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THEATRICAL REVIEW: Popstar: Never Stop Never Stopping

June 11, 2016 1 comment
Popstar: Never Stop Never StoppingDirected by: Akiva Schaffer, Jorma Taccone
Produced by: Judd Apatow, Rodney Rothman, Andy Samberg, Akiva Schaffer, Jorma Taccone
Written by: Andy Samberg, Akiva Schaffer, Jorma Taccone
Edited by: Jamie Gross, Stacey Schroeder, Zene Baker
Cinematography by: Brandon Trost
Music by: The Lonely Island, et al.
Starring: Andy Samberg, Akiva Schaffer, Jorma Taccone, Sarah Silverman, Tim Meadows, Imogen Poots, Joan Cusack, Maya Rudolph, Chris Redd, James Buckley, Will Arnett, Eric André, Chelsea Peretti, Mike Birbiglia, Bill Hader
Year: 2016

 

Ah, the lifestyles of the rich and famous. So glamorous. So scandalous. So ripe for parody. The hilariously titled Popstar: Never Stop Never Stopping is a mockumentary that was bound to draw comparisons from the very beginning to another particular musical mockumentary, This Is Spinal Tap. However, Popstar differentiates itself just enough by not only focusing on the musicians themselves, but by putting real life, self-important, money-siphoning documentaries like Justin Bieber: Never Say Never and One Direction: This Is Us in its crosshairs, resulting in a film that is, of course, a bit more current and, thus, a lot more prone to poking fun at the marketing and technological synergy inherent to modern pop stars, as well as the generic, myopic, and self-important altruism so many modern celebrities seem to espouse. And, because it’s a Lonely Island production, it has more than a touch of their signature absurdities thrown in, too. Read more…

THEATRICAL REVIEW: The Visit

September 17, 2015 6 comments
The VisitDirected by: M. Night Shyamalan
Produced by: Marc Bienstock, Jason Blum, M. Night Shyamalan
Written by: M. Night Shyamalan
Edited by: Luke Franco Ciarrocchi
Cinematography by: Maryse Alberti
Music by: Paul Cantelon
Starring: Olivia DeJonge, Ed Oxenbould, Deanna Dunagan, Peter McRobbie, Kathryn Hahn
Year: 2015

 

M. Night Shyamalan – the guy’s name has basically become synonymous with “crappy movie with a twist ending.” The filmmaker was once purported to be “the next Steven Spielberg” when he released his first film, The Sixth Sense, and people continued to call him a master of suspense with the release of his second, Unbreakable. There was a brief time when Shyamalan’s name in the credits was reason enough to go flock to the theatre and see his latest work, but something quickly changed in the public consciousness, it seemed. It seemed to start at a different time for everyone. For some, it was his alien invasion film Signs, with its improbably prophetic twist reveal. For others, it was The Village, which seemed to promise one movie in the trailers and delivered something completely different and ultimately disappointing with the end product. