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Halloween Movie Month 2016
Six. This year marks the sixth time I have done a Halloween movie theme month. Not only that, it also signals that I have now been running this blog since I was 25. This year marks my 30th birthday, which also just so happens fall on Halloween. To say that Halloween 2016 is a scary one for me is an understatement. But, the reviews must go on! (Well, not really, but I enjoy writing them, even if I’m fairly certain not many people are actually reading these.) As a result, though, you would think that I might have big plans for this year. Well… I don’t. But one idea did just occur to me, and it’s actually something I intended on reviewing last year, but it completely escaped my mind: How about I review a film starring one of my former high school classmates that also just so happens to be on Netflix?
The film is called “Darkroom” and stars aforementioned classmate Kaylee DeFer, whom I went to school with until she moved. I’m not going to pretend I knew her well or anything – she was perfectly nice, but we just didn’t have the same social circles – but it’s still kinda surreal to have a former classmate who has now had roles in films shows like Gossip Girl and was even a crucial character in the string of events that led to Ted Mosby meeting his wife on How I Met Your Mother. I think the most interaction I ever had with her was our freshman year during our school’s Shakespeare week, and we were assigned to reenact the gravedigger scene from Romeo & Juliet. I sliced my hand open on the metal pole I was using as a prop and started bleeding, resulting in the scene – and my own burgeoning acting career – being cut considerably short. So… yeah, I’ll get around to doing that one, unless it’s no longer available on Netflix or some other service. (And, really, why wouldn’t it be? I only discovered it because I noticed her on the cover while browsing, and that’s probably the only way anyone has watched it.)
I do intend on reviewing some other horror classics I haven’t gotten around to, though, perhaps the original Amityville Horror, as well as perhaps some newer ones, like a certain computer-based film I actually put on my Favorite Films of 2015 list that I admittedly only saw once. (I’m curious whether it holds up, particularly by just watching it on a laptop this time.) I do think this year will be considerably more horror-heavy than previous years, if only because I’ve actually been really in the mood for them, rather than the more lighthearted stuff like It’s the Great Pumpkin, Charlie Brown and Ghostbusters (take your pick which, just don’t troll my site). Perhaps it’s just the bleak impending doom of turning 30, though? [shudder] I guess, if the mood strikes, I could end up doing something more cheerful.
Regardless of what goes on though, just know that I’ve been looking forward to this month and watching some suitable movies for it. Until then, consider reading some of my previous seasonally appropriate reviews, linked below.
Happy Halloween!
Dawn of the Dead (Unrated Director’s Cut, 2004)
Don’t Breathe (2016)
Friday the 13th (1980)
Ghostbusters (1984)
Ghostbusters (2016)
Halloween (1978)
Halloween (Unrated Director’s Cut, 2007)
It’s the Great Pumpkin, Charlie Brown
The Last House on the Left (1972)
The Last House on the Left (2009)
Let the Right One In (Låt den rätte komma in)
The Nightmare Before Christmas
A Nightmare on Elm Street (1984)
A Nightmare on Elm Street (2010)
A Nightmare on Elm Street 2: Freddy’s Revenge
A Nightmare on Elm Street 3: Dream Warriors
Poltergeist (1982)
Psycho (1960)
Rare Exports: A Christmas Tale
Slither (2006)
Sweeney Todd: The Demon Barber of Fleet Street (2007)
The Thing (1982)
Under the Skin (2013)
Halloween Movie Month 2015
It’s that time of year again — October 2015 kicks off the fifth annual Halloween Movie Month (formerly known as “Scary Movie Month” but changed because I just didn’t want to review only scary movies)!
You might think that for such an auspicious occasion, I will have something special planned. Well… you’d be wrong. I don’t. I’m planning on winging it, quite honestly. Why? Because life. Lately, I’ve been pretty busy, and this has led to me being very tired, and so I basically have been writing reviews based on what I feel like, and I plan on continuing that for the month of October in regards to season-appropriate movie choices.
