Archive
THEATRICAL REVIEW: Tyler Perry’s A Madea Christmas
Directed by: Tyler Perry
Produced by: Tyler Perry, Ozzie Areu, Matt Moore
Written by: Tyler Perry
Edited by: Maysie Hoy
Cinematography by: Alexander Gruszynski
Music by: Christopher Young
Starring: Tyler Perry, Anna Maria Horsford, Larry the Cable Guy, Tika Sumpter, Kathy Najimy, Chad Michael Murray, Eric Lively, Alicia Witt, Lisa Whelchel, Noah Urrea, JR Lemon, Jonathan Chase
Adapted from the musical play by Tyler Perry
Year: 2013
I used to think that this would be a sign of the apocalypse – Tyler Perry teaming up with Larry the Cable Guy to make a movie together. When I joked about such a thing happening all the way back in January when I was reviewing the films of 2012, I mentioned that if such a thing were going to happen, I would be among the first to see such an event take place, and it would be my first Tyler Perry film that I would spend good money on to see in theatres. Then, a few days later, God showed that He had a smug sense of humor with me when He deemed that such a thing would happen. And that it would not be released during the apocalypse, but rather during the celebration of His Son’s birth, and yet also on the official release date of December 13, 2013 – which, if you’re reading this far from now, you may not immediately know is also Friday the 13th. Very funny. You win again, God. Also, would you look at that? We’re all still here. I guess I should’ve known that not even Satan himself wouldn’t want his big finale to be upstaged by such a massive bomb as this. Read more…
Theatrical Review: “Fruitvale Station”
Directed by: Ryan Coogler
Produced by: Nina Yang Bongiovi, Forest Whitaker
Written by: Ryan Coogler
Edited by: Claudia Castelo, Michael P. Shawver
Cinematography by: Rachel Morrison
Music by: Ludwig Göransson
Starring: Michael B. Jordan, Octavia Spencer, Melonie Diaz, Ahna O’Reilly, Kevin Durand, Chad Michael Murray, Jonez Cain, Caroline Lesley, Ariana Neal
Year: 2013
It’s important to take any and all “based on true events” stories with several grains of salt, especially when there’s clearly an agenda on the part of the filmmaker – be it political action or just to earn himself an Academy Award. Ryan Coogler, a first time director, most likely has the best of intentions with his debut film, and I’m willing to give him the benefit of the doubt that monetary gain and accolades were not his only or even his primary concerns. That being said, in order to create a compelling story and film, he has the incentive to take creative license with his subject matter, and, truth be told, I do not necessarily hold that against him, either. Sometimes, the facts just do not make for good cinema, and it is my opinion that we must always keep that in mind when taking in these kinds of films. Read more…