Archive
THEATRICAL REVIEW: Keanu
Directed by: Peter Atencio
Produced by: Jordan Peele, Keegan-Michael Key, Peter Principato, Paul Young, Joel Zadak
Written by: Jordan Peele, Alex Rubens
Edited by: Nicholas Monsour
Cinematography by: Jas Shelton
Music by: Steve Jablonsky, Nathan Whitehead
Starring: Jordan Peele, Keegan-Michael Key, Method Man, Tiffany Haddish, Luis Guzmán, Nia Long, Will Forte, Jason Mitchell, Dee Bradley Baker
Year: 2016
I don’t know why I didn’t ever watch more of Keegan-Michael Key and Jordan Peele’s show – you know the one. I’ve obviously seen skits of theirs that have gotten around on YouTube and such and have always found them very funny, so… I have no idea. I do watch a lot of shows, though. That’s probably why. Regardless, the show ended back in 2015, so it’s only fitting that the duo make the leap from TV to the big screen, as they say. And, so, yes, they have done that, and the result is Keanu. … And here is my review of it. Read more…
THEATRICAL REVIEW: 10 Cloverfield Lane
Directed by: Dan Trachtenberg
Produced by: J.J. Abrams, Lindsey Weber
Screenplay by: Josh Campbell, Matt Stuecken, Damien Chazelle
Story by: Josh Campbell, Matt Stuecken
Edited by: Stefan Grube
Cinematography by: Jeff Cutter
Music by: Bear McCreary
Starring: Mary Elizabeth Winstead, John Goodman, John Gallagher, Jr.
Year: 2016
It will do you no good making any direct comparisons between 10 Cloverfield Lane and its predecessor in name only, Cloverfield. The film started out life as an unrelated thriller titled Valencia and doesn’t even follow the same found footage style. Heck, it may not even take place within the same universe, despite some vague references here and there that hint to the contrary that already people may be making too big a deal out of. (Anyone else still want to try a Slusho?) Since the movie’s surprise trailer first released back in January, producer J.J. Abrams has described the film as being a companion film with similar themes, analogous to another type of ride within the same theme park. Fair enough. I’d liken the franchise as being much more like a sci-fi/thriller anthology series like The Twilight Zone or Black Mirror, only in film format. Read more…
REVIEW: Star Wars: The Clone Wars
Directed by: Dave Filoni
Produced by: George Lucas, Catherine Winder
Written by: Henry Gilroy, Steven Melching, Scott Murphy
Edited by: Jason Tucker
Animation directed by: Kevin Jong, Jesse Yeh
Music by: Kevin Kiner, John Williams (theme)
Starring: Matt Lanter, James Arnold Taylor, Ashley Eckstein, Tom Kane, Dee Bradley Baker, Christopher Lee, Samuel L. Jackson, Nika Futterman, Anthony Daniels, Ian Abercrombie, Catherine Taber, Corey Burton, David Acord, Kevin Michael Richardson, Matthew Wood
Year: 2008
When Star Wars Episode VII comes out, it’s funny to think about how it won’t be the seventh film in the series to debut in theatres. No doubt nitpicky players of trivia games will forever be using Star Wars: The Clone Wars as the answer to the trick question, “What was the name of the seventh feature film in the Star Wars series to be released in theatres?” and arguments will then ensue over whether or not the movie actually counts as being part of the saga. Friendships will be destroyed. Families torn apart. Star Wars: The Old Republic servers will crash with the onslaught of flame wars erupting. Read more…
2013 IN REVIEW: Neither the Best, Nor the Worst Films I Saw
I apparently watched a lot more movies in 2013 than I had realized… The films below represent not the worst, not the best, but certainly not always good, but also certainly not always bad movies that I saw in and from 2013. Only films released theatrically were counted, and film festival debuts did not count. Some of these films were truly great, others were truly awful, but none of them were seen fit to be placed in “the worst,” “the best,” nor “my favorite” categories. And so, they go here. Here are some of the films I watched in 2013, in order of release! Read more…
Review: “Foodfight!”
Directed by: Lawrence Kasanoff
Produced by: Lawrence Kasanoff, Joshua Wexler, George Johnson
Written by: Brent Friedman, Rebecca Swanson, Sean Catherine Derek (screenplay) Lawrence Kasanoff (screenplay & story), Joshua Wexler (story)
Edited by: Ray Mupas, Craig Paulsen, Ann Hoyt, Sean Rourke
Production Design by: Jonathan A. Carlson
Music by: Walter Murphy
Starring: Charlie Sheen, Wayne Brady, Eva Longoria, Hilary Duff, Larry Miller, Chris Kattan, Harvey Fierstein, Jerry Stiller, Cloris Leachman, Christopher Lloyd, James Arnold Taylor, Edie McClurg
Year: 2012
Starting production all the way back in 2001, it’d be tempting to call Foodfight! the Duke Nukem Forever of animated movies – with that game’s developer-hopping, financially constrained, 14-year-long development cycle from c. 1997 all the way to its miraculous resurrection and yet disastrous release in 2011 already something of a legend worthy of its own film adaptation – but that would imply that anybody who doesn’t work in marketing actually anticipated this corporate mascot-infested Toy Story rip-off’s release. Read more…
Special Review: “Man on Fire” (2004) – In Memory of Tony Scott
Directed by: Tony Scott
Produced by: Lucas Foster, Arnon Milchan, Tony Scott
Written by: Brian Helgeland
Cinematography by: Paul Cameron
Music by: Harry Gregson-Williams, Lisa Gerrard
Starring: Denzel Washington, Dakota Fanning, Christopher Walken, Giancarlo Giannini, Radha Mitchell, Marc Anthony, Rachel Ticotin, Mickey Rourke
Based on the 1981 novel Man on Fire by A.J. Quinnell (Philip Nicholson)
Year: 2004
While I had already seen a few of Tony Scott’s films well before this one — Top Gun, Crimson Tide, and Spy Game specifically — it wasn’t until his 2004 adaptation of A.J. Quinnell’s novel Man on Fire that I truly became aware of Tony Scott as a director and, more specifically his signature style: the high contrast, gritty visuals combined with high saturation of color, the energetic and often hectic editing, and the often broad portrayal of the characters featured in his films by big name actors… Man on Fire may not have been the first Tony Scott film I’d seen, but it came out at a time when I was transitioning into my interest in cinema beyond just the entertainment value. I remember when I first rented Man on Fire, which was also the last time I had seen the film before just this past week, how enamored I was with the movie’s sleek and arresting visuals, which extended into the film’s extensive use of subtitles, and the story’s relentless and violent portrayal of a damaged man being finally broken. Read more…
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