That being said, though, I am definitely looking forward to reviewing movies for this year, and I do at least have some things in mind that I want to get to. The first movie I plan on reviewing is a pretty big one, too, and is one that I’ve been meaning to watch for years but have, quite honestly, been a bit too intimidated by to really feel like I could give it its due. However, with the movie exiting Netflix streaming services at the beginning of the month, I felt like it was a sign for me to just do it before it’s too late. Which movie is it, you ask? Well, fine then, I’ll tell you: it’s The Exorcist!
So yeah, no formal plans for this milestone month, but, as with every subsequent year I do this, I increasingly look forward to expanding my exposure to the horror genre and other Halloween-related movies. Seriously, I’ve really grown in my appreciation for these things, and I always find myself holding back on reviewing certain movies until I can do it for this time of year. As always, though, I’m going to start the month off by leaving you with a convenient list of previous Halloween-appropriate reviews for you to peruse.
Happy Halloween!
Dawn of the Dead: Director’s Cut (2004)
Halloween (2007, Unrated Director’s Cut)
It’s the Great Pumpkin, Charlie Brown
The Last House on the Left (1972)
The Last House on the Left (2009)
The Nightmare Before Christmas
A Nightmare on Elm Street (1984)
A Nightmare on Elm Street (2010)
A Nightmare on Elm Street 2: Freddy’s Revenge
A Nightmare on Elm Street 3: Dream Warriors
Rare Exports: A Christmas Tale
THEATRICAL REVIEW: Zombeavers
Directed by: Jordan Rubin
Produced by: Evan Astrowsky, Chris Bender, Christopher Lemole
Written by: Al Kaplan, Jordan Rubin, Jon Kaplan
Edited by: Ed Marx, Seth Flaum
Cinematography by: Jonathan Hall
Music by: Al Kaplan, Jon Kaplan
Starring: Rachel Melvin, Hutch Dano, Cortney Palm, Lexi Atkins, Bill Burr, Jake Weary, Peter Gilroy, Rex Linn, Brent Briscoe, Phyllis Katz, Robert R. Shafer, Chad Anderson
Year: 2015
“We cannot turn against each other right now. That is exactly what the beavers would want!” That’s the line in the trailer that sold my buddy and me on seeing this film. And, as if that weren’t enough, the trailer ended with the tagline, “They’ll dam you to hell!” Ha! This movie knew what it was, and the fact that it was getting decent enough reviews on Rotten Tomatoes (64% positive!), we figured, you know… why not? So he came driving up 100 miles to visit, with Zombeavers being half the reason for our hanging out. (He also wanted to go to Ikea.)
Read more…
2014 IN REVIEW: Everything in Between That I’ve Seen
Finally, we come to the films that I actually did see! As with the films I didn’t see, these films will come at you in three parts: the films that were just somewhere in the middle in terms of quality, the films I greatly disliked, and the films I really enjoyed.
I use those qualitative terms just to avoid confusion over what I’m ranking here. The films in this section range from generally bad to generally quite good, but never elevating to excellence or making me fall in love with them or making me hate them with a passion. That being said, I didn’t expect to like some of the films here as much as I ended up liking them, and, of course, I was letdown by others I actually was kind of looking forward to.
