Archive
REVIEW: The Family Stone
Directed by: Thomas Bezucha
Produced by: Michael London
Written by: Thomas Bezucha
Edited by: Jeffrey Ford
Cinematography by: Jonathan Brown
Music by: Michael Giacchino
Starring: Sarah Jessica Parker, Diane Keaton, Rachel McAdams, Claire Danes, Dermot Mulroney, Craig T. Nelson, Luke Wilson, Tyrone Giordano, Brian J. White, Elizabeth Reaser, Paul Schneider
Year: 2005
Every family has a traditional family Christmas film, I’m fairly certain. My family has a few, and they’re probably yours, too: Christmas Vacation, It’s a Wonderful Life, Elf… (I’ve pretty much already exhausted reviewing all my favorites.) Of course, everyone has their oddballs. I like to throw in Die Hard, though not everyone recognizes that one as a Christmas movie (they totally should – family togetherness and such). My mom and sister? They like The Family Stone, and so, more often than not, that’s one of the movies we end up watching this time of year, though I, admittedly, usually end up finding a nice distraction while enjoying the company of family. I’m not a fan of the film, you see, and I’ve seen it enough times to feel like I knew it inside and out. I admittedly got a bit mouthy about it last year, though, despite seeing it a few times, and this upset them both. This year, I figured I’d watch it again on my own and see if I was being unfair to it. Naturally, this also meant that I intended on writing a review of it, too. Here it is. Read more…
REVIEW: Joe Versus the Volcano
Directed by: John Patrick Shanley
Produced by: Teri Schwartz
Written by: John Patrick Shanley
Edited by: Richard Halsey, Kenneth Wannberg
Cinematography by: Stephen Goldblatt
Music by: Georges Delerue
Starring: Tom Hanks, Meg Ryan, Lloyd Bridges, Robert Stack, Ossie Davis, Abe Vigoda, Dan Hedaya, Barry McGovern, Amanda Plummer, Nathan Lane, Carol Kane
Year: 1990
I’d always been curious about Joe Versus the Volcano, mostly because it was the first pairing of Tom Hanks and Meg Ryan – and you know from a past review that I actually quite like the pairing – but my mom basically shaped my understanding of the movie to the point of making me mostly be ambivalent about it by hammering it into my mind that the movie was stupid. That curiosity was obviously not enough to cause me to seek it out, as I had basically not seen it up until this past week, but, whenever I did remember it existed, there was a moment where I would think to myself, “Huh. I should see that someday,” before quickly forgetting about it. This time, though, I finally saw it, mostly because a friend/coworker/fellow cinephile recommended the movie as being his favorite bad movie. Me being who I am, I took it as a sign that, yes, I should finally see this movie, so it instantly went onto the top of my Netflix DVD queue.
So… yeah, I saw this movie. Finally. Was it worth it?… Read more…
REVIEW: Batman: Mask of the Phantasm
Directed by: Eric Rodomski, Bruce Timm
Produced by: Alan Burnett, Michael Uslan, Benjamin Melniker, Bruce Timm
Screenplay by: Alan Burnett, Paul Dini, Martin Pasko, Michael Reaves
Story by: Alan Burnett
Edited by: Al Breitenbach
Music by: Shirley Walker
Starring: Kevin Conroy, Dana Delany, Hart Bochner, Stacy Keach, Abe Vigoda, Mark Hamill, Efram Zimbalist, Jr., Robert Costanzo, Bob Hastings, Dick Miller, John P. Ryan
Based on the DC Comics character created by Bob Kane and Batman: The Animated Series
Year: 1993
I would just like to begin this review by pointing out that 2014 marks the 75th anniversary of Batman’s creation, and pretty much every Batman movie has been released to Blu-Ray, including the 1960s Adam West feature film based on the camp TV series. The one exception, however, may very well be the most wanted of them all among those who have seen films based on the Caped Crusader: Batman: Mask of the Phantasm. Along with its sequel, Sub-Zero, these two films, based on arguably the greatest animated superhero series of all time, have yet to see anything beyond a DVD-quality release. Meanwhile, the infinitely inferior Mystery of the Batwoman has been given a release, and, while I’m certainly thankful for it, even the spinoff Batman Beyond: Return of the Joker was given its time in the HD spotlight long ago. Wouldn’t now be the perfect time to release a double pack or something, Warner Bros.? Or are you going to wait until the 25th anniversary of this movie to do that? That’s 4 years away, you know… Read more…
REVIEW: Super Mario Bros.
