Archive
REVIEW – Avengers: Infinity War
Directed by: Anthony Russo, Joe Russo
Produced by: Kevin Feige
Written by: Christopher Markus, Stephen McFeely
Edited by: Jeffrey Ford, Matthew Schmidt
Cinematography by: Trent Opaloch
Music by: Alan Silvestri
Starring: Robert Downey Jr., Chris Hemsworth, Mark Ruffalo, Chris Evans, Scarlett Johansson, Benedict Cumberbatch, Don Cheadle, Tom Holland, Chadwick Boseman, Paul Bettany, Elizabeth Olsen, Anthony Mackie, Sebastian Stan, Danai Gurira, Letitia Wright, Dave Bautista, Zoe Saldana, Chris Pratt, Bradley Cooper, Sean Gunn, Vin Diesel, Pom Klementieff, Karen Gillan, Peter Dinklage, Benedict Wong, Tom Hiddleston, Idris Elba, Gwyneth Paltrow, Terry Notary, Tom Vaughan-Lawlor, Carrie Coon, Michael James Shaw, Josh Brolin
Based on characters from Marvel Comics
Year: 2018
I’ve seen this movie twice now, and I’m still kinda shocked at how well they pulled this off. Infinity War is pretty much everything that fans could’ve wanted ever since Iron Man first teased The Avengers ten years ago in the Marvel Cinematic Universe’s first post-credits scene. Thanos, the Mad Titan, has finally arrived in theatres, and I can tell you that, even more than a week since I saw this (twice in the same weekend…), I’m still kind of in shock at just how fantastic Infinity War was. I think it may just be another film I see three times before it releases to Blu-Ray, in fact! Read more…
REVIEW – Justice League
Directed by: Zack Snyder
Produced by: Charles Roven, Deborah Snyder, Jon Berg, Geoff Johns
Written by: Chris Terrio, Joss Whedon
Edited by: David Brenner, Richard Pearson, Martin Walsh
Cinematography by: Fabian Wagner
Music by: Danny Elfman
Starring: Ben Affleck, Henry Cavill, Gal Gadot, Ezra Miller, Jason Momoa, Ray Fisher, Jeremy Irons, Amy Adams, Diane Lane, Connie Nielsen, J.K. Simmons, Ciarán Hinds, Joe Morton, Amber Heard, Billy Crudup
Based on characters from DC Comics
Year: 2017
Finally, right? I think I finally understand now why DC/Warner Bros feel as though they have to catch up to Marvel now that Justice League has been released after years and years of development and false starts. It’s been a rocky road for DC, to say the least, and it’s hard to fault people for continually pointing this out. The studio has largely been reticent to move away from their bread and butter of Batman and Superman (and characters closely tied to them, as was the case with Suicide Squad), and even their efforts to set themselves apart from Marvel, tonally, has been met with criticism for emulating the grimdark tone of Christopher Nolan’s exceptional Dark Knight Trilogy films, regardless of whether it was appropriate or not. As a result, general reception of nearly all their films, with the notable exception of this year’s Wonder Woman, have also been decidedly negative to mixed, at best (though I still generally like Man of Steel, despite its obvious flaws). Come to think of it, that can actually be said all of pretty much all of their non-Nolan-helmed films (a pretty damn big exception, mind you) since 1992. But now – finally – everything has come together in Justice League, the film that finally unites worlds in live action, as we’ve all been hoping to see. Was it worth it? Does it make the pain of watching DC limp through all those years of trials and errors feel worth it? Read more…
THEATRICAL REVIEW: Ghostbusters (2016)
Directed by: Paul Feig
Produced by: Ivan Reitman, Amy Pascal
Written by: Katie Dippold, Paul Feig
Edited by: Melissa Bretherton, Brent White
Cinematography by: Robert Yeoman
Music by: Theodore Shapiro
Starring: Melissa McCarthy, Kristen Wiig, Kate McKinnon, Leslie Jones, Chris Hemsworth, Charles Dance, Michael Kenneth Williams, Matt Walsh, Neil Casey, Andy Garcia, Cecily Strong
Year: 2016
I really don’t know how to start off this review. With the whole ridiculous “controversy” surrounding this movie for its leads being “gender swaps” of the original actors, not to mention the subsequent fears of sounding like a misogynist for not liking the trailers (and misogynists fearing being called out for being one while still giving their misogynist opinions on it), I’m fairly certain that Ghostbusters surpassed even Batman v Superman and the whole Ben Affleck casting in terms of the absurd levels of stigmatization surrounding it. For a reviewer, it’s pretty hard to even begin reviewing this film without addressing it, and if you happen to not like it, I can only imagine it’s even harder to articulate your thoughts without them being twisted, misconstrued, or misworded into something that someone somewhere would take offense at. I know – I’m a man, and I’m reviewing this movie. In fact, every time I thought about how I was going to review this movie, I hated the fact that I felt that I had to work the review around this controversy, even as someone who personally could not have given any damns about the casting because I had absolutely no problems with it nor the particular women that were cast. “God help me,” I thought, “if I don’t end up liking this movie.” Lucky me, I did.
