Archive
REVIEW: Star Wars Episode III: Revenge of the Sith
Directed by: George Lucas
Produced by: Rick McCallum
Written by: George Lucas
Edited by: Roger Barton, Ben Burtt
Cinematography by: David Tattersall
Music by: John Williams
Starring: Ewan McGregor, Hayden Christensen, Natalie Portman, Ian McDiarmid, Frank Oz, Samuel L. Jackson, Mathew Wood, Jimmy Smits, Anthony Daniels, Kenny Baker, Silas Carson, Temuera Morrison, Christopher Lee, Peter Mayhew
Year: 2005
My wait in line for this movie, released during the final days of my senior year of high school, will probably remain the longest amount of time and the largest amount of people I will ever experience. The theatre had to move the line outside and let it flow into the parking lot – there were just way too many people to let them stay within the mall without causing some sort of hazard! I’ve seen footage for the releases of the original films, and this was pretty much what I had imagined that would have been like. People were dressed up as characters, waving around their lightsabers ranging in price from plastic extendable sword to one of those incredible swords with the authentic hilts and the blade that lit up from the bottom up and made authentic sounds when moved around and clashed with another which I still really freaking want. And there was a ton of discussion about the lore of the series, both fictional and real. And, most of all, there was excitement for the movie, because, despite the inadequacies of the previous two, everyone was hoping that Episode III was going to be the ironic redemption of the prequel series. Finally, we were going to get to see Anakin’s descent into the Dark Side and the extermination of the Jedi. And we all knew it was going to be awesome because – dun dun duuuuun – this was also the first Star Wars movie to get a PG-13 rating! George Lucas was finally getting serious, everyone! Read more…
REVIEW: Star Wars Episode I: The Phantom Menace
Directed by: George Lucas
Produced by: Rick McCallum
Written by: George Lucas
Edited by: Ben Burtt, Paul Martin Smith
Cinematography by: David Tattersall
Music by: John Williams
Starring: Liam Neeson, Ewan McGregor, Natalie Portman, Jake Lloyd, Ian McDiarmid, Ahmed Best, Pernilla August, Keira Knightley, Ray Park, Anthony Daniels, Kenny Baker, Silas Carson, Hugh Quarshie, Andy Secombe, Lewis MacLeod, Frank Oz, Samuel L. Jackson, Terence Stamp, Brian Blessed, Greg Proops, Scott Capurro
Year: 1999
Oh man, here we go… Read more…
REVIEW: Star Wars Episode VI: Return of the Jedi
Directed by: Richard Marquand
Produced by: Howard Kazanjian
Written by: Lawrence Kasdan, George Lucas
Edited by: Sean Barton, Marcia Lucas, Duwayne Dunham
Cinematography by: Alan Hume
Music by: John Williams
Starring: Mark Hamill, Harrison Ford, Billy Dee Williams, Anthony Daniels, David Prowse, James Earl Jones, Kenny Baker, Peter Mayhew, Frank Oz, Ian McDiarmid, Alec Guinness, Sebastian Shaw, Denis Lawson, Kenneth Colley, Warwick Davis, Jeremy Bulloch, Caroline Blakiston
Review based on the 1983 theatrical version
Year: 1983
Back when recording things from TV was the only way to obtain certain movies you didn’t want to actually buy, I recall a friend of the family giving my family their collection of TV-recorded VHS tapes, most of them set to the longest recording time in order to maximize the content they had. One of these tapes contained both the original Karate Kid (save for the first couple minutes) and, yes, Return of the Jedi, making this the first time I ever actually could claim any sort of ownership over any of the Star Wars movies. Naturally, I watched it pretty often, and the mere fact that this was the only one I could watch without having to go seek out any rentals or borrow them from friends made this movie my second favorite (because there’s just no questioning the greatness of The Empire Strikes Back, kids). Now that I do own both trilogies (twice over for the original trilogy, thanks to the 2006 “limited” release of the DVDs which contained the original theatrical versions), however, the flaws of the once-final chapter in the Star Wars saga have really become rather apparent, thanks in large part to the prequels kind of bringing them out retroactively. Read more…
REVIEW: Star Wars Episode V: The Empire Strikes Back
Directed by: Irvin Kershner
Produced by: Gary Kurtz
Written by: Leigh Brackett, Lawrence Kasdan (screenplay), George Lucas (story)
Edited by: Paul Hirsch
Cinematography by: Peter Suschitzsky, BSC
Music by: John Williams
