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Posts Tagged ‘John Landis’

REVIEW – Trading Places

January 1, 2017 1 comment
Trading PlacesDirected by: John Landis
Produced by: Aaron Russo
Written by: Timothy Harris, Herschel Weingrod
Edited by: Malcolm Campbell
Cinematography by: Robert Paynter
Music by: Elmer Bernstein
Starring: Dan Aykroyd, Eddie Murphy, Jamie Lee Curtis, Ralph Bellamy, Don Ameche, Denholm Elliott, Paul Gleason, Kristin Holby, James Belushi, Tom Davis, Al Franken
Year: 1983

 

I’d always managed to forget this movie for the Christmas/New Year’s season in years past – it takes place predominately over the time between Thanksgiving and New Year’s Day. Not this year, though, thanks to a friendly reminder to not do that. My family was pretty big on this movie when I was growing up. Sure, I had to cover my eyes quite a few times (it’s an R-rated ‘80s comedy, after all), but apart from that, even I found it pretty enjoyable as a kid. But I haven’t seen it in a few years, as evidenced by my constant forgetfulness of its existence, and as the years went on, and the cycle of trying to remember this film at an appropriate time, forgetting, and then holding off until an appropriate time continued, I began to wonder to myself – was it actually Coming to America that I liked better than the other? Well, I don’t really know the answer to that one, as I also have to watch Coming to America again for the first time in years. However, the time has at least finally come for me to get around to reviewing Trading Places at what is ostensibly an “appropriate time” of year. So… Read more…

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Review: “Oscar” (1991)

July 1, 2013 10 comments
Oscar (1991)Directed by: John Landis
Produced by: Leslie Belzberg
Written by: Michael Barrie, Jim Mulholland, Claude Magnier (original play)
Edited by: Dale Beldin
Cinematography by: Mac Ahlberg
Music by: Elmer Bernstein
Starring: Sylvester Stallone, Marisa Tomei, Vincent Spano, Ornella Muti, Tim Curry, Chazz Palminteri, Peter Riegert, Elizabeth Barondes, Linda Gray, Joycelyn O’Brien, Martin Ferrero, Harry Shearer, Kurtwood Smith, Eddie Bracken, Richard Romanus, Kirk Douglas, Don Ameche, Jim Mulholland, Yvonne De Carlo
Based on the play by Claude Magnier
Year: 1991

 

Sometimes it’s nice to rely on friends to make suggestions for you when you’re in the mood for something different that you might have overlooked previously. The last time I did a review at the suggestion of a friend, his out of left field suggestion (after Macross, which, he had forgotten, wasn’t just a single movie but a whole series) was K-PAX, a movie I had always been somewhat curious about but never really interested enough to ever actually pursue – or even remember, for that matter. I ultimately didn’t end up liking it that much, but I enjoyed the suggestion, nonetheless. So, as Guy Movie Month was coming to a close, I asked another friend of mine what movie I should review next that I hadn’t seen. He came up with the answer pretty quickly: Oscar. Read more…

2011 in Review: Notable Films I Managed to Avoid, For Better or For Worse, May – September 2011

January 7, 2012 15 comments

<< Part 1: January – April 2011

Ah, summer. A time of blockbusters. The time of year that everyone looks forward to, even people who don’t necessarily like seeing a whole lot of films. 2011’s summer season for me was weird. I quit my job at an ice skating rink in Scottsdale sometime in June and began working full time at the warehouse I had also been working at, where I got a promotion from being a warehouse clerk to, of all things, a bookkeeper — a position my boss really took a chance with me on since the last time I did anything math-related was the easiest math class I could sign up for and still get the required credits to graduate on time with two years prior.

As such, I lost my movie-discussion buddy at the ice skating rink, which would then lead to my ignorance of several major releases in 2011. The friendships I forged there, particularly with my friend Lesley, continue to resonate with me but have also become a sort of symbol of my relationship with movies over the past year, as well, as I have grown to have fewer and fewer new encounters with both, much to my dismay.

I’m grateful for my current job, of course, as it is the first major promotion I’ve ever received, and I’ve gone on to also help in customer service, but without someone I am able to chat with and have meaningful, deep conversations about film with on a regular basis, the more disconnected I’ve grown from what is being released these days, including films I would have otherwise never heard about. Ultimately, this disconnect from what was happening would become so intolerable that I would force myself to start this blog, an aspiration that had been gestating in my heart for well over a year by the time I actually published my first article.

As with part one of this 2011 retrospective of films I didn’t see in theatres or at home, this is not intended to be my final say on these films, but rather a reflection upon what my impression of them was and why, if for any reason, I did not or chose not to see them.

Also, before I move forward, I want to to also thank everyone for the great response I’ve gotten over the past couple days. I never could have imagined  that I would get 3,333 views in one day, and the amount of comments I received on the first part by the first time I saw these figures was more than double the amount of people passing through on a daily basis without even leaving comments at all. To think that this has largely continued into the second day, as well, as I continued to be “Freshly Pressed” just floors me, and I’m more than touched and thrilled to have you all reading my site! Welcome to The Viewer’s Commentary, and I hope you’re enjoying your stay!

Now then, on to the article! Read more…

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