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2014 IN REVIEW: The Worst Movies of the Year

February 15, 2015 3 comments

The Purge: Anarchy - gangster

This 2014 in Review series is taking me a lot longer than I anticipated, but such is life and work. After this, we’ll be getting to my favorite films of the year, but before I do that, it’s time to pass judgment on some of the worst films released in 2014.

These are the movies that bored me, that angered me, that were so bad they left me bewildered as to how they even got released in the state they’re in. For your reference, this year I have also included the Rotten Tomatoes score for each movie. While I cannot say that the order I’ve placed them in is definitive, even for me, they are arranged roughly from worse to worst, ending with my pick for the #1 worst film of the year. I have more picks for 2014 than I ever have in the past, but it was a pretty easy and obvious pick, though some of you might be thinking of the movie I put in the #2 slot. I have my reasons why it went there and not at the top, but you’ll just have to read to find out.

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REVIEW: Arthur Christmas

December 25, 2014 3 comments
Arthur ChristmasDirected by: Sarah Smith
Produced by: Steve Pegram
Written by: Peter Baynham, Sarah Smith
Story by: Sarah Smith (uncredited)
Edited by: John Carnochan, James Cooper
Animation studio: Aardman Animations
Music by: Harry Gregson-Williams
Starring: James McAvoy, Hugh Laurie, Bill Nighy, Jim Broadbent, Ashley Jensen, Imelda Staunton, Marc Wootton, Laura Linney, Eva Longoria, Ramona Marquez, Michael Palin
Year: 2011

 

Every year, we hear that people are losing the true Christmas spirit, how everything’s become focused on material possessions rather than family togetherness. Horror stories from Black Friday sales frenzies flood the news, and having the most presents under the tree dominate our thoughts, so we’re told. But what if that attitude started spreading to one of the season’s most iconic figures, Santa Claus? That’s the basic start for the premise of Aardman’s contribution to the Christmas film pantheon, Arthur Christmas. Read more…

REVIEW: Love Actually

December 7, 2013 5 comments
Love ActuallyDirected by: Richard Curtis
Produced by: Duncan Kenworthy, Tim Bevan, Eric Fellner, Debra Hayward, Liza Chasin
Written by: Richard Curtis
Edited by: Nick Moore
Cinematography by: Michael Coulter
Music by: Craig Armstrong
Starring: Hugh Grant, Martine McCutcheon, Liam Neeson, Thomas Sangster, Colin Firth, Lúcia Moniz, Laura Linney, Emma Thompson, Alan Rickman, Heike Makatsch, Bill Nighy, Gregor Fisher, Keira Knightley, Andrew Lincoln, Chiwetel Ejiofor, Kris Marshall, Abdul Salis, Martin Freeman, Joanna Page, Billy Bob Thornton, Olivia Olson, Claudia Schiffer, Rowan Atkinson
Year: 2003

 

It wasn’t too long ago that director Garry Marshall was trying to suffocate us with an onslaught of celebrity-packed rom-coms that crammed in as many storylines and cameos as possible. I managed to avoid these movies up until the lead up to New Year’s Eve 2012, when I promised my stepsister I would review Marshall’s film named after the holiday. It was as bad as I was expecting, but my expectations were even lower at that time because I had also realized that the movie was an unabashed knock off of Love Actually, a British film that pretty much follows the same concept as Marshall’s later films, including the concept of centering it around a major holiday (Christmas) – only, in this case, the movie actually does some justice to the fluffy, audience-ensnaring concept. Read more…

Theatrical Review: “The World’s End”

August 28, 2013 5 comments
The World's EndDirected by: Edgar Wright
Produced by: Tim Bevan, Eric Fellner, Nira Park
Written by: Simon Pegg, Edgar Wright
Edited by: Paul Machliss
Cinematography by: Bill Pope
Music by: Steven Price
Starring: Simon Pegg, Nick Frost, Paddy Considine, Martin Freeman, Eddie Marsan, Rosamund Pike, David Bradley, Michael Smiley, Pierce Brosnan, Bill Nighy
Year: 2013

 

Well, it’s finally here – the conclusion to the loosely connected, genre-homaging Three Flavours Cornetto Trilogy, the long rumored, long in development film known as The World’s End – not to be confused with This Is the End, the American film released earlier this summer. The conclusion to what accidentally became a trilogy was long in coming, and while I don’t remember exactly when I first heard about it, it was a long time ago, I know that for sure. Director Edgar Wright’s original script, titled Crawl, was written 21 years ago, but the concept of turning Shaun of the Dead and Hot Fuzz into the first 2/3 of a quasi-trilogy never really came into fruition until the filming of Hot Fuzz. People, such as myself, who were eager to see the final entry were tided over with the likes of the unrelated-yet-still-somewhat-similar Paul from Simon Pegg and Nick Frost and Edgar Wright’s brilliant but sadly overlooked adaptation of the comic Scott Pilgrim vs. the World, but when you consider the fact that it’s been six long years since the release of Hot Fuzz, it’s easy to understand why fans were getting a bit restless. But, finally, it’s here, and I’m happy to say that it is every bit as good as its predecessors. Read more…

