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2018 IN REVIEW – The Worst Movies of the Year

Alright, so I’m going to beat the Oscars, I just know it! … Personal goals aside, I did figure out that there were plenty of movies I liked or at least was indifferent to from 2018, much more than I hated. That being said, any year will have its stinkers, and here are 24 of them in rough order. I mean, it could change with time, but I feel good about this, currently, and definitely feel good about my top pick, so take this as kind of a list of terrible or even just really bland, boring movies from the year that leads up to the one to rule them all.
Read more…REVIEW – Beauty and the Beast: The Enchanted Christmas
Directed by: Andy Knight
Produced by: Lori Forte, John C. Donkin
Written by: Flip Kobler, Cindy Marcus, Bill Motz, Bob Roth
Edited by: Daniel Lee
Art Direction by: Julie Eberley, Clive Powsey
Music by: Rachel Portman, Michael Starobin
Songs by: Rachel Portman, Don Black
Starring: Paige O’Hara, Robby Benson, Angela Lansbury, Jerry Orbach, David Ogden Stiers, Bernadette Peters, Tim Curry, Paul Reubens, Haley Joel Osment, Frank Welker, Jeff Bennett, Kath Soucie, Andrew Keenan-Bolger
Year: 1997
Disney may not have invented the concept of the midquel (a follow-up that takes place between the timeframe of the original work, rather than before or after), but with their direct-to-video series, I swear that they’re probably the one studio to make unusually extensive use of the concept. There’s Tarzan 2, Bambi II, The Lion King 1 ½, The Fox and the Hound II, and, as a follow-up to a film that celebrated its 25th anniversary just this year, Beauty and the Beast: The Enchanted Christmas. (This would itself followed up by Belle’s Enchanted World, which was actually a compilation of episodes meant for a TV spinoff set within the timeline of the original movie that never came to be.) Along with the Aladdin movies and the first Lion King sequel, this was one of the few direct-to-video follow-ups my family actually had sitting around while growing up, and I recall that my sister and I would proudly claim that we were the owners of “the only good Disney sequels,” which… yeah, I don’t know about that, considering there weren’t that many at the time to begin with, and they all were pretty awful to meh in terms of quality. The Enchanted Christmas, in particular, is probably the worst of the four that we owned (it’s been a while since I’ve seen the others, granted), particularly considering the quality of the film that bore it. Read more…
REVIEW – Darkroom (2013)
Directed by: Britt Napier
Produced by: Britt Napier, Ron Stein
Written by: Michaelbrent Collings
Edited by: David Leonard, Jim Mol
Cinematography by: Frederic Fasano
Music by: Anthony Lledo
Starring: Kaylee DeFer, Elisabeth Röhm, Christian Campbell, Tobias Segal, Geneva Carr, Britne Oldford, Natalie Knepp
Year: 2013
Alright, so let’s get this point out of the way before I begin discussing this movie: Yes, I went to school with the star of this movie. I did not, however, know her very well, and I didn’t even have many of the same classes as her during the time she was there, and so I am in no way claiming to know intimate knowledge – and, even if I did, I wouldn’t divulge, because I am not writing for a gossip rag, and I am not a shitty person. That being said, it’s still kind of weird knowing that I very briefly crossed paths with someone in such a tiny school (43 people or so in my graduating class – she moved halfway through high school, so there’s that, too) who went on to be a recognizable actress. Not the biggest, mind you, but she had a prominent enough role in Gossip Girl for a couple seasons (I didn’t watch it, but I know I’m not the only person who watches things), and she once played Michael Rappaport’s daughter in a shortlived Fox sitcom called The War at Home, wherein she kissed Seth MacFarlane. He apparently remembered her well enough to invite her to do some voice acting on Family Guy. Heck, she was even one half of an actually crucial puzzle piece in Ted meeting the mother on How I Met Your Mother. That’s not unimpressive at all! So, yeah, there are people who will point at her and say, “I recognize her!” and so it’s still a noteworthy anecdote from my life (and anyone’s lives, really, from our class), especially considering that I once briefly played one of the gravediggers from Romeo and Juliet alongside her in our freshman year of high school for a school assignment – during which I cut my hand pretty badly on the jagged metal pipe I was using as a prop shovel. No wonder which one of us went on to act for a living and which went on to merely talk about people acting… for a hobby. Read more…
THEATRICAL REVIEW: Fantastic Four (2015)
Directed by: Josh Trank
Produced by: Gregory Goodman, Simon Kinberg, Robert Kulzar, Hutch Parker, Matthew Vaughn
Screenplay by: Simon Kinberg, Jeremy Slater, Josh Trank
Edited by: Elliot Greenberg, Stephen E. Rivkin
Cinematography by: Matthew Jensen
Music by: Marco Beltrami, Philip Glass
Starring: Miles Teller, Michael B. Jordan, Kate Mara, Jamie Bell, Toby Kebbell, Reg E. Cathey, Tim Blake Nelson, Dan Castellaneta
Based Marvel Comics characters created by Stan Lee and Jack Kirby
Year: 2015
This review contains spoilers.
