Archive
2014 IN REVIEW: Everything in Between That I’ve Seen
Finally, we come to the films that I actually did see! As with the films I didn’t see, these films will come at you in three parts: the films that were just somewhere in the middle in terms of quality, the films I greatly disliked, and the films I really enjoyed.
I use those qualitative terms just to avoid confusion over what I’m ranking here. The films in this section range from generally bad to generally quite good, but never elevating to excellence or making me fall in love with them or making me hate them with a passion. That being said, I didn’t expect to like some of the films here as much as I ended up liking them, and, of course, I was letdown by others I actually was kind of looking forward to.
If you don’t see the movie here and didn’t see it in the list of films I didn’t see, then you can almost certainly be guaranteed to find them on one of my next two lists, as this is just a portion of the 121 total films I ended up seeing from 2014 as of this writing, whether in theatres, on DVD/Blu-Ray, or through streaming. Read more…
2011 in Review: Notable Films I Managed to Avoid, For Better or For Worse, October – December 2011
<< Part 1 – January – April 2011
<< Part 2 – May – September 2011
Here it is — the final chapter of films I didn’t see in (or from) 2011. This time of year is usually considered the “Oscar season.” This doesn’t necessarily mean that there aren’t some blockbuster hits still spilling out of the summer months, avoiding much bigger blockbuster hits in favor of taking on films more serious and, presumably, meant for a different audience.
After all, October is Halloween month, and so we usually get a spat of horror films which have a reputation, justified or not, for being generally awful but widely seen films. Since the Saw franchise presumably ended last year with Saw 3D: The Final Chapter, making 2011 the first year without a theatrical Saw release since 2003, perhaps many would consider it refreshing that we got two horror film prequels this year with The Thing and Paranormal Activity 3, with The Human Centipede 2 inexplicably filling in the gap for necessary sequels. Strangely enough, no remakes of horror films. Just a remake of Footloose, which, depending on your perspective, might be scary enough. Zing!
Personally, this was also the time of year where I didn’t really go see any films in theatres at all, having to save up to go see family for Christmas and, thus, get by without pay for work by the end of the year. And Mission: Impossible – Ghost Protocol nearly made this list, had I not gone and seen it at a 9AM showing this past Sunday, which, technically was seeing the film in 2012, but it’s still a 2011 film and I wanted to have it on my favorite list, as I was certain it would be on there. I spent most of this time engrossing myself with films rented and streamed, as evidenced by my focus on getting to know more established horror films I hadn’t seen before in October and my Christmas movie reviews in December (with a lone Thanksgiving film, for good measure) as well as getting more familiar with my own personal, neglected movie collection once again. (I forgot how good most of the films I own are!)
Closing out the year, we seemed to have gotten a lot of Oscar bait that wasn’t necessarily as promising as previous years. No Black Swans. No True Grits. Even the usually reliable Clint Eastwood, having directed Oscar gold for so many years, was having a tough time this year. Like a second coming of summer, the films of fall/winter 2011 were largely big name releases seemingly missed the summer window in production. Not all of them were bad, and some were even brilliant, but ultimately this felt like a season where there were very few worthy contenders for Oscar gold. Luckily, this might just mean that the types of films being released are just being spread across the year now instead of being concentrated all at once. Ticket sales are supposedly dropping, and the studios are possibly experimenting with timing, but only time will tell if the coming years prove whether this theory of mine that I admit I just came up with holds any water. Read more…
Trailer: “The Hobbit: An Unexpected Journey”
Unexpected indeed! Santa apparently forgot one gift after he delivered The Dark Knight Rises trailer. Back down the chimney he came to deliver one final (?) gift!
As soon as that music played, I got shivers down my spine. I’m not nearly as much a Lord of the Rings fanatic as my friends are — I’ve barely gotten into the first book and find it hard to get through Tolkien’s wordy, heavy prose, which is why I’m so thankful for Peter Jackson’s film series, which are masterpieces in their own right. I imagine those fans of the books and their related stories are kind of like when I scoff at people who think a great song is by a newer artist who covered it (or, sadly, just sampled the older, better song in one sad case involving Kid Rock and “Sweet Home Alabama”…), but I just can’t get into the books (or most books in general) as I can film. I’m a very visually-oriented person in many ways, and thanks to Jackson, I am able to at least partake in some form of Rings fandom, even though I at least am aware that it is a much different experience. Hey, you don’t necessarily expect everyone to read every book of every film adaptation, do you?
Anyway, my seemingly anti-intellectual habits aside, I’m so glad that Peter Jackson has been able to revisit the world of Middle Earth. Sam Raimi may have done well, and it’s still a tragedy that Guillermo del Toro wasn’t able to put his own touch on Jackson’s take on the world, but if it couldn’t be him, it might as well be the original, right? Of course, The Hobbit is decidedly lighter in tone compared to the heavy warfare of The Lord of the Rings, but it looks like Jackson has been able to put just the right touches on this adaptation — touches that I hope hold over into the second film in this revisit, which will be an almost entirely new story that bridges The Hobbit to the epic trilogy.
Cate Blanchett and Ian McKellen don’t look to have aged a day since Return of the King, which is good since they’re technically supposed to be younger here, and it looks as though we’ll be in for a treat with fun looking new characters in the film, new takes on familiar characters (with The Office‘s Martin Freeman taking over as the younger Bilbo Baggins), and, of course Gollum along for what looks to be a gentler, more light-hearted adventure. Also cast in the film series are the returning Orlando Bloom as Legolas, Hugo Weaving as Elrond, Elijah Wood and Ian Holm as Frodo and Bilbo Baggins (apparently these films are flashbacks), and Christopher Lee as Saruman, with new cast members consisting of Stephen Fry, Richard Armitage, Graham McTavish, and several others I admittedly don’t recognize but will likely in the future.
Of course, the question remains: are we going to see an extended, 4 hour version of each of these films, as well? I don’t think marathoners can take it…