Directed by: James Mangold
Produced by: Hutch Parker, Simon Kinberg, Lauren Shuler Donner
Screenplay by: Scott Frank, James Mangold, Michael Green
Story by: James Mangold
Edited by: Michael McCusker, Dirk Westervelt
Cinematography by: John Mathieson
Music by: Marco Beltrami
Starring: Hugh Jackman, Patrick Stewart, Dafne Keen, Boyd Holbrook, Stephen Merchant, Richard E. Grant, Eriq La Salle, Elise Neal, Elizabeth Rodriguez, Jayson Genao
Released in 2000, about 3 years after the abomination known as Batman & Robin seemingly killed off the superhero film genre, the first X-Men, even more so than its 1998 predecessor Blade, proved that comic book superhero movies really could find new life in cinemas, provided that the filmmakers took their subjects seriously. While Fox’s X-Men films have had more than their fair share of stumbles, particularly last year’s massively disappointing X-Men: Apocalypse as well as more egregious works like X-Men Origins: Wolverine and The Last Stand, they have also proven that the studio is willing to take some bold chances, too, rebooting and reorienting timelines with period films, or greenlighting a breakout R-rated comedy action film that proved that risks sometimes pay off with Deadpool. By far, however, the breakout element out of any of these films has been Hugh Jackman as Wolverine, who has been a constant presence throughout all these films from the very beginning, appearing in films even when his presence wasn’t necessarily needed because the studio knew he was just that good in the role. Hugh Jackman’s a talented guy, no doubt, but we’re all curious about whether or not it would have been as good as it has been had it not been for his casting in the first X-Men film – something that both nearly didn’t happen and was once a controversial decision at the time due to Jackman’s height betraying the comic character’s usually small stature. That was over 17 years ago, however, and now we’re facing the end of an era, with Jackman declaring Logan will be his final film as the iconic berserker. And thank God for that, as I think we’d all be disappointed if his cameo in Apocalypse was the end and not the phenomenal Logan – a film that may very well be the best superhero adaptation since The Dark Knight. Read more…
Produced by: Bryan Singer, Lauren Shuler Donner, Simon Kinberg, Hutch Parker
Screenplay by: Simon Kinberg
Edited by: John Ottman, Michael Louis Hill
Cinematography by: Newton Thomas Sigel
Music by: John Ottman
Starring: James McAvoy, Michael Fassbender, Jennifer Lawrence, Oscar Isaac, Nicholas Hoult, Rose Byrne, Tye Sheridan, Sophie Turner, Kodi Smit-McPhee, Evan Peters, Alexandra Shipp, Olivia Munn, Ben Hardy, Lucas Till, Josh Helman, Lana Condor, Tomas Lemarquis, Hugh Jackman
Based on the Marvel comics created by Stan Lee and Jack Kirby
I actually didn’t initially intend on reviewing this, considering the number of superhero movies I’ve reviewed lately as well as the fact that, apart from The Wolverine, I haven’t reviewed any previous X-Men movies, and this was the third in the rebooted timeline series. However, in the wake of seeing it and thinking on it for about a day, I just couldn’t help myself, because I seriously needed to get this out of me in some way beyond nagging the one friend of mine who saw it with me. Read more…
I apparently watched a lot more movies in 2013 than I had realized… The films below represent not the worst, not the best, but certainly not always good, but also certainly not always bad movies that I saw in and from 2013. Only films released theatrically were counted, and film festival debuts did not count. Some of these films were truly great, others were truly awful, but none of them were seen fit to be placed in “the worst,” “the best,” nor “my favorite” categories. And so, they go here. Here are some of the films I watched in 2013, in order of release! Read more…
Produced by: Lauren Shuler Donner, Hugh Jackman, Hutch Parker, John Palermo
Written by: Mark Bomback, Scott Frank
Edited by: Michael McCusker
Cinematography by: Ross Emery
Music by: Marco Beltrami
Starring: Hugh Jackman, Tao Okamoto, Rila Fukushima, Hiroyuki Sanada, Will Yun Lee, Svetlana Khodchenkova, Brian Tee, Haruhiko (“Hal”) Yamanouchi, Ken Yamamura, Famke Janssen
Based on volume one of the comic book Wolverine by Chris Claremont
