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2014 IN REVIEW: The Films I Didn’t See (September – December)

January 31, 2015 2 comments

The Skeleton Twins - Kristen Wiig, Bill Hader

I’m not going to waste too much time this year on introductions. For this third and final part of my review of films I didn’t see, we’re going through the prestige Oscar-baiting season. You know — hammy acting, controversial subjects, beautiful cinematography, politics… It’s often a mixed bag, and for every stunning masterpiece, there’s often a lot of films that misstep and come off like a cheap cheeseburger dressed up to look like prime rib. … I’m hungry.

This is by far the biggest portion of films I didn’t see, largely due to a lot of them coming out so much more recently and not being available to rent, if I missed them in theatres.

Yes, 2014 may have been a record year for me seeing the most movies from that year, but there were still movies I never got around to or never even had the ability to see due to either foreign or limited release. I still like going over them, however, as this process often leads  to me finding some unexpected gems that I might enjoy. Some of these I might become so interested in that I see them before I even get to the films I did see, so there is actually a possibility you might see these films reappear in this 2014 in Review series if that becomes the case.

Anyway, here are many of the films from September to December 2014 that I didn’t see, for one reason or another. It’s by no means complete, but that’s what you get when you’re using Wikipedia and Best of/Worst of lists from other sites. Read more…

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Theatrical Review: “Looper”

October 2, 2012 1 comment
Directed by: Rian Johnson
Produced by: Ram Bergman, James D. Stern
Written by: Rian Johnson
Cinematography by: Steve Yedlin
Music by: Nathan Johnson
Starring: Bruce Willis, Joseph Gordon-Levitt, Emily Blunt, Jeff Daniels, Noah Segan, Piper Perabo, Pierce Gagnon, Paul Dano, Garret Dillahunt, Summer Qing
Year: 2012

 

If there’s any one element to appreciate in Looper, it’s the fact that writer/director Rian Johnson has committed to this sort of matter of fact tone with the film. Sure, there’s a bit of exhibition in the form of Joseph Gordon-Levitt’s noir-ish narration, but, for the most part, this is a universe that we’re thrown into, given a bit of explanation for, and are asked to just accept. Though the world of the future as portrayed in the film from the years 2044 – 2074 is one that is relatively plausible in appearance (you’re not going to be seeing any androids, aliens, or regular use of spaceflight), it’s important that we accept this world for what it is despite its more fantastical elements, such as the mutation of telekinetic abilities in some members of the future population, as well as the film’s portrayal of the discovery of backwards time travel. The reason for this is because, though these elements play a great deal of a role in the story, the story itself is not necessarily about these elements. You’re not, for example, going to be getting an explanation as to how time travel was uncovered, just that it exists and is being used for nefarious purposes.

It’s almost impossible to sum up the narrative of Looper without delving into too many specifics and spoiling the plot for you, but I’ll try my best to summarize the premise without giving too much away. Read more…

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