If you don’t see the movie here and didn’t see it in the list of films I didn’t see, then you can almost certainly be guaranteed to find them on one of my next two lists, as this is just a portion of the 121 total films I ended up seeing from 2014 as of this writing, whether in theatres, on DVD/Blu-Ray, or through streaming. Read more…
2013 IN REVIEW: Neither the Best, Nor the Worst Films I Saw
I apparently watched a lot more movies in 2013 than I had realized… The films below represent not the worst, not the best, but certainly not always good, but also certainly not always bad movies that I saw in and from 2013. Only films released theatrically were counted, and film festival debuts did not count. Some of these films were truly great, others were truly awful, but none of them were seen fit to be placed in “the worst,” “the best,” nor “my favorite” categories. And so, they go here. Here are some of the films I watched in 2013, in order of release! Read more…
REVIEW: Dawn of the Dead: Unrated Director’s Cut (2004)
Directed by: Zack Snyder
Produced by: Marc Abraham, Eric Newman, Richard P. Rubinstein; Michael D. Messina (co-producer); Armyan Bernstein, Thomas A. Bliss, Dennis E. Jones (executive producers)
Written by: James Gunn (screenplay); Michael Tolkin, Scott Frank (uncredited rewrites)
Edited by: Niven Howie
Cinematography by: Matthew F. Leonetti
Music by: Tyler Bates
Starring: Sarah Polley, Ving Rhames, Jake Weber, Mekhi Phifer, Ty Burrell, Michael Kelly, Kevin Zegers, Michael Barry, Lindy Booth, Jayne Eastwood, Boyd Banks, Inna Korobkina, R.D. Reid, Kim Poirier, Matt Frewer, Louis Ferreira, Bruce Bohne
Based on the 1978 film directed by George A. Romero
Year: 2004
I’m a bit of a Zack Snyder apologist, as I actually mostly enjoy the films of his that I have actually seen – which is pretty much every film he’s directed, save for Sucker Punch and The Owls of Ga’Hoole – coincidentally, his least admired movies, so take of that what you will. I enjoyed 300, really liked Watchmen, and I honestly did not understand the backlash against Man of Steel, which I thought was a fantastic reimagining of Superman for the modern era. I think a lot of it comes from the fact that I so enjoyed his remake of Dawn of the Dead, which I managed to see ahead of the original. I saw it in high school thanks to the extinct Hollywood Video’s MVP rental program that my family subscribed to (and that I took advantage of more than anyone), and it was one of the first horror films that I decided to give a try after years of thinking the entire genre sucked. The original wasn’t available at the store near me, so I settled on the remake, which I had heard was pretty good on its own, and I remember that I thought to myself that doing so in that order would allow for me to appreciate the remake on its own terms. Perhaps nostalgia goggles have tainted my perspective, but I can still confirm that, to this day, I still like this one just a smidge better. Read more…
REVIEW: Zombieland
Directed by: Ruben Fleischer
Produced by: Gavin Polone
Written by: Rhett Reese, Paul Wernick
Edited by: Peter Amundson, Alan Baumgarten
Cinematography by: Michael Bonvillain
Music by: David Sardy
Starring: Woody Harrelson, Jesse Eisenberg, Emma Stone, Abigail Breslin, [redacted]
Year: 2009
As a sort of American counterpart to the immortal and Halloween annual favorite of mine, Shaun of the Dead, Zombieland is surprisingly not very derivative of its then-5-year-old cousin from across the Atlantic and managed to carve out its own little niche of fandom (though there are undoubtedly overlaps between the two films). Whereas Shaun (now possibly the most referenced title on this blog) sought to contrast everyday life and troubles amidst the interruption of a zombie apocalypse, Zombieland is rather more about the adaptation to a new way of life post-apocalypse. Rather than take a bleak outlook, however, the film acknowledges that, much like in real life, the horrors and tragedies of the world are often offset by the little things that, more or less, make up for all the crap. Read more…
Review: “Juan of the Dead” (“Juan de los Muertos”)
Directed by: Alejandro Brugués
Produced by: Gervasio Iglesias, Inti Herrera
Written by: Alejandro Brugués
Cinematography by: Carles Gusi
Music by: Sergio Valdés
