Archive
REVIEW: Poltergeist (1982)
Directed by: Tobe Hooper
Produced by: Steven Spielberg, Frank Marshall
Written by: Steven Spielberg (screenplay & story), Michael Grais, Mark Victor (screenplay)
Edited by: Steven Spielberg, Michael Kahn
Cinematography by: Matthew F. Leonetti
Music by: Jerry Goldsmith
Starring: Craig T. Nelson, JoBeth Williams, Beatrice Straight, Heather O’Rourke, Oliver Robins, Dominique Dunne, Richard Lawson, Zelda Rubinstein, Martin Casella, James Karen
Year: 1982
Poltergeist and the films that followed it have become some of the most fabled films in Hollywood history. Seemingly everyone knows about “Poltergeist curse” that was often been attributed to the ironic fact that the first film used real human skeletons as props in one pivotal scene and was rumored to have afflicted many people who worked on the films throughout the trilogy, ranging from small incidents on the set to the deaths of many of the films’ stars during that time. Producer Steven Spielberg was also the subject of much Hollywood scrutiny over his role in the first film’s creation, as he had a contract with Universal to not direct another film while he worked on E.T.: The Extra-Terrestrial for them, but many who worked on the film claim that Spielberg had, in fact, taken over a lot of the directing duties on the set from its credited director, Tobe Hooper, likely in order to avoid any legal ramifications. Content wise, the film was also one of the most controversial films of its time, initially being issued an R-rating from the MPAA before Spielberg and Hooper talked them down to a PG, thus making it perfectly acceptable for younger audiences to see this scary movie without adult supervision if they so wished. Though it wouldn’t be the final straw that broke the camel’s back, it would be just one of the many that would convince the MPAA that a rating between the two was needed and eventually lead to the creation of the now ubiquitous PG-13 rating. Read more…
REVIEW: Tron: Legacy
Directed by: Joseph Kosinski
Produced by: Sean Bailey, Jeffrey Silver, Steven Lisberger
Written by: Edward Kitsis, Adam Horowitz (screenplay), Edward Kitsis, Adam Horowitz, Brian Klugman, Lee Sternthal (story)
Edited by: James Haygood
Cinematography by: Claudio Miranda
Music by: Daft Punk
Starring: Jeff Bridges, Garrett Hedlund, Olivia Wilde, Bruce Boxleitner, Michael Sheen, James Frain, Beau Garrett, Anis Cheurfa
Based on characters by Steven Lisberger and Bonnie MacBird
Year: 2010
Never one to let a good franchise die with a single entry, it was inevitable that Disney would finally come around and get to revisiting the brand name at some point to turn that single movie into a whole franchise (you know, apart that one time when they totally did make a sequel in the form of the video game Tron 2.0). Even so, while the 28 years it took them to release a cinematic follow-up may not have been the longest gap between the original and its sequel for the studio (that honor goes to Bambi II, which has the honor of having the longest gap between any movie and its sequel at over 63 years and was also one of those oddball sequels like The Jungle Book 2 and Return to Never Land that got a theatrical release in some markets), it was certainly becoming more and more unexpected as time went on, given the particularly cult status the original film had. Sure, a video game follow-up seemed pretty logical given the nature of the story and the fact that it was less of a gamble in that medium, but to release a big budget sequel to a film the studio would later have to clarify to people the nature of its existence in subsequent home video releases (“The Original Classic” they called it) definitely caught a lot of people off guard when the studio revealed test footage of Jeff Bridges once again playing the role of Kevin Flynn at the 2008 San Diego Comic-Con. And everybody flipped from excitement, including my roommate at the time. Heck, even I was interested! And I didn’t even really like the original all that much! It would be another couple years until the film’s actual release, however, but was the wait worth it? Read more…
REVIEW: Star Wars Episode II: Attack of the Clones