For the most part. Read more…
THEATRICAL REVIEW: X-Men: Apocalypse
Directed by: Bryan Singer
Produced by: Bryan Singer, Lauren Shuler Donner, Simon Kinberg, Hutch Parker
Screenplay by: Simon Kinberg
Edited by: John Ottman, Michael Louis Hill
Cinematography by: Newton Thomas Sigel
Music by: John Ottman
Starring: James McAvoy, Michael Fassbender, Jennifer Lawrence, Oscar Isaac, Nicholas Hoult, Rose Byrne, Tye Sheridan, Sophie Turner, Kodi Smit-McPhee, Evan Peters, Alexandra Shipp, Olivia Munn, Ben Hardy, Lucas Till, Josh Helman, Lana Condor, Tomas Lemarquis, Hugh Jackman
Based on the Marvel comics created by Stan Lee and Jack Kirby
Year: 2016
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I actually didn’t initially intend on reviewing this, considering the number of superhero movies I’ve reviewed lately as well as the fact that, apart from The Wolverine, I haven’t reviewed any previous X-Men movies, and this was the third in the rebooted timeline series. However, in the wake of seeing it and thinking on it for about a day, I just couldn’t help myself, because I seriously needed to get this out of me in some way beyond nagging the one friend of mine who saw it with me. Read more…
THEATRICAL REVIEW: 10 Cloverfield Lane
Directed by: Dan Trachtenberg
Produced by: J.J. Abrams, Lindsey Weber
Screenplay by: Josh Campbell, Matt Stuecken, Damien Chazelle
Story by: Josh Campbell, Matt Stuecken
Edited by: Stefan Grube
Cinematography by: Jeff Cutter
Music by: Bear McCreary
Starring: Mary Elizabeth Winstead, John Goodman, John Gallagher, Jr.
Year: 2016
It will do you no good making any direct comparisons between 10 Cloverfield Lane and its predecessor in name only, Cloverfield. The film started out life as an unrelated thriller titled Valencia and doesn’t even follow the same found footage style. Heck, it may not even take place within the same universe, despite some vague references here and there that hint to the contrary that already people may be making too big a deal out of. (Anyone else still want to try a Slusho?) Since the movie’s surprise trailer first released back in January, producer J.J. Abrams has described the film as being a companion film with similar themes, analogous to another type of ride within the same theme park. Fair enough. I’d liken the franchise as being much more like a sci-fi/thriller anthology series like The Twilight Zone or Black Mirror, only in film format. Read more…
REVIEW: Ghostbusters (1984)
Directed by: Ivan Reitman
Produced by: Ivan Reitman
Written by: Dan Aykroyd, Harold Ramis
Edited by: David E. Blewitt, Sheldno Kahn
Cinematography by: László Kovács
Music by: Elmer Bernstein, Ray Parker, Jr. (theme)
Starring: Bill Murray, Dan Aykroyd, Harold Ramis, Sigourney Weaver, Ernie Hudson, Rick Moranis, Annie Potts, William Atherton, David Margulies, Slavita Jovan, Paddi Edwards (voice)
Year: 1984
Ghostbusters is yet another one of those cultural milestone films that I managed to somehow deprive myself from seeing for an unreasonable amount of time, particularly as someone who is really into movies. In my defense, this was largely due to the fact that I grew up in an unreasonably fundamentalist Christian environment for the early part of my life, and so films like Ghostbusters, which dealt with the supernatural without clearly making it so that everything that was happening was demonic and didn’t remind you how much you needed Jesus to save you from hell were more often than not declared to be welcoming mats for demons to enter your life. No, I’m not kidding. Luckily, we got out of that environment and are (a bit) more sane now, but I continued to avoid the film because… well, mostly it was because I just never got around to it. Eventually this became a bit more like resentment, though. At some point, it seemed like everyone was obsessed with Ghostbusters again, even from those who weren’t kids or even born yet at the time this movie came out, and you couldn’t talk about movies or reference ghosts without someone throwing out some kind of Ghostbusters reference and then talking about how brilliant the movie was. It was very annoying. This became another one of those movies that I was sick of before I even saw it. Read more…
2014 IN REVIEW: My Top Films of the Year
I saw so many movies this year, I honestly couldn’t pick the best movie. The selection was so wide because I saw so many, I honestly couldn’t pit movies I just enjoyed versus films I admired. So, this year, I’ve decided to do something different — I separated them into genres. it’s not exactly what you might expect – Guardians of the Galaxy isn’t in sci-fi, for instance, because it’s much more of an adventure film in space.
