexpected disruption midway through. (Seriously, how dare my friend?) Everything’s good now, but I’ve now decided to instead go back to my original post-Halloween plans of reviewing one of Pierce Brosnan’s films as a sort of retrospective. Yeah, I originally also decided on not doing that, too, because I needed a bit of a review break, but now that I’m back, and the review for Spectre has been delayed, I figured, “Why not?” Read more…
With a few exceptions, this is the time of year when studios tend to dump lesser films and films not expected to do well during the blockbuster and Oscar seasons — stuff like low budget horror films, foreign imports, romcoms cashing in on Valentine’s Day, and films held off because the studios would rather market them at a time when nothing else is really out, and they might be able to get a few bucks out of those who crave a blockbuster but don’t want to wait a few months. Naturally, being the thrifty, frugal person I am, there were quite a few films I didn’t see during this time period, though with the summer blockbuster season creeping earlier and earlier into the year, such as with the high profile March release of Oz the Great and Powerful and the April release of Iron Man 3, it certainly seems like studios are catching on to the idea that, hey, there’s room to spread them all out. One can only hope that if that trend continues, filmmakers would be more likely to try harder and make films that standout in quality for your dollar… but that’s probably unrealistic.
Anyway, here are the films that, as of this writing, I did not see from January – April 2013, in order of release, as noted on Wikipedia. Please note that, as in the past, I still reserve the right to watch any film that is listed here and then re-remark on the film in one of the upcoming articles on films I did see from 2013. So, yes, you might see some of these films again, and soon… Read more…
My apologies for the slightly longer delay in getting this part out. I kinda got stricken with the flu for a few days, and didn’t exactly feel like writing. But, here it is, the final third of the films I didn’t see in the year 2012. This is the period of time where the summer movies begin to trickle out before coming to a complete stop and where film studios begin their flood of Oscar-baiting dramas and such.
That’s not to say that there are never any good action films released during this time. That also isn’t to say that none of these Oscar-baiting films are any good, too. Far from it. 2012 saw the release of Oscar-worthy greats as Argo, Lincoln, and Zero Dark Thirty releasing in the same time period as cash-grabbing features like the final Twilight film, The Hobbit, and Wreck-it Ralph, all with varying degrees of success. It’s actually a fairly ripe time to watch all sorts of movies, come to think of it. Possibly better than even summer!
Still, it’s not like I’m going to see every film released during this time. If anything, I ran out of time and risked going out of budget for all the films that I did want to see, but didn’t always have time to. Then there were also films that, quite frankly, I could just do without seeing. But, for the purposes of this article, I’ve gone through and examined all these, both enticing and repugnant, some being granted my attention possibly for the last time ever, and have collected my thoughts and impressions below. As mentioned previously in parts 1 and 2, this isn’t my final say on these films, and some of the commentary below is based pretty much on plot synopses, other reviews, skimmings, and a heavy use of Wikipedia and Rotten Tomatoes. I watched the trailers where I could and didn’t for those films that I just basically didn’t care. Which ones are those? Read, and you may just find out! Read more…
Directed by: Garry Marshall
Produced by: Mike Karz, Wayne Allan Rice, Garry Marshall
Written by: Katherine Fugate
Edited by: Michael Tronick
Cinematography by: Charles Minsky
Music by: John Debney
Starring (in alphabetical order, by first name): Abigail Breslin, Alyssa Milano, Ashton Kutcher, Carla Gugino, Cary Elwes, Halle Berry, Héctor Elizondo, Hilary Swank, Jake T. Austin, James Belushi, Jessica Biel, Joey McIntyre, John Lithgow, Jon Bon Jovi, Josh Duhamel, Katherine Heigl, Lea Michele, Ludacris, Matthew Broderick, Michelle Pfeiffer, Penny Marshall, Robert De Niro, Russell Peters, Ryan Seacrest, Sarah Jessica Parker, Sarah Paulson, Seth Meyers, Sofía Vergara, Til Schweiger, Yeardley Smith, Zac Efron
The reason why I ordered the cast in such an order is, quite frankly, because I couldn’t figure out what the main starring role for this film was. Wikipedia had Halle Berry listed first, but I don’t really think her role as a nurse who simply stays put while a man is on his deathbed until it’s revealed in the final couple minutes that she’s also been longing this whole time for her man-in-combat really puts her at the forefront of this film’s ridiculously massive cast. The alphabetizing brings a little sanity to the madness of what amounts to a celebrity hodgepodge of A, B, and C-listers. At the very least, if that list doesn’t get me a bump in the site hits, I don’t know what will. (Possibly a review of Garry Marshall’s previous ensemble casserole, Valentine’s Day….) Read more…