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REVIEW – Love, Simon

March 31, 2018 Leave a comment
Directed by: Greg Berlanti
Produced by: Marty Bowen, Wyck Godfrey, Isaac Klausner, Pouya Shahbazian
Screenplay by: Isaac Aptaker, Elizabeth Berger
Edited by: Harry Jierjian
Cinematography by: John Guleserian
Music by: Rob Simonsen
Starring: Nick Robinson, Josh Duhamel, Jennifer Garner, Katherine Langford, Alexandra Shipp, Jorge Lendeborg, Jr., Logan Miller, Talitha Bateman, Keiynan Lonsdale, Miles Heizer, Joey Pallari, Tony Hale
Based on Simon vs. the Homo Sapiens Agenda by Becky Albertalli
Year: 2018

Full disclosure that, to some of you, may sound a bit more like a disclaimer : I’m embarrassed to admit this, but… I am writing this after having seen the movie in theatres twice. I rarely do that for any film that isn’t something like Star Wars, or a superhero movie, or any number of films that benefit greatly from the sensory stimulus of a theatre experience. Love, Simon, a romcom about teenagers, is hardly in the same category. So why, then, did I pay good money for a second theatrical viewing, including concessions, to see this run-of-the-mill film about teenagers when I didn’t even do the same for Lady Bird, another film about a teenager that was among my personal picks for one of the best films of 2017?

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REVIEW – April and the Extraordinary World [Avril et le Monde truqué]

September 10, 2016 Leave a comment
April and the Extraordinary WorldDirected by: Christian Desmares, Franck Ekinci
Produced by: Michel Dutheil, Franck Elkinci, Marc Jousset
Screenplay by: Franck Ekinci, Benjamin Legrand
Edited by: Nazim Meslem
Music by: Valentin Hadjadj
Starring: Marion Cotillard, Philippe Katerine, Jean Rochefort, Olivier Gourmet, Marc-André Grondin, Bouli Lanners, Anne Coesens, Benoît Brière, Macha Grenon | English: Angela Galuppo, Tony Hale, Tony Robinow, Mark Camacho, Tod Fennell, Paul Giamatti, Susan Sarandon, J.K. Simmons
Inspired by the work of Jacques Tardi
Year: 2015 (France/Belgium), 2016 (U.S.)

 

Just when it seemed like steampunk had died, along comes April and the Extraordinary World to potentially reignite interest in the once unavoidable not-quite-underground subgenre. A French/Belgian/Canadian coproduction featuring a world guided and inspired by renowned French comic artist Jacques Tardi, Avril et le Monde truqué (as it is known in its native language) is a film that’s a throwback to a great number of things: the sci-fi of Jules Verne, the grand adventure of Tintin (as well as sporting a similar ligne claire art style), that period of time in the 2000s and early 2010s when steampunk was seemingly the new black, and also the bygone days when science was universally understood in terms of all the positive changes it could provide the world, rather than obsessing about how it could potentially destroy us all, regardless of benign or malicious intent. That last point, in particular – the responsibility of science as a force for good in this world and for humanity – is primary focus. Read more…

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