Starring: Mark Hamill, Harrison Ford, Carrie Fisher, Billy Dee Williams, Anthony Daniels, David Prowse, James Earl Jones, Kenny Baker, Peter Mayhew, Frank Oz, Jeremy Bulloch, Jason Wingreen, Alec Guinness, Denis Lawson, Clive Revill
Review based on the 1980 theatrical version
Year: 1980
It’s all downhill from here, folks. Movie number 2, and I’m already at the best of not just the original trilogy, but the entire saga, and it’s honestly doubtful that even the new sequel trilogy will best the work put forth here. George Lucas still had some say in the story of The Empire Strikes Back, but this is the film that people point to when they want to point out how, even back then, less of Lucas was always a good thing, even if what his diminished presence improves upon is his own creation. Heck, even the subsequent retoolings couldn’t diminish the film’s quality – though sometimes they even improved upon it, as with the enhancements to Cloud City’s ambience and the insertion of Ian McDiarmid’s take on the Emperor in that holoconference scene between him and Darth Vader. Let’s just chalk all that up to the fact that The Empire Strikes Back is just too awesome for its radiance to not influence any such reconfiguring. Read more…
REVIEW: Star Wars Episode IV: A New Hope
Directed by: George Lucas
Produced by: Gary Kurtz
Written by: George Lucas
Edited by: Paul Hirsch, Marcia Lucas, Richard Chew
Cinematography by: Gilbert Taylor
Music by: John Williams
Starring: Mark Hamill, Harrison Ford, Carrie Fisher, Peter Cushing, Alec Guinness, David Prowse, James Earl Jones, Anthony Daniels, Kenny Baker, Peter Mayhew, Phil Brown, Shelagh Fraser, Denis Lawson, Gerrick Hagon
Review based on the 1977 original theatrical version
Year: 1977
I told myself that I wouldn’t let my reviews of the Star Wars films devolve into insane fandom, and so I will attempt to keep that promise. That being said, let me start you off by letting you in on a secret that not many before now really know about me: A long time ago… I actually absolutely hated sci-fi, fantasy, and everything in between. The object of my particular ire was actually Star Trek, as my friend Tye was actually an insanely fanatical Trekkie, but coming in a close second was, yes, Star Wars. The reasoning? It had the word “star” in it, which obviously meant that it was for nerds, which I did not identify as at the time. (I so was…) Read more…
May the Force be with you – at least for about the month of May or so…
Hello, fellow nerds! Did you hear the news? We finally know the lead cast of Star Wars Episode VII! And it is freaking SOLID! Cannot wait! … But we’ll just have to, I guess, because it’s not coming out until December 2015… which is more than a year and a half away. GAH!
So, understandably, as a fan, I’m pretty freaking pumped about this new trilogy, and I need to get this energy out somehow. What better way than to do it publicly? So, even though I just got done doing a month of 90s nostalgia movies, I’m starting another theme month. Only… it might last a bit more than a month since I’m planning on reviewing all seven theatrically released films, and given that I might do a few theatrical films during that time frame, and with my time and energy being what they are these days, it might take longer than the standard month to get the reviews out. Oh, yeah, and that’s right — seven (7) films!
No, I did not time travel into the future to bring you the first exclusive review of Episode VII: Rise of the Gungans, and, no, I’m not reviewing The Star Wars Holiday Special, either (yet…). And, no, I’m not talking about Caravan of Courage, either. I’m including the animated Star Wars: The Clone Wars in the lineup, even if it was just a theatrically released movie edit of the TV series’ first few episodes, as I feel like the series really has become a beacon of hope for what’s to come, even if it was from the pre-Disney era that we’re only just beginning to experience.
I also want you to know that these reviews will not go into esoteric things like “The Hero’s Journey,” Lucas’ personal influences that went into making the film, nor will I go (too much) into the series’ importance in shaping the landscape of Hollywood and blockbusters in general. These reviews will take the films on their own merits and pretty much strictly from my own personal perspective and enthusiasm (or even lack thereof) for each of the films. I feel like this would be the appropriate approach because, frankly, the whole Hero’s Journey thing has been played out — I even wrote my own personal essay about how the posters themselves reflect Lucas’ personal influences when I was in college.
I will also refrain as much as possible about griping about the many changes that have been enacted upon the original trilogy over the years. While I think that many of the changes were either inconsequential for for the better (better Death Star destruction, Hoth cockpit transparencies fixed, the Emperor in Empire being played by Ian McDiarmid, and, yes, even the replacing of “Yub Nub” with a more fitting galaxy-spanning montage at the end of Jedi), I will eliminate these complaints mainly by reviewing strictly the original theatrical versions, which I do, indeed, have on DVD. (If you would like to hear my reactions on the Blu-Ray edition of the first film, please feel free to read them here.) So, yes, each review of the original trilogy films will be based on the versions where Han shoots first, the Emperor is initially portrayed by a woman with chimp eyes, Jabba doesn’t appear until Return of the Jedi, and Anakin Skywalker is strictly portrayed by Sebastian Shaw (which sadly cannot be said for any of the prequels). All that being said, while I will review all the films in the proper theatrically released order, I will still be using the newer naming structure of Star Wars Episode [#: Subtitle] for these reviews, mostly for the sake of order and unity and because of what’s to come…
So, yeah, I think I’ve properly appeased all the fans and clarified my positions on the matter. It’s going to be a long process, but I’m looking forward to it! Wish me luck, and may the Force be with us all!
Theatrical Review: “The World’s End”
Directed by: Edgar Wright
Produced by: Tim Bevan, Eric Fellner, Nira Park
Written by: Simon Pegg, Edgar Wright
Edited by: Paul Machliss
Cinematography by: Bill Pope
Music by: Steven Price
Starring: Simon Pegg, Nick Frost, Paddy Considine, Martin Freeman, Eddie Marsan, Rosamund Pike, David Bradley, Michael Smiley, Pierce Brosnan, Bill Nighy
Year: 2013
Well, it’s finally here – the conclusion to the loosely connected, genre-homaging Three Flavours Cornetto Trilogy, the long rumored, long in development film known as The World’s End – not to be confused with This Is the End, the American film released earlier this summer. The conclusion to what accidentally became a trilogy was long in coming, and while I don’t remember exactly when I first heard about it, it was a long time ago, I know that for sure. Director Edgar Wright’s original script, titled Crawl, was written 21 years ago, but the concept of turning Shaun of the Dead and Hot Fuzz into the first 2/3 of a quasi-trilogy never really came into fruition until the filming of Hot Fuzz. People, such as myself, who were eager to see the final entry were tided over with the likes of the unrelated-yet-still-somewhat-similar Paul from Simon Pegg and Nick Frost and Edgar Wright’s brilliant but sadly overlooked adaptation of the comic Scott Pilgrim vs. the World, but when you consider the fact that it’s been six long years since the release of Hot Fuzz, it’s easy to understand why fans were getting a bit restless. But, finally, it’s here, and I’m happy to say that it is every bit as good as its predecessors. Read more…
Review: “Hot Fuzz”
Directed by: Edgar Wright
Produced by: Nira Park, Tim Bevan, Eric Fellner
Written by: Edgar Wright, Simon Pegg
Edited by: Chris Dickens
Cinematography by: Jess Hall
Music by: David Arnold
Starring: Simon Pegg, Nick Frost, Jim Broadbent, Timothy Dalton, Paddy Considine, Rafe Spall, Kevin Eldon, Olivia Colman, Karl Johnson, Bill Bailey, Martin Freeman, Steve Coogan, Bill Nighy
Year: 2007
(Review is very mildly spoilery, though you’d have to be a dolt not to catch on quickly or guess what’s going to happen. You’ve been warned, regardless!)
“Funny, but took a while to build up to the comedy. Honestly, it could’ve been a lot more ridiculous in its humor, but it wasn’t bad. Shaun still rocks, though.”
That’s the entirety of my 3-star Flixster/Rotten Tomatoes review, which I wrote years ago and recently rediscovered while preparing for this review. I remember the mindset that was informing this review. I had watched a few sneak peak clips back when IGN.com used to be my primary source for movie news, and those brief, minutes-long clips had set my expectations for the entirety of the film as being something more akin to Reno 911 in an English countryside than what the film actually turned out to be: a loving tribute to ridiculous buddy cop/crime films – as filtered through the English countryside. Read more…
Theatrical Review: “The Dark Knight Rises”
Directed by: Christopher Nolan
Produced by: Christopher Nolan, Charles Roven, Emma Thomas
Written by: Christopher Nolan, Jonathan Nolan (screenplay), David S. Goyer, Christopher Nolan (story)
Cinematography by: Wally Pfister
Music by: Hans Zimmer
Starring: Christian Bale, Michael Caine, Gary Oldman, Anne Hathaway, Tom Hardy, Marion Cotillard, Joseph Gordon-Levitt, Morgan Freeman
Year: 2012
Foreword
In the wake of the tragedy in Aurora, Colorado, I felt a bit odd about writing my previous review and preparing for my next, as I was writing it in the late night hours as the events were unfolding, unknown to me until the next morning. Much of what I wrote about The Dark Knight reflected a lot of what was happening there, none of it necessarily original or new information, but it was stirring, all the same.
