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2014 IN REVIEW: Everything in Between That I’ve Seen
Finally, we come to the films that I actually did see! As with the films I didn’t see, these films will come at you in three parts: the films that were just somewhere in the middle in terms of quality, the films I greatly disliked, and the films I really enjoyed.
I use those qualitative terms just to avoid confusion over what I’m ranking here. The films in this section range from generally bad to generally quite good, but never elevating to excellence or making me fall in love with them or making me hate them with a passion. That being said, I didn’t expect to like some of the films here as much as I ended up liking them, and, of course, I was letdown by others I actually was kind of looking forward to.
If you don’t see the movie here and didn’t see it in the list of films I didn’t see, then you can almost certainly be guaranteed to find them on one of my next two lists, as this is just a portion of the 121 total films I ended up seeing from 2014 as of this writing, whether in theatres, on DVD/Blu-Ray, or through streaming. Read more…
REVIEW: Zombieland
Directed by: Ruben Fleischer
Produced by: Gavin Polone
Written by: Rhett Reese, Paul Wernick
Edited by: Peter Amundson, Alan Baumgarten
Cinematography by: Michael Bonvillain
Music by: David Sardy
Starring: Woody Harrelson, Jesse Eisenberg, Emma Stone, Abigail Breslin, [redacted]
Year: 2009
As a sort of American counterpart to the immortal and Halloween annual favorite of mine, Shaun of the Dead, Zombieland is surprisingly not very derivative of its then-5-year-old cousin from across the Atlantic and managed to carve out its own little niche of fandom (though there are undoubtedly overlaps between the two films). Whereas Shaun (now possibly the most referenced title on this blog) sought to contrast everyday life and troubles amidst the interruption of a zombie apocalypse, Zombieland is rather more about the adaptation to a new way of life post-apocalypse. Rather than take a bleak outlook, however, the film acknowledges that, much like in real life, the horrors and tragedies of the world are often offset by the little things that, more or less, make up for all the crap. Read more…
Special Review: “Superbad” – A Moving Dedication
Directed by: Greg Mottola
Produced by: Judd Apatow, Evan Goldberg, Seth Rogen, Shauna Robertson
Written by: Evan Goldberg, Seth Rogen
Edited by: William Kerr
Cinematography by: Russ T. Alsobrook
Music by: Lyle Workman
Starring: Jonah Hill, Michael Cera, Christopher Mintz-Plasse, Bill Hader, Seth Rogen, Emma Stone, Martha MacIsaac
Year: 2007
I’m baaaaaaack! Sorry I haven’t written in a few weeks. The reason? I moved!
And, as always, moving brought with it a great deal of stress along with a lack of time and, mostly, energy. Then, after spending a week in my new apartment doing – well, admittedly very little, I went on a much needed vacation to visit my grandparents – my first real vacation in quite some time, as I haven’t had the chance to leave the state in many years and haven’t seen my grandparents in almost as much time. So, yeah, things have been busy, and I effectively wound up taking a bit of a hiatus from my writing hobby. But, yes, I am back, and I think I’ve sufficiently stored up enough rest to once again pick up my duties. (Haha! Gross imagery…)
Now, before I begin the official portion of my review, I figure I should give the appropriate introduction as to why I have chosen this to be my first standalone review in quite some time. You see, not only did I move to a new apartment this past month, I also had to say goodbye to my roommate of the past 6 ½ years, who also just happens to be my best friend. Read more…
Theatrical Review: “The Amazing Spider-Man”
Directed by: Marc Webb
Produced by: Avi Arad, Laura Ziskin, Matt Tolmach
Written by: JamesVanderbilt, Alvin Sargent, Steve Kloves (screenplay); James Vanderbilt (story)
Cinematography by: John Schwartzman
Music by: James Horner
Starring: Andrew Garfield, Emma Stone, Rhys Ifans, Denis Leary, Campbell Scott, Irrfan Khan, Martin Sheen, Sally Field, Chris Zylka
Year: 2012
A Foreword on the Reboot
Is it just me, or is cynicism the attitude of late with movie going audiences these days? I get that we’re starting to realize, more and more, that Hollywood, as a business, just really doesn’t care about the art, of their industry, or originality, or creativity as much as it does money, but, really, all the cynics should’ve realized this a lot sooner ’cause that’s how it’s always been. The attitude I’ve seen on internet discussions can hardly be called “jaded,” because there’s just too much hostility, less like a cry for higher quality entertainment and more like animosity towards any film that we really will know little about until they actually come out — primarily with films that involve the phrase “reboot.” It’s really all Christopher Nolan’s fault, to be honest. He had the audacity to reboot the Batman film franchise and turn it into gold, which in Hollywoodese means that everything must be given the gritty reboot treatment!