Starring: Alexis Díaz de Villegas, Jorge Molina, Andrea Duro, Andros Perugorría, Jazz Vilá, Eliecer Ramírez, Antonio Dechent, Blanca Rosa Blanco
Year: 2011
I first heard about this movie through a Facebook ad. As you may already know, Shaun of the Dead is one of my favorite movies, and, so, naturally, I have it listed as such on my Facebook page. Released in the US under the same studio, Focus Features, I was naturally notified in my feed of what can essentially be considered that film’s Cuban cousin, Juan of the Dead. Intrigued at the prospect of what could’ve possibly been an international effort to portray the same outbreak, but wary of the film’s potential to just essentially be a remake, I naturally put the film in my movie queue. My expectations weren’t too high for this film, nor was I expecting utter crap. Luckily, the movie wasn’t. And it makes smart usage of the zombie-infested setting to say some poignant things about life as a family in Cuba. (However, it’s unfortunately not the beginning of some international project to depict a global outbreak. Darn.) Read more…
Special Review: “28 Weeks Later” – Portrait of Domestic Abuse
Directed by: Juan Carlos Fresnadillo
Produced by: Enrique López-Lavigne, Andrew Macdonald, Allon Reich; Bernard Bellew (co-producer); Danny Boyle, Alex Garland (executive producers)
Written by: Rowan Joffe, Juan Carlos Fresnadillo, Enrique López Lavigne, Jesús Olmo
Cinematography by: Enrique Chediak
Music by: John Murphy
Starring: Robert Carlyle, Rose Byrne, Jeremy Renner, Harold Perrineau, Catherine McCormack, Imogen Poots, Mackintosh Muggleton, Idris Elba
Year: 2007
28 Weeks Later lacks the originality, rawness, and, frankly, the mystique of Danny Boyle’s first film, but it’s a sequel that figures out a perfect way to have the rage virus return and deliver even more terrifying thrills. New director Juan Carlos Fresnadillo remains faithful to the tone of the first film yet focuses on entirely new characters and new ideas in a story that nonetheless continues where the last film left off. But while 28 Days Later told the story of a group of individuals coming together to form what could effectively be called a family, 28 Weeks Later intriguingly stands as a counterpoint to that narrative, weaving into its plot a story about a family torn apart by deceit and violence, and the two children who find themselves caught up in a system that, though well intentioned, may not be able to save them from a horrible fate.
(Due to the essay-like nature of this review, please know that SPOILERS are necessary for my examination, and, thus, do lie ahead!) Read more…
Theatrical Review: “ParaNorman”
Directed by: Sam Fell, Chris Butler
Produced by: Travis Knight, Arianne Sutner
Written by: Chris Butler (screenplay), Arianne Sutner, Stephen Stone (story)
Cinematography by: Tristan Oliver
Music by: Jon Brion
Starring: Kodi Smit-McPhee, Tucker Albrizzi, Anna Kendrick, Casey Affleck, John Goodman, Leslie Mann, Jeff Garlin, Jodelle Ferland, Christopher Mintz-Plasse, Elaine Stritch, Bernard Hill, Jodelle Ferland, Tempestt Bledsoe, Hannah Noyes, Ariel Winter
Year: 2012
There are several things that I admire about this movie that I’m just going to highlight from the outset:
- The animation is impressive. I have no idea how they pulled off the visually (not to mention emotionally) charged ending effects, but I would really like to see the featurette on the home release on that.
- Getting back to the emotion, there are moments in the film that feel stunningly authentic, and that ending really does pay off.
- The filmmakers largely stayed away from obvious pop culture horror references that would be so prevalent in so many big studio film efforts. There are some, one of which is revealed in the trailers (“You want to play hockey?”) and another that is a lot more subtle than this (Norman’s ringtone is from The Exorcist), but, for the most part, the film is a much calmer, more self-contained experience than it could have been.
I lead into this review with those points because I don’t want to sound like I didn’t enjoy this film, because that wouldn’t necessarily be true. The fact of the matter, however, is that for all the things this film excels at, there are several things that hold it back for me from being the apparent critical darling that Rotten Tomatoes would suggest that ParaNorman is.
The Viewer's Commentary 