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REVIEW – Love, Simon
Directed by: Greg Berlanti
Produced by: Marty Bowen, Wyck Godfrey, Isaac Klausner, Pouya Shahbazian
Screenplay by: Isaac Aptaker, Elizabeth Berger
Edited by: Harry Jierjian
Cinematography by: John Guleserian
Music by: Rob Simonsen
Starring: Nick Robinson, Josh Duhamel, Jennifer Garner, Katherine Langford, Alexandra Shipp, Jorge Lendeborg, Jr., Logan Miller, Talitha Bateman, Keiynan Lonsdale, Miles Heizer, Joey Pallari, Tony Hale
Based on Simon vs. the Homo Sapiens Agenda by Becky Albertalli
Year: 2018
Full disclosure that, to some of you, may sound a bit more like a disclaimer : I’m embarrassed to admit this, but… I am writing this after having seen the movie in theatres twice. I rarely do that for any film that isn’t something like Star Wars, or a superhero movie, or any number of films that benefit greatly from the sensory stimulus of a theatre experience. Love, Simon, a romcom about teenagers, is hardly in the same category. So why, then, did I pay good money for a second theatrical viewing, including concessions, to see this run-of-the-mill film about teenagers when I didn’t even do the same for Lady Bird, another film about a teenager that was among my personal picks for one of the best films of 2017?
2013 IN REVIEW: The Films I Didn’t See (May – August)
Blockbuster season. Typically the season where most of the most anticipated films of the year — the ones that were hyped perhaps years in advance — are released. Since 2012 was the year when The Avengers gave us the first superhero team-up film and the year when The Dark Knight Trilogy came to a close, 2013 looked like it was going to be rather underwhelming this time of year. I already mentioned that Iron Man 3 was released in April, starting the season early, but Thor: The Dark World wasn’t coming until October!
So that left us with two major superhero films to look forward to: Man of Steel, which divided audiences and critics alike in its more serious, violent portrayal of Superman, and The Wolverine, which made good on its promise to improve upon its abysmal predecessor and managed to be both coherent and quite entertaining. Pixar and DreamWorks continued their rivalries, however, with the release of Pixar’s first prequel, Monsters University, and DreamWorks’ first sequel to cash-cow Despicable Me. (The less said about Turbo, the better.) World War Z finally came out and, predictably, did very well for itself, what with people being starved for zombie entertainment until the next season of The Walking Dead started. Summer also saw the release of some fairly big “prestige” films, however, the likes of which you’d normally expect to come out during the fall and winter Oscar season: Fruitvale Station, The Spectacular Now, and Blue Jasmine each received widespread critical acclaim.
Perhaps my most anticipated films of the summer were Star Trek Into Darkness, Pacific Rim, and The World’s End, which were all released during this time, and I personally actually enjoyed each of them immensely, though to also varying degrees. This was the time period where I did get promoted at my job and also got a raise, so I was able to see a few more films that I just wanted to see during this time. Nevertheless, I couldn’t see them all, so, as with the last time, here are the films that, as of this writing, I did not see from May– August 2013, in order of release, as noted on Wikipedia. Please note that, as in the past, I still reserve the right to watch any film that is listed here and then re-remark on the film in one of the upcoming articles on films I did see from 2013. So, yes, again, you might see some of these films again, and soon… Read more…
2013 IN REVIEW: The Films I Didn’t See (January – April)
With a few exceptions, this is the time of year when studios tend to dump lesser films and films not expected to do well during the blockbuster and Oscar seasons — stuff like low budget horror films, foreign imports, romcoms cashing in on Valentine’s Day, and films held off because the studios would rather market them at a time when nothing else is really out, and they might be able to get a few bucks out of those who crave a blockbuster but don’t want to wait a few months. Naturally, being the thrifty, frugal person I am, there were quite a few films I didn’t see during this time period, though with the summer blockbuster season creeping earlier and earlier into the year, such as with the high profile March release of Oz the Great and Powerful and the April release of Iron Man 3, it certainly seems like studios are catching on to the idea that, hey, there’s room to spread them all out. One can only hope that if that trend continues, filmmakers would be more likely to try harder and make films that standout in quality for your dollar… but that’s probably unrealistic.
Anyway, here are the films that, as of this writing, I did not see from January – April 2013, in order of release, as noted on Wikipedia. Please note that, as in the past, I still reserve the right to watch any film that is listed here and then re-remark on the film in one of the upcoming articles on films I did see from 2013. So, yes, you might see some of these films again, and soon… Read more…
Review: “New Year’s Eve”
Directed by: Garry Marshall
Produced by: Mike Karz, Wayne Allan Rice, Garry Marshall
Written by: Katherine Fugate
Edited by: Michael Tronick
Cinematography by: Charles Minsky
Music by: John Debney
Starring (in alphabetical order, by first name): Abigail Breslin, Alyssa Milano, Ashton Kutcher, Carla Gugino, Cary Elwes, Halle Berry, Héctor Elizondo, Hilary Swank, Jake T. Austin, James Belushi, Jessica Biel, Joey McIntyre, John Lithgow, Jon Bon Jovi, Josh Duhamel, Katherine Heigl, Lea Michele, Ludacris, Matthew Broderick, Michelle Pfeiffer, Penny Marshall, Robert De Niro, Russell Peters, Ryan Seacrest, Sarah Jessica Parker, Sarah Paulson, Seth Meyers, Sofía Vergara, Til Schweiger, Yeardley Smith, Zac Efron
Year: 2011
The reason why I ordered the cast in such an order is, quite frankly, because I couldn’t figure out what the main starring role for this film was. Wikipedia had Halle Berry listed first, but I don’t really think her role as a nurse who simply stays put while a man is on his deathbed until it’s revealed in the final couple minutes that she’s also been longing this whole time for her man-in-combat really puts her at the forefront of this film’s ridiculously massive cast. The alphabetizing brings a little sanity to the madness of what amounts to a celebrity hodgepodge of A, B, and C-listers. At the very least, if that list doesn’t get me a bump in the site hits, I don’t know what will. (Possibly a review of Garry Marshall’s previous ensemble casserole, Valentine’s Day….) Read more…