Archive
REVIEW – Justice League
Directed by: Zack Snyder
Produced by: Charles Roven, Deborah Snyder, Jon Berg, Geoff Johns
Written by: Chris Terrio, Joss Whedon
Edited by: David Brenner, Richard Pearson, Martin Walsh
Cinematography by: Fabian Wagner
Music by: Danny Elfman
Starring: Ben Affleck, Henry Cavill, Gal Gadot, Ezra Miller, Jason Momoa, Ray Fisher, Jeremy Irons, Amy Adams, Diane Lane, Connie Nielsen, J.K. Simmons, Ciarán Hinds, Joe Morton, Amber Heard, Billy Crudup
Based on characters from DC Comics
Year: 2017
Finally, right? I think I finally understand now why DC/Warner Bros feel as though they have to catch up to Marvel now that Justice League has been released after years and years of development and false starts. It’s been a rocky road for DC, to say the least, and it’s hard to fault people for continually pointing this out. The studio has largely been reticent to move away from their bread and butter of Batman and Superman (and characters closely tied to them, as was the case with Suicide Squad), and even their efforts to set themselves apart from Marvel, tonally, has been met with criticism for emulating the grimdark tone of Christopher Nolan’s exceptional Dark Knight Trilogy films, regardless of whether it was appropriate or not. As a result, general reception of nearly all their films, with the notable exception of this year’s Wonder Woman, have also been decidedly negative to mixed, at best (though I still generally like Man of Steel, despite its obvious flaws). Come to think of it, that can actually be said all of pretty much all of their non-Nolan-helmed films (a pretty damn big exception, mind you) since 1992. But now – finally – everything has come together in Justice League, the film that finally unites worlds in live action, as we’ve all been hoping to see. Was it worth it? Does it make the pain of watching DC limp through all those years of trials and errors feel worth it? Read more…
REVIEW – Wonder Woman
Directed by: Patty Jenkins
Produced by: Charles Roven, Deborah Snyder, Zack Snyder, Richard Suckle
Screenplay by: Allan Heinberg
Story by: Zack Snyder, Allan Heinberg, Jason Fuchs
Edited by: Martin Walsh
Cinematography by: Matthew Jensen
Music by: Rupert Gregson-Williams
Starring: Gal Gadot, Chris Pine, Robin Wright, Danny Huston, David Thewlis, Saïd Taghmaoui, Ewen Bremner, Eugene Brave Rock, Connie Nielsen, Elena Anaya, Lucy Davis
Based on DC Comics characters created by William Moulton Marston
Year: 2017
Seventy-five and a half years. That’s how long it has taken for Wonder Woman to finally get herself a film of her own. Twelve years. That’s how long it’s been since the release of Elektra, the last major superhero film starring just a major female superhero in the lead role and not as part of a team of predominantly male heroes. Five. That’s the number of films I count from Wikipedia’s list of superhero films since 1920 that have starred solely a female lead: Supergirl (1981), Tank Girl (1995), Barb Wire (1996), Catwoman (2004), and Elektra (2005). It’s six only if you count the TV movie Witchblade (2000), which acted more like an extended pilot episode. While comic books have always had their own struggles with female representation, film adaptations (and even some original works) have always seemingly struggled more, largely because a lot more is riding on them ($$$). For some reason, executives just never really saw these properties as being as marketable (i.e., profitable) as their male counterparts, and it seems as though the aforementioned films have stood as evidence of why that is the case, both in the execs’ eyes and, sadly, in the eyes of many in the general audience. Read more…
THEATRICAL REVIEW: Batman v Superman: Dawn of Justice
Directed by: Zack Snyder
Produced by: Charles Roven, Deborah Snyder
Written by: Chris Terrio, David S. Goyer
Edited by: David Brenner
Cinematography by: Larry Fong
Music by: Hans Zimmer, Junkie XL
Starring: Ben Affleck, Henry Cavill, Amy Adams, Jesse Eisenberg, Diane Lane, Laurence Fishburne, Jeremy Irons, Holly Hunter, Gal Gadot, Tao Okamoto, Scoot McNairy, Callan Mulvey
Based on characters from DC Comics
Year: 2015
Well, this was pretty much was what everyone was fearing it would be… Read more…
2011 in Review: The Top 5 Worst Films I Saw
Some would say that 2011 as a very disappointing year for film. While there were definitely fewer films that I wanted to see this past year than in years past, or at least ones that I was totally looking forward to, there was hardly a shortage of films that I did see and love, all the same.
But before I get to those films, we do have some filth to get out of the way, first. Though I try to avoid them at all costs, sometimes a bad film is just too hard to avoid, whether it’s because I saw them out of obligation to someone else or, as is the case with many of the films I saw this past year, I developed a case of morbid curiosity. Sometimes it paid off. Sometimes it didn’t. And while there were some films I did see from the past year were truly very poor ones, there were some that were just downright disappointments, too.
I’ve already gone through and told you about the films that I liked, and I already have a list of my favorite films of 2011 coming to you, as well, but before we do that, let’s get this out of the way, first.
Here is a definitive list of the Top 5 Worst Films I saw from 2011 that I did see, in ascending order from bad to worse to just absolutely awful…
5. Gnomeo & Juliet (February 11)
As if this story weren’t retold enough, here comes Canadian animation studio Arc Productions’ gimmicky little collaboration with Disney, a comedic and decidedly un-tragic retelling of Shakespeare’s Romeo and Juliet. Honestly, it’s not a horrendous film and likely wouldn’t have made this list had I seen some of the more horrible-looking films this past year that I managed to avoid (which is why it’s at the bottom of this list); but Gnomeo & Juliet‘s biggest failing isn’t that it’s awful, but that it’s like that friend who cracks all those corny jokes all the time, who gets everyone laughing but only because, you know, they’re friendly enough and generally nice to have around, but you really can’t bear to hurt their feelings and tell them that they’re not as clever as they think. The title, though, should give you an idea of what kind of humor lies within the film — puns aplenty and a smearing of self-aware sensibility so heavy that you’d think the animators kind of knew they were making a rather bland film and decided to compensate for it. Read more…
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