Directed by: Rocky Morton, Annabel Jankel
Produced by: Jake Eberts, Roland Joffé
Written by: Parker Benett, Terry Runté, Ed Solomon
Edited by: Mark Goldblatt
Cinematography by: Dean Semler
Music by: Alan Silvestri
Starring: Bob Hoskins, John Leguizamo, Dennis Hopper, Samantha Mathis, Fisher Stevens, Richard Edson, Fiona Shaw, Mojo Nixon, Dana Kaminski, Francesca Roberts, Don Lake, Gianni Russo, Frank Welker, Dan Castellaneta, Lance Henriksen
Based on the Nintendo video game series created by Shigeru Miyamoto
Year: 1993
You know, there was a lot of controversy in the 1990s, mostly spurred by the 1992 and 1993 release of the first two Mortal Kombat games. Regardless of your feelings on that particular series, however, it did lead to some good: the creation of the Entertainment Software Rating Board (ESRB) and the industry wide adoption of its ratings system, which has successfully given parents absolutely no excuse for blaming games for their children acting out… or, at least, that was the idea in theory, but you get the idea. However, perhaps the most disconcerting thing about the early 90s in regards to video games was the sudden proliferation of movie adaptations of video games – bad ones. REALLY bad ones. Double Dragon, Street Fighter, a toned down PG-13 film based on Mortal Kombat and its even worse sequel, Mortal Kombat: Annihilation… It’s a trend that has continued to this day throughout the Resident Evil films, the tax write-offs directed by German anti-auteur Uwe Boll, up to today, with the recent Need for Speed garnering a whopping 22% approval on Rotten Tomatoes. Read more…
REVIEW: (500) Days of Summer
Directed by: Marc Webb
Produced by: Mason Novick, Jessica Tuchinsky, Mark Waters, Steven J. Wolfe, Scott G. Hyman
Written by: Scott Neustadter, Michael H. Weber
Edited by: Alan Edward Bell
Cinematography by: Eric Steelberg
Music by: Mychael Danna, Rob Simonsen
Starring: Joseph Gordon-Levitt, Zooey Deschanel, Geoffrey Arend, Chloe Moretz, Matthew Gray Gubler, Clark Gregg, Patricia Belcher, Rachel Boston, Minka Kelly, Maile Flanagan, Yvette Nicole Brown, Richard McGonagle
Year: 2009
“The following is a work of fiction. Any resemblance to persons living or dead is purely coincidental. Except you Jenny Beckman. Bitch.”
The opening lines to the movie – unspoken, but probably the loudest statement this film makes – sets the tone for the remainder of this quasi-romantic comedy. Reportedly inspired by a real relationship experienced by screenwriter Scott Neustadter, (500) Days of Summer is clear right from the start (heck, even from its title) that this is not a story about everlasting love, but rather a season in passing. In fact, as if that point weren’t clear enough, yes, the girl at the center of the film is, in fact, named Summer. She’s a pretty girl who floats into the life of Tom, our film’s leading man, who is immediately smitten by Summer when she is introduced to everyone at work as the boss’ new assistant at the greeting card company Tom works for (another canny element playing with the theme of cheap, temporary sentiments). Summer is, as I said before, very pretty, seems quite nice, and she shares the same taste in music as Tom, even going so far as to make the first move when she notices this coincidence. Naturally, the two decide to hang out together. And, also naturally, there’s a big misunderstanding about what all this means. Where have you heard that before?
(Minor spoilers ahead.) Read more…
THEATRICAL REVIEW: The Fault in Our Stars
Directed by: Josh Boone
Produced by: Wyck Godfrey, Marty Bowen
Written by: Scott Neustadter, Michael H. Webter (screenplay)
Edited by: Robb Sullivan
Cinematography by: Ben Richardson
Music by: Mike Mogis, Nate Walcott
Starring: Shailene Woodley, Ansel Elgort, Nat Wolff, Laura Dern, Sam Trammell, Willem Dafoe, Lotte Verbeek, Mike Birbiglia
Based on the novel by John Green
Year: 2014
I hadn’t ever heard of the book this movie is based on before a couple months ago when I had a chance encounter with this film’s trailer in the theatre. Filled with lovely platitudes, cutesy dialogue, attractive teenagers going through extraordinary circumstances guaranteed to wrench away tears from your eyes – in this case, a girl who has been suffering the effects of her cancer diagnosis years prior and yet falling in love with the perfect guy who loves her just the way she is – The Fault in Our Stars looked exactly like the seemingly endless adaptations of Nicholas Sparks dreck Hollywood seems to like to churn out and that audiences eat up. I poked fun at it, made fun of the lead character’s name (Hazel Grace), the ridiculous predictability of the love story, the very punchable-looking romantic boyfriend character, the very casting of Shailene Woodley (who hasn’t ever been bad, but is a bankable big star among teenage girls)… It looked, quite frankly, like exploitative shit, and I wasn’t going to have any of it. And then the reviews came out. Read more…
REVIEW: Star Wars Episode II: Attack of the Clones
Directed by: George Lucas
Produced by: Rick McCallum
Written by: George Lucas, Jonathan Hales
Edited by: Ben Burtt
Cinematography by: David Tattersall
Music by: John Williams
Starring: Ewan McGregor, Hayden Christensen, Natalie Portman, Ian McDiarmid, Christopher Lee, Samuel L. Jackson, Temuera Morrison, Frank Oz, Anthony Daniels, Kenny Baker, Daniel Logan, Silas Carson, Jack Thompson, Joel Edgerton, Bonnie Piesse, Ahmed Best, Rose Byrne, Jay Laga’aia, Pernilla August, Leeanna Walsman
