Produced by: Haim Saban, Brian Casentini, Marty Bowen, Wyck Godfrey
Screenplay by: John Gatins
Story by: Matt Sazama, Burk Sharpless, Michele Mulroney, Kieran Mulroney
Edited by: Martin Bernfeld, Dody Dorn
Cinematography by: Matthew J. Lloyd
Music by: Brian Tyler
Starring: Dacre Montgomery, Naomi Scott, RJ Cyler, Becky G, Ludi Lin, Bill Hader, Bryan Cranston, Elizabeth Banks, David Denman
Based on the Power Rangers and Super Sentai TV series
The film I’d always been asking for is finally here! … Sort of.
… Okay, let me clarify. A few years ago, I’d gotten all nostalgic about my childhood along with some friends, as people are wont to do, and the idea of creating a serious adaptation of the Power Rangers series we’d grown up with became a topic of fascination – at least for myself. I’d always imagined it as being something between serious and openly campy, acknowledging the series’ ridiculous qualities (“teenagers with attitude,” frenetic gesticulating and dramatic declarations prefacing every action, Rita Repulsa and her frequently giant-sized cronies, etc.) and embracing them alongside the aspects that could be made obviously and genuinely awesome (the action, the Zords, the monster battles).
Years later, we got what I always wanted. It’s called Pacific Rim. And it is incredible.
Now, years after that, we now have an actual Power Rangers movie – one that is somehow a more serious film than Pacific Rim, which is actually based on the original Mighty Morphin Power Rangers series – Zordon, Alpha 5, Rita, and everything. Read more…
Directed by: Fede Alvarez
Produced by: Sam Raimi, Robert Tapert, Fede Alvarez
Written by: Fede Alvarez, Rodo Sayagues
Edited by: Eric L. Beason, Louise Ford, Gardner Gould
Cinematography by: Pedro Luque
Music by: Roque Baños
Starring: Jane Levy, Dylan Minnette, Daniel Zovatto, Stephen Lang
Isn’t it nice to see horror movies that succeed both financially and critically? It wasn’t too long ago that the biggest horror movies given wide release were mostly sequels, remakes, and cash-ins on trends. I mean, we’re seeing that still, sure – that’s just part of how the movie industry works in general – but, specifically in regards to the horror genre, it’s not nearly to the degree from back when the Saw flicks were an annual tradition. Don’t Breathe, the latest surprise critical darling, is currently sitting at the top of the box office in its first week and is also maintaining an 87% rating on Rotten Tomatoes – not just a good approval rating for a horror movie, but any movie in general. And while it doesn’t reach the same heights as films like The Babadook and It Follows in terms of vision, style, and execution, I was still incredibly pleased to find that not only were the positive reviews well deserved, my own expectations based on the trailers and word of mouth were exceeded. Read more…
Produced by: Tracy Droz Tragos, Andrew Droz Palermo, David Armillei
Edited by: Jim Hession
Cinematography by: Andrew Droz Palermo
Music by: Nathan Halpern
I am not a fan of reality TV. This isn’t exactly a bold statement, I know, but seriously – screw pretty much the whole entire exploitative genre. From absurdly overwrought drama, to manufactured hilarity to peddle some person’s brand or image, to outright delight in the misfortune of others, I hardly see any benefit in reality TV’s existence. The overflow this industry has had into actual reality, what with cameras everywhere at the ready to share some unsuspecting person’s personal issues with everyone, is even more troubling than the stuff people at the very least consent to divulging on television. There’s little artistry in manipulating perception and encouraging schadenfreude with whatever makes it to air. Shame on the people who produce it, and, quite frankly, shame on those who enjoy it, too. I’m not excluding myself in that, mind you. I’ve dabbled in taking pleasure at the horrific performances of admittedly terrible singers and judged the merit of people’s very existence based on a few minutes of footage aired weekly that could have very likely been a façade meant to make the footage seem much more interesting and outrageous than it actually was.
Documentaries, however – at least the good ones – differ from reality TV in that their primary goal is usually to invoke some kind of understanding and empathy; the goal is usually education over entertainment. Though documentarires, too, are edited to fit the purpose of the filmmaker, it’s often with artistic goals in mind, there’s usually a respect for the intelligence of the audience to understand the filmmaker’s intentions and the footage being presented to them. Read more…
Finally, we come to the films that I actually did see! As with the films I didn’t see, these films will come at you in three parts: the films that were just somewhere in the middle in terms of quality, the films I greatly disliked, and the films I really enjoyed.
I use those qualitative terms just to avoid confusion over what I’m ranking here. The films in this section range from generally bad to generally quite good, but never elevating to excellence or making me fall in love with them or making me hate them with a passion. That being said, I didn’t expect to like some of the films here as much as I ended up liking them, and, of course, I was letdown by others I actually was kind of looking forward to.
If you don’t see the movie here and didn’t see it in the list of films I didn’t see, then you can almost certainly be guaranteed to find them on one of my next two lists, as this is just a portion of the 121 total films I ended up seeing from 2014 as of this writing, whether in theatres, on DVD/Blu-Ray, or through streaming. Read more…