Review: “Hot Fuzz”

June 28, 2013 2 comments
Hot FuzzDirected by: Edgar Wright
Produced by: Nira Park, Tim Bevan, Eric Fellner
Written by: Edgar Wright, Simon Pegg
Edited by: Chris Dickens
Cinematography by: Jess Hall
Music by: David Arnold
Starring: Simon Pegg, Nick Frost, Jim Broadbent, Timothy Dalton, Paddy Considine, Rafe Spall, Kevin Eldon, Olivia Colman, Karl Johnson, Bill Bailey, Martin Freeman, Steve Coogan, Bill Nighy
Year: 2007

 

(Review is very mildly spoilery, though you’d have to be a dolt not to catch on quickly or guess what’s going to happen. You’ve been warned, regardless!)

“Funny, but took a while to build up to the comedy.  Honestly, it could’ve been a lot more ridiculous in its humor, but it wasn’t bad.  Shaun still rocks, though.”

That’s the entirety of my 3-star Flixster/Rotten Tomatoes review, which I wrote years ago and recently rediscovered while preparing for this review. I remember the mindset that was informing this review. I had watched a few sneak peak clips back when IGN.com used to be my primary source for movie news, and those brief, minutes-long clips had set my expectations for the entirety of the film as being something more akin to Reno 911 in an English countryside than what the film actually turned out to be: a loving tribute to ridiculous buddy cop/crime films – as filtered through the English countryside. Read more…

2011 in Review: The Films I Liked

January 13, 2012 5 comments

As I stated many times over in my overviews of films I didn’t see in 2011, I was a pretty poor person this past year, which limited the number of films I could see in theatres. Luckily, I was able to make up for much of these missed showings through rentals.

Of the films I saw in 2011, few of them were truly bad films. A few were disappointing, many were just about as average as I expected, and a few turned out to be surprises. While none of the films on this list were truly awful in my eyes, not all of them were that remarkable either, with few exceptions. Before I tell you which films I considered to be the worst and which were my favorites, I am once again going to lead you through the year in review of the mostly average films that I actually did see throughout and from 2011 by the time I made this list.

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2011 in Review: Notable Films I Managed to Avoid, For Better or For Worse, October – December 2011

January 10, 2012 5 comments

<< Part 1 – January – April 2011

<< Part 2 – May – September 2011

Here it is — the final chapter of films I didn’t see in (or from) 2011. This time of year is usually considered the “Oscar season.” This doesn’t necessarily mean that there aren’t some blockbuster hits still spilling out of the summer months, avoiding much bigger blockbuster hits in favor of taking on films more serious and, presumably, meant for a different audience.

After all, October is Halloween month, and so we usually get a spat of horror films which have a reputation, justified or not, for being generally awful but widely seen films. Since the Saw franchise presumably ended last year with Saw 3D: The Final Chapter, making 2011 the first year without a theatrical Saw release since 2003, perhaps many would consider it refreshing that we got two horror film prequels this year with The Thing and Paranormal Activity 3, with The Human Centipede 2 inexplicably filling in the gap for necessary sequels. Strangely enough, no remakes of horror films. Just a remake of Footloose, which, depending on your perspective, might be scary enough. Zing!

Personally, this was also the time of year where I didn’t really go see any films in theatres at all, having to save up to go see family for Christmas and, thus, get by without pay for work by the end of the year. And Mission: Impossible – Ghost Protocol nearly made this list, had I not gone and seen it at a 9AM showing this past Sunday, which, technically was seeing the film in 2012, but it’s still a 2011 film and I wanted to have it on my favorite list, as I was certain it would be on there. I spent most of this time engrossing myself with films rented and streamed, as evidenced by my focus on getting to know more established horror films I hadn’t seen before in October and my Christmas movie reviews in December (with a lone Thanksgiving film, for good measure) as well as getting more familiar with my own personal, neglected movie collection once again. (I forgot how good most of the films I own are!)

Closing out the year, we seemed to have gotten a lot of Oscar bait that wasn’t necessarily as promising as previous years. No Black Swans. No True Grits. Even the usually reliable Clint Eastwood, having directed Oscar gold for so many years, was having a tough time this year. Like a second coming of summer, the films of fall/winter 2011 were largely big name releases seemingly missed the summer window in production. Not all of them were bad, and some were even brilliant, but ultimately this felt like a season where there were very few worthy contenders for Oscar gold. Luckily, this might just mean that the types of films being released are just being spread across the year now instead of being concentrated all at once. Ticket sales are supposedly dropping, and the studios are possibly experimenting with timing, but only time will tell if the coming years prove whether this theory of mine that I admit I just came up with holds any water. Read more…

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