I had no common connection to any of the victims there beyond our similar interest in seeing this new Batman film, all of us anxious in seeing how this trilogy would end, and, unfortunately, many of them never got to see this film, and many more will forever see this film and be reminded of the horrible things they saw that night. What was supposed to be night of fun and entertainment turned into a nightmare, and it affected me, and still does a great deal the more I hear about the events, much more than I thought it would — not because I thought of myself as some tough, emotionless, apathetic person but because it made me realize how even the most mundane things we take for granted can connect strangers based on a mundane commonality.
This just happened to revolve around a movie theatre, a highly anticipated film, and audiences across the world who waited, maybe not in the same proximity, but with the same spirit that united us all in excitement and, unfortunately, also in an unexpected tragedy. In that spirit, if there is anyone out there who is reading this and was affected in some way to those events, I hope you know that, even if I don’t know you, I send my prayers and condolences to you and your families.
Review
Let me just say this now: Christopher Nolan is destined to go down in history as, if not one of the most influential or important filmmakers in blockbuster history, at the very least one of the most revered and respected. The man hasn’t made a bad movie in… well pretty much ever! Some have varied in quality and appeal, of course, but none have been able to cross the general consensus threshold of being considered anything less than a quality film: Following. Memento. Batman Begins. The Prestige. The Dark Knight. Inception. All masterful works of not only high art, but high entertainment. No other filmmaker since maybe Spielberg has managed to pull this synthesis of style, spectacle, and skill as well as Nolan has. And now, with The Dark Knight Rises, we have been given this amazing film that not only provides plenty of thrilling action, but is also an intelligent and thought-provoking conclusion to what will undoubtedly go down in history as one of the greatest film series of all time, The Dark Knight Trilogy. Read more…
2011 in Review: The Top 5 Worst Films I Saw
Some would say that 2011 as a very disappointing year for film. While there were definitely fewer films that I wanted to see this past year than in years past, or at least ones that I was totally looking forward to, there was hardly a shortage of films that I did see and love, all the same.
But before I get to those films, we do have some filth to get out of the way, first. Though I try to avoid them at all costs, sometimes a bad film is just too hard to avoid, whether it’s because I saw them out of obligation to someone else or, as is the case with many of the films I saw this past year, I developed a case of morbid curiosity. Sometimes it paid off. Sometimes it didn’t. And while there were some films I did see from the past year were truly very poor ones, there were some that were just downright disappointments, too.
I’ve already gone through and told you about the films that I liked, and I already have a list of my favorite films of 2011 coming to you, as well, but before we do that, let’s get this out of the way, first.
Here is a definitive list of the Top 5 Worst Films I saw from 2011 that I did see, in ascending order from bad to worse to just absolutely awful…
5. Gnomeo & Juliet (February 11)
As if this story weren’t retold enough, here comes Canadian animation studio Arc Productions’ gimmicky little collaboration with Disney, a comedic and decidedly un-tragic retelling of Shakespeare’s Romeo and Juliet. Honestly, it’s not a horrendous film and likely wouldn’t have made this list had I seen some of the more horrible-looking films this past year that I managed to avoid (which is why it’s at the bottom of this list); but Gnomeo & Juliet‘s biggest failing isn’t that it’s awful, but that it’s like that friend who cracks all those corny jokes all the time, who gets everyone laughing but only because, you know, they’re friendly enough and generally nice to have around, but you really can’t bear to hurt their feelings and tell them that they’re not as clever as they think. The title, though, should give you an idea of what kind of humor lies within the film — puns aplenty and a smearing of self-aware sensibility so heavy that you’d think the animators kind of knew they were making a rather bland film and decided to compensate for it. Read more…
The Viewer's Commentary 