So this must be how it feels to be one of the Man of Steel haters… Read more…
REVIEW: Free Birds
Directed by: Jimmy Hayward
Produced by: Scott Mosier
Screenplay by: Jimmy Hayward, Scott Mosier
Story by: David I. Stern, Scott Mosier
Edited by: Chris Cartagena
Music by: Dominic Lewis
Starring: Owen Wilson, Woody Harrelson, Amy Poehler, Dan Fogler, Colm Meaney, Keith David, George Takei
Year: 2013
I felt like I should do something for this Thanksgiving, but, to be honest, I have already pretty much exhausted my Thanksgiving movie options after Planes, Trains and Automobiles and, to an extent, Miracle on 34th Street (unless I wanted to review the remake, too…). Luckily, last year brought us a brand new Thanksgiving film to watch just before Turkey Day: Free Birds, a film that will have you shouting at the person who announces they’re about to put it on, “Play ‘Free Bird’!” because you’ll undoubtedly rather hear a great but very long Lynyrd Skynyrd song than see the movie that apparently didn’t even have the sense to license the song for the obvious reference I just made. (It instead plays a cover of CCR’s “Up Around the Bend” as played by Social Distortion over the credits. I guess it is a much more upbeat song, but I’m not too certain lyrical context really matters to a movie like this.) When I told people what I was reviewing out of desperation for another film, they strongly advised that I instead review the Charlie Brown TV special, which… yeah, that probably would’ve been more tolerable, but I felt like I should at least exhaust all theatrical film options, and at least this film was on Netflix streaming, so I wouldn’t have to take up a slot in my DVD queue, either. So, yeah, I watched Free Birds. … Here’s the review. Read more…
REVIEW: A Nightmare on Elm Street 2: Freddy’s Revenge
Directed by: Jack Sholder
Produced by: Robert Shaye
Written by: David Chaskin
Edited by: Bob Brady, Arline Garson
Cinematography by: Jacques Haitkin, Christopher Tufty
Music by: Christopher Young
Starring: Mark Patton, Kim Myers, Robert Englund, Robert Rusler, Clu Gulager, Hope Lange, Christie Clark, Marshall Bell, Melinda O. Fee, Tom McFadden, Sydney Walsh
Year: 1985
A long time ago, back in 2011, I angered quite a few fans of the Elm Street series by taking a disliking to the original film. These fans had accused me of a great number of things, mostly for being ignorant, comparing it to Friday the 13th, and/or making errors regarding the number of movies in the film series. It may well have been fair, but it seemed like most of this was stemmed from the fact that, in the end, I did not like it. I gave it a 2 out of 5 score and even called the score “charitable.” Them’s fighin’ words, they thought, and so they slammed me on their forum. Justified or not in their anger (and they kind of were in some respects), a few allowed me to engage them in discussion, and we even came to a sort of understanding. Some of them urged me on and recommended two of the sequels: the third, which saw the return of the one beloved survivor of the original heading up a task force of troubled youths against the series’ baddie, Freddy Krueger, and the seventh, which was a sort of meta extension of the series that saw the actors dealing with Freddy in the real world, in their own lives. And, to be honest, I actually kind of enjoyed them. They weren’t masterpieces or anything, but, for what they were, they were certainly a lot more entertaining and whimsical than what I had perceived as a sort of ridiculous, self-serious franchise with the first film. Read more…