I’ve ordered these based on gut instinct overall, however, and so you’ll be able to see what I (currently) favored over others. That being said, however, all of these movies are fantastic.
I’m tired of explaining things, honestly. The process of doing the year in review this year was a lot longer than I intended. So, yeah. You know the drill. Read below! Read more…
2014 IN REVIEW: The Worst Movies of the Year
This 2014 in Review series is taking me a lot longer than I anticipated, but such is life and work. After this, we’ll be getting to my favorite films of the year, but before I do that, it’s time to pass judgment on some of the worst films released in 2014.
These are the movies that bored me, that angered me, that were so bad they left me bewildered as to how they even got released in the state they’re in. For your reference, this year I have also included the Rotten Tomatoes score for each movie. While I cannot say that the order I’ve placed them in is definitive, even for me, they are arranged roughly from worse to worst, ending with my pick for the #1 worst film of the year. I have more picks for 2014 than I ever have in the past, but it was a pretty easy and obvious pick, though some of you might be thinking of the movie I put in the #2 slot. I have my reasons why it went there and not at the top, but you’ll just have to read to find out.
REVIEW: Dawn of the Dead: Unrated Director’s Cut (2004)
Directed by: Zack Snyder
Produced by: Marc Abraham, Eric Newman, Richard P. Rubinstein; Michael D. Messina (co-producer); Armyan Bernstein, Thomas A. Bliss, Dennis E. Jones (executive producers)
Written by: James Gunn (screenplay); Michael Tolkin, Scott Frank (uncredited rewrites)
Edited by: Niven Howie
Cinematography by: Matthew F. Leonetti
Music by: Tyler Bates
Starring: Sarah Polley, Ving Rhames, Jake Weber, Mekhi Phifer, Ty Burrell, Michael Kelly, Kevin Zegers, Michael Barry, Lindy Booth, Jayne Eastwood, Boyd Banks, Inna Korobkina, R.D. Reid, Kim Poirier, Matt Frewer, Louis Ferreira, Bruce Bohne
Based on the 1978 film directed by George A. Romero
Year: 2004
I’m a bit of a Zack Snyder apologist, as I actually mostly enjoy the films of his that I have actually seen – which is pretty much every film he’s directed, save for Sucker Punch and The Owls of Ga’Hoole – coincidentally, his least admired movies, so take of that what you will. I enjoyed 300, really liked Watchmen, and I honestly did not understand the backlash against Man of Steel, which I thought was a fantastic reimagining of Superman for the modern era. I think a lot of it comes from the fact that I so enjoyed his remake of Dawn of the Dead, which I managed to see ahead of the original. I saw it in high school thanks to the extinct Hollywood Video’s MVP rental program that my family subscribed to (and that I took advantage of more than anyone), and it was one of the first horror films that I decided to give a try after years of thinking the entire genre sucked. The original wasn’t available at the store near me, so I settled on the remake, which I had heard was pretty good on its own, and I remember that I thought to myself that doing so in that order would allow for me to appreciate the remake on its own terms. Perhaps nostalgia goggles have tainted my perspective, but I can still confirm that, to this day, I still like this one just a smidge better. Read more…
REVIEW: Zombieland
Directed by: Ruben Fleischer
Produced by: Gavin Polone
Written by: Rhett Reese, Paul Wernick
Edited by: Peter Amundson, Alan Baumgarten
Cinematography by: Michael Bonvillain
Music by: David Sardy
Starring: Woody Harrelson, Jesse Eisenberg, Emma Stone, Abigail Breslin, [redacted]
Year: 2009
As a sort of American counterpart to the immortal and Halloween annual favorite of mine, Shaun of the Dead, Zombieland is surprisingly not very derivative of its then-5-year-old cousin from across the Atlantic and managed to carve out its own little niche of fandom (though there are undoubtedly overlaps between the two films). Whereas Shaun (now possibly the most referenced title on this blog) sought to contrast everyday life and troubles amidst the interruption of a zombie apocalypse, Zombieland is rather more about the adaptation to a new way of life post-apocalypse. Rather than take a bleak outlook, however, the film acknowledges that, much like in real life, the horrors and tragedies of the world are often offset by the little things that, more or less, make up for all the crap. Read more…
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