Archive
REVIEW – The Addams Family
Directed by: Barry Sonnenfeld
Produced by: Scott Rudin
Written by: Caroline Thompson, Larry Wilson
Edited by: Dede Allen
Cinematography by: Owen Roizman
Music by: Marc Shaiman
Starring: Anjelica Huston, Raúl Juliá, Christopher Lloyd, Christina Ricci, Jimmy Workman, Judith Malina, Carel Struycken, Elizabeth Wilson, Dan Hedaya, Dana Ivey, Paul Benedict, John Franklin, Christopher Hart(’s hand)
Based on The Addams Family comics by Charles Addams
Year: 1991
“And you thought your family was weird! Meet… the Addams Family!”
… You can practically imagine what kind of crappy trailer and taglines could be written for this film adaptation of Charles Addams’ comic strip. Released on the same day as Disney’s Beauty and the Beast, though the film is undoubtedly going for a different audience, it’s still impressive that the film was as successful as it was, given that fact. Critics generally enjoyed it, audiences loved it (forking over $191.5 million worldwide against a $30 million budget), and the film led to a resurgence in the brand, spawning an acclaimed sequel, an animated series, and – heck – even one of the most successful pinball machines ever made. Heck, it was even Barry Sonnenfeld’s first film as director, leading to such acclaimed hits as Men in Black, Get Shorty, and… Wild Wild West… Nine Lives… Well, you can’t win ‘em all, but still. Read more…
REVIEW: Joe Versus the Volcano
Directed by: John Patrick Shanley
Produced by: Teri Schwartz
Written by: John Patrick Shanley
Edited by: Richard Halsey, Kenneth Wannberg
Cinematography by: Stephen Goldblatt
Music by: Georges Delerue
Starring: Tom Hanks, Meg Ryan, Lloyd Bridges, Robert Stack, Ossie Davis, Abe Vigoda, Dan Hedaya, Barry McGovern, Amanda Plummer, Nathan Lane, Carol Kane
Year: 1990
I’d always been curious about Joe Versus the Volcano, mostly because it was the first pairing of Tom Hanks and Meg Ryan – and you know from a past review that I actually quite like the pairing – but my mom basically shaped my understanding of the movie to the point of making me mostly be ambivalent about it by hammering it into my mind that the movie was stupid. That curiosity was obviously not enough to cause me to seek it out, as I had basically not seen it up until this past week, but, whenever I did remember it existed, there was a moment where I would think to myself, “Huh. I should see that someday,” before quickly forgetting about it. This time, though, I finally saw it, mostly because a friend/coworker/fellow cinephile recommended the movie as being his favorite bad movie. Me being who I am, I took it as a sign that, yes, I should finally see this movie, so it instantly went onto the top of my Netflix DVD queue.
So… yeah, I saw this movie. Finally. Was it worth it?… Read more…
Review: “Clueless”
Directed by: Amy Heckerling
Produced by: Scott Rudin, Robert Lawrence, Twink Caplan, Adam Schroeder, Barry M. Berg
Written by: Amy Heckerling
Edited by: Debra Chiate
Cinematography by: Bill Pope
Music by: David Kitay
Starring: Alicia Silverstone, Stacey Dash, Brittany Murphy, Paul Rudd, Donald Faison, Breckin Meyer, Dan Hedaya, Elisa Donovan, Justin Walker, Wallace Shawn, Twink Caplan, Jeremy Sisto
Inspired by the novel Emma by Jane Austen
Year: 1995
Every once in a while, a film comes along that transcends its trappings and finds a broader than expected audience, only to become a renowned classic. Star Wars was such a film – a silly space opera that managed to become one of the biggest and most influential films of all time. Without it, we would likely have not had the revival of Star Trek and the creation of Alien. The Dark Knight did the same for superhero films, as well, taking its subject seriously and forever changing the expectations regarding the quality of a subgenre that was still considered to be mostly a catalyst for special effects.
Clueless is one of those films – a high school comedy that manages to be both smart and likeable enough that it was a hit with both audiences of all ages as well as becoming a darling with critics who recognized it for its witty dialogue and well developed characters. It was enough of a hit that it even became a well-received TV series. Teen comedies featuring a blonde rich girl protagonist are bound to either make fun of its main character for being a dimwit or, even worse, treat her like a princess who goes on a sort of fun, supposedly meaningful high school experience that will apparently change her life forever. Clueless remains a refreshingly down-to-earth in its scope, despite the characters’ social status. Read more…
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