It’s pretty telling that the filmmakers were confident enough in their hero that they felt like they could ditch the entire X-Men moniker for the film and coast solely upon the loner mutant who has been the team’s most famous member, Wolverine. The previous attempt (what was to be one of many) to cash in on the clawed Canuck, X-Men Origins: Wolverine, was without a doubt one of the messiest attempts to cash in on the X-Men and superhero craze, but its relative success at the box office, despite being behind the previous two X-Men films, proved that, as with comic book fans, the character had just as much staying power with movie audiences beyond his relationships to his teammates. Obviously, this meant that a sequel would be put into production – even as the series would ditch the whole X-Men Origins pretense (with the next entry, Magneto, being put down with a plastic bullet) and go in a decidedly new, exciting, and largely well-received direction with the period film, X-Men: First Class. Read more…
It’s funny to think that there ever was a time when superhero movies weren’t really the cash grabs that they seem to be these days. Even after the 1978 release of the first theatrical Superman film brought along with it higher production values and a certain level of seriousness to the material, superhero films continued to largely be considered high-risk material and no one was really able to capture that same level of respect and anticipation as 1989’s Batman. Despite going through another slump in the 90s, these days, it’s hard to imagine a year going by without a few studios trying to cash in on the superhero craze.
With 2012 seeing the successful release of two especially remarkable achievements in the realm of superhero films, The Avengers and The Dark Knight Rises, and with original properties like Chronicle and The Incredibles already proving that superhero films don’t have to be adaptations of pre-existing comic book properties to be successful, it’s very clear that this trend isn’t going to die down any time soon. Heck, regardless of quality, even films like My Super Ex-Girlfriend illustrate that the “superhero genre” isn’t really a “genre” at all, but rather an easily malleable plot device.
All that being said, it can be hard to discern which films are worth your time. Now, I’m no expert on comic books, having primarily grown up getting to know most of these characters from films, TV shows, and video games, but I do have a love for superheroes just the same, and I do consider these mediums to be a part of the ever expanding reach of these characters beyond their comic book origins. As I write this, I also admit I’m running on a superhero high these days, as I just came off a string of reviews for The Dark Knight Trilogy. Also of note is that The Viewer’s Commentary is not only now on its 100th post, but is also coming upon its first anniversary, and I figured that I would do something grand to celebrate.
Initially, I was thinking, “Why not do an updated Top 10 Superhero Films list?” but that just came off as being not grand enough, and doubling that number still didn’t feel ambitious enough. So I set myself on a much grander mission: To make an ever-evolving list of not just the best or worst superhero films, but of ALL the superhero films I had ever seen, leading to the creation of this list you see before you.
Currently, I am limiting this list to just theatrically-released films, as that still provides me with a lot of ground to cover, though it will definitely begin to include exceptions for non-theatrical features such as Batman Beyond: Return of the Joker and Dr. Horrible’s Sing-Along Blog. Furthermore, I am abstaining from listing films that I have yet to see or have not seen in quite some time and, thus, do not feel comfortable passing judgment on. As such, there will be omissions, some of them obvious, some of them not so much, but that’s the beauty of the idea behind this project: It’s an evolving list.
So, as I see newer movies, re-watch forgotten ones, and also discover the ones that have somehow gone unseen by me, I will continue to add them to this list, which is also being given its own all-encompassing page here on The Viewers Commentary. Films will be neatly separated into the five easy categories – The Awful, The Bad, The Average, The Good, and The Excellent – and each film within each category ranked from least to greatest in quality (all my opinion of course). Do not consider this list or the commentary to be definitive reviews, but if I do have a review for the movie, rest assured that it will be linked to.
And so, I present to you the first part of this list for your reading pleasure, coming from the bottom of the barrel, the current inductees to The Awful and The Bad lists! Read more…