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REVIEW – April and the Extraordinary World [Avril et le Monde truqué]
Directed by: Christian Desmares, Franck Ekinci
Produced by: Michel Dutheil, Franck Elkinci, Marc Jousset
Screenplay by: Franck Ekinci, Benjamin Legrand
Edited by: Nazim Meslem
Music by: Valentin Hadjadj
Starring: Marion Cotillard, Philippe Katerine, Jean Rochefort, Olivier Gourmet, Marc-André Grondin, Bouli Lanners, Anne Coesens, Benoît Brière, Macha Grenon | English: Angela Galuppo, Tony Hale, Tony Robinow, Mark Camacho, Tod Fennell, Paul Giamatti, Susan Sarandon, J.K. Simmons
Inspired by the work of Jacques Tardi
Year: 2015 (France/Belgium), 2016 (U.S.)
Just when it seemed like steampunk had died, along comes April and the Extraordinary World to potentially reignite interest in the once unavoidable not-quite-underground subgenre. A French/Belgian/Canadian coproduction featuring a world guided and inspired by renowned French comic artist Jacques Tardi, Avril et le Monde truqué (as it is known in its native language) is a film that’s a throwback to a great number of things: the sci-fi of Jules Verne, the grand adventure of Tintin (as well as sporting a similar ligne claire art style), that period of time in the 2000s and early 2010s when steampunk was seemingly the new black, and also the bygone days when science was universally understood in terms of all the positive changes it could provide the world, rather than obsessing about how it could potentially destroy us all, regardless of benign or malicious intent. That last point, in particular – the responsibility of science as a force for good in this world and for humanity – is primary focus. Read more…
2012 IN REVIEW – The Films I Didn’t See: May – August
Ah, summer — the time of tentpole blockbuster films that are meant to pad out the studios’ budgets for the next few months. I believe I saw most of the major films released during this period, at least at some point in the year, if not the theatre: The Dark Knight Rises, The Avengers, The Amazing Spider-Man, Men in Black 3, Battleship… Overall, it was a more than satisfying year for quality summer blockbusters that pleased both audiences and critics. … Well, probably not Battleship. That movie was awful.
With so many films that release in theatres that are best seen actually on the big screen, though, it was only inevitable that smaller and/or less interesting films fell by the wayside of my attention span. Critically acclaimed features like Beasts of the Southern Wild and Oslo, August 31st would get unfortunately lumped in with similarly ignored-by-me crap like Step Up Revolution and That’s My Boy this past summer, which isn’t a commentary on their quality as much as it is a reflection of my time and budgetary restrictions. (I subscribe to a number of rental services and still buy and go see movies in theatres, but I can only do so much and thus prioritize quality spectacle films usually over the quality comedies and dramas.)
So while I do believe I got the most out of my summertime viewings that I possibly could, let’s go over the films that I somehow managed to not see as of the time of this writing, for better or for worse. Read more…
2011 in Review: The Films I Liked
As I stated many times over in my overviews of films I didn’t see in 2011, I was a pretty poor person this past year, which limited the number of films I could see in theatres. Luckily, I was able to make up for much of these missed showings through rentals.
Of the films I saw in 2011, few of them were truly bad films. A few were disappointing, many were just about as average as I expected, and a few turned out to be surprises. While none of the films on this list were truly awful in my eyes, not all of them were that remarkable either, with few exceptions. Before I tell you which films I considered to be the worst and which were my favorites, I am once again going to lead you through the year in review of the mostly average films that I actually did see throughout and from 2011 by the time I made this list.
2011 in Review: Notable Films I Managed to Avoid, For Better or For Worse, January – April 2011
A lot of people will say that 2011 was a dull year for film. Unlike previous years, there haven’t been very many huge Oscar-worthy films this year that I, personally can think of. Though The King’s Speech saw its wide release in 2011 (and I even saw it in theatres this past year), it was ultimately a film from 2010 and had, by this year’s Oscars, already won several Oscars and other accolades in the year prior, so it was no longer a contender for this spot.
Of course, 2011 had its share of noteworthy films, such as Moneyball and The Tree of Life, both fo which I still have yet to see but hear fantastic things about. And there’s Hugo, which is a wonderful family film from Martin Scorsese and my top pick for the year. But 2011 was largely a year of recycling. Sequels aplenty, some great, some good, and some completely awful, with plenty of expected and unexpected revivals of old franchises, many of which were completely unnecessary and, yes, unwanted. (Yes, I’m thinking of The Smurfs.)
2011 also saw the end of a few eras in film history, as well. The final Harry Potter released this year to high critical acclaim. For the time being, we’ve also gotten what is intended to be the final film in the Transformers trilogy (until Michael Bay decides he wants to have more money and toss in Jason Statham, who has been rumored to be taking over the lead human role for quite a while now). And we also saw Pixar release their first widely derided film ever in the admittedly-watchable-but-ultimately-thoroughly-mediocre Cars 2.
I went to the theaters plenty of times this year. Most of the films I did see were quite good, if at least enjoyable. A couple were quite bad. But there were still plenty of notable films that were released throughout the year that I didn’t see, neither in theatres nor in my own home. Before I tell you what were my least and most favorite of the year, I thought I’d go through the daunting task of a quick rundown of each notable film released in 2011 that I, for one reason or another, for better or for worse, did not see in theatres or get around to watching on home release. Read more…