The reaction to his two Batman films has been largely positive, ecstatic, even, but with The Dark Knight Rises coming out soon, it seems like people are already hailing it as an inevitable letdown for some reason. Casino Royale was pretty much the first major franchise to be given the reboot treatment, and that worked out pretty well, too, though even that film had its critics — people who hated the film based on the blonde-and-blue-eyed Daniel Craig or its turn towards the gritty and serious, people who apparently longed for the days of gadgetry, Denise Richards, and James Bond in space, I suspect. Like with Batman, I’m already seeing people ready to see them crash and burn. People are apparently tired of revisiting old franchises and their stories all over again, despite the fact that they keep turning up for these films and convincing the studios otherwise. Perhaps the greatest affront to reboot-haters out there these days is the latest Spider-Man film.
Though they had their flaws, the Sam Raimi films created a largely appealing world for the Webslinger and had a largely fantastic cast in place. Scenes from the series — from the upside down kiss in the first film, the terrifying awakening of Doc Ock and the moving train sequence in the second, or even the overacted silliness of pretty much everything in the third (Peter strutting, emo Peter, James Franco’s hilarious delivery of the line “So good”) — all became iconic moments in superhero cinema. With this reboot, all that has seemingly been painted over, replaced with something new and unfamiliar masquerading as the old. I’d be lying if I said I wasn’t among them for a while, but after the disastrous Spider-Man 3, I was willing to give it a chance, which is more than some were willing to give — there were actually those out there who were hoping that this would actually fail and teach Sony a lesson, largely due to the even more worrisome fact that Sony was more concerned about losing their hold on the Spider-Man license and allowing them to revert back to the now-Disney-owned Marvel.
Review
Despite being a reboot and, therefore, another origin story, The Amazing Spider-Man manages to cover enough new ground and present a familiar character and his world in new ways that it never feels like the film is aping the Raimi films while capturing that Spider-Man spirit. The continuity between the two franchises is non-existent — the stories of Peter’s spider bite and the death of Uncle Ben both get retold, as expected, but other than that, the new film is completely different in tone, style, and personality. The previous films took on a largely soap opera-like sensibility and a cartoon style for their action scenes and characterizations which emphasized their comic book origins, but director Marc Webb took this new series (and it will be a series, I assure you) in a more down-to-earth direction that manages to still be lively, retaining the heart and fun nature of the character and his world intact, though, as with the Raimi films, there are a few elements sacrificed along the way. Read more…
2011 in Review: The Films I Liked
As I stated many times over in my overviews of films I didn’t see in 2011, I was a pretty poor person this past year, which limited the number of films I could see in theatres. Luckily, I was able to make up for much of these missed showings through rentals.
Of the films I saw in 2011, few of them were truly bad films. A few were disappointing, many were just about as average as I expected, and a few turned out to be surprises. While none of the films on this list were truly awful in my eyes, not all of them were that remarkable either, with few exceptions. Before I tell you which films I considered to be the worst and which were my favorites, I am once again going to lead you through the year in review of the mostly average films that I actually did see throughout and from 2011 by the time I made this list.