Directed by: George Lucas
Produced by: Rick McCallum
Written by: George Lucas, Jonathan Hales
Edited by: Ben Burtt
Cinematography by: David Tattersall
Music by: John Williams
Starring: Ewan McGregor, Hayden Christensen, Natalie Portman, Ian McDiarmid, Christopher Lee, Samuel L. Jackson, Temuera Morrison, Frank Oz, Anthony Daniels, Kenny Baker, Daniel Logan, Silas Carson, Jack Thompson, Joel Edgerton, Bonnie Piesse, Ahmed Best, Rose Byrne, Jay Laga’aia, Pernilla August, Leeanna Walsman
Year: 2002
At some point in my life, I didn’t really know which one was worse: The Phantom Menace or Attack of the Clones. On the one hand, you have one of the dullest, most inconsequential films in the series that also has some of the most childish humor, to top it off, but at least it had some killer music and Darth Maul. On the other, you have George Lucas’ depiction of teenage angst within the Jedi Order and some of the most ridiculous romantic interactions between two characters ever scripted, the likes of which will have your eyes rolling out of your head and having your mind blown from thinking about just how that line about sand ever made it through someone’s mind and into the first draft of the script, let alone the final film. It took a lot of thinking, honestly, but after a while, I did eventually settle on The Phantom Menace being the worst of the two, because it not only had a bad script, but also, overall, it had just very little impact of all the films in the saga in the process. Attack of the Clones at least finally set some things in motion that would have bigger consequences later on in the story. Also, you finally get to see both Yoda and Mace Windu in combat, so… that’s gotta count for something? Read more…
THEATRICAL REVIEW: Gravity
Directed by: Alfonso Cuarón
Produced by: Alfonso Cuarón, David Heyman
Written by: Alfonso Cuarón, Jonás Cuarón
Edited by: Alfonso Cuarón, Mark Sanger
Cinematography by: Emmanuel Lubezki
Music by: Steven Price
Starring: Sandra Bullock, George Clooney, Ed Harris, Orto Ignatiussen, Paul Sharma, Amy Warren, Basher Savage
Year: 2013
I actually got around to seeing this on its opening weekend, but due to the film releasing in October, I never got around to reviewing it because I was so focused on doing Halloween-themed movies. Just this past weekend, however, I decided to go see it again while I still had the chance to see it on the big screen, thanks to some free passes I had received from my birthday – this time in 3D. It also presented the perfect opportunity to reflect on the film again and write a review with a more “fresh from the theatres” perspective, especially now that I had also now seen it in two different formats (once on a massive screen with Dolby Atmos sound system, and then on a smaller screen in 3D). Read more…
Independence Day Review: … “Independence Day” of course!
Directed by: Roland Emmerich
Produced by: Dean Devlin
Written by: Dean Devlin, Roland Emmerich
Cinematography by: Karl Walter Lindenlaub
Music by: David Arnold
Starring: Will Smith, Jeff Goldblum, Bill Pullman, Margaret Colin, Vivica A. Fox, Mary McDonnell, Judd Hirsch, Robert Loggia, Randy Quaid, James Rebhorn, James Duval, Adam Baldwin, Harry Connick, Jr., Mae Whitman, Harvey Fierstein, Brent Spiner, Frank Welker (voice)
Year: 1996
There’s an exchange between two characters in this film that I think perfectly sums up the whole attitude one should have when preparing to watch this film: “You really think you can fly this thing?” “You really think you can do all that bullshit you just said?”
The concept of a self-aware film has already become a familiar trope, but Independence Day acknowledges its nature as a big budget B-movie while never truly drawing attention to the fact. It’s all played straight, and yet it’s still hilariously playful, just the same. Here’s a film where you really have to turn off your brain and not really think too much about the action, lest you be driven into madness trying to nitpick all the little details of the plot and pinpoint all the ridiculous things that the characters within are saying and doing. Once you do that, you’ll likely find yourself enjoying it far more than the film probably deserves. Read more…