Year: 2002
At some point in my life, I didn’t really know which one was worse: The Phantom Menace or Attack of the Clones. On the one hand, you have one of the dullest, most inconsequential films in the series that also has some of the most childish humor, to top it off, but at least it had some killer music and Darth Maul. On the other, you have George Lucas’ depiction of teenage angst within the Jedi Order and some of the most ridiculous romantic interactions between two characters ever scripted, the likes of which will have your eyes rolling out of your head and having your mind blown from thinking about just how that line about sand ever made it through someone’s mind and into the first draft of the script, let alone the final film. It took a lot of thinking, honestly, but after a while, I did eventually settle on The Phantom Menace being the worst of the two, because it not only had a bad script, but also, overall, it had just very little impact of all the films in the saga in the process. Attack of the Clones at least finally set some things in motion that would have bigger consequences later on in the story. Also, you finally get to see both Yoda and Mace Windu in combat, so… that’s gotta count for something? Read more…
THEATRICAL REVIEW: The Wind Rises (風立ちぬ)
Directed by: Hayao Miyazaki
Produced by: Toshio Suzuki
Written by: Hayao Miyazaki
Edited by: Takeshi Seyama
Cinematography by: Atsushi Okui
Music by: Joe Hisaishi
Starring: (Japanese) Hideaki Anno, Miori Takimoto, Hidetoshi Nishijima, Masahiko Nishimura, Steve Alpert, Morio Kazama, Keiko Takeshita, Mirai Shida, Jun Kunimura, Shinobu Otake, Nomura Mansai; (English Disney dub) Joseph Gordon-Levitt, Emily Blunt, John Krasinski, Martin Short, Werner Herzog, William H. Macy, Darren Criss, Mae Whitman, Mandy Patinkin, Jennifer Grey, Stanley Tucci, Elijah Wood, Ronan Farrow, Zach Callison
Based on the manga Kaze Tachinu by Hayao Miyazaki, the novel The Wind Has Risen by Tatsuo Hori, and inspired by a true story
Year: 2013, 2014 (US)
Review is based on the Disney/Touchstone English dub.
Touted as the last film to be directed by legendary animator Hayao Miyazaki, The Wind Rises understandably will carry a lot of weight with fans of the director, Studio Ghibli, and animation in general, with the film even being nominated recently in the Academy Awards’ Best Animated Feature category. The director has, since the 70s, made a name for himself as a whimsical filmmaker with a fine attention to detail, both visually in the work his crew puts out and within the worlds and personalities of the characters he portrays in his films, which rarely feel anything like the stereotypical animé Western audiences are more familiar with, and yet also so distinctly different from Western animation from any era. Understandably, he’s going to be missed, and while Studio Ghibli has plenty of talent to build off of and directors who have proven to be more than capable of creating films in the same mold as the elder Miyazaki, it’s unlikely that we’ll be seeing the like of his work ever again (so long as he’s actually serious about staying retired). Read more…
2013 IN REVIEW: Neither the Best, Nor the Worst Films I Saw
I apparently watched a lot more movies in 2013 than I had realized… The films below represent not the worst, not the best, but certainly not always good, but also certainly not always bad movies that I saw in and from 2013. Only films released theatrically were counted, and film festival debuts did not count. Some of these films were truly great, others were truly awful, but none of them were seen fit to be placed in “the worst,” “the best,” nor “my favorite” categories. And so, they go here. Here are some of the films I watched in 2013, in order of release! Read more…
2013 IN REVIEW: The Films I Didn’t See (January – April)
With a few exceptions, this is the time of year when studios tend to dump lesser films and films not expected to do well during the blockbuster and Oscar seasons — stuff like low budget horror films, foreign imports, romcoms cashing in on Valentine’s Day, and films held off because the studios would rather market them at a time when nothing else is really out, and they might be able to get a few bucks out of those who crave a blockbuster but don’t want to wait a few months. Naturally, being the thrifty, frugal person I am, there were quite a few films I didn’t see during this time period, though with the summer blockbuster season creeping earlier and earlier into the year, such as with the high profile March release of Oz the Great and Powerful and the April release of Iron Man 3, it certainly seems like studios are catching on to the idea that, hey, there’s room to spread them all out. One can only hope that if that trend continues, filmmakers would be more likely to try harder and make films that standout in quality for your dollar… but that’s probably unrealistic.
Anyway, here are the films that, as of this writing, I did not see from January – April 2013, in order of release, as noted on Wikipedia. Please note that, as in the past, I still reserve the right to watch any film that is listed here and then re-remark on the film in one of the upcoming articles on films I did see from 2013. So, yes, you might see some of these films again, and soon… Read more…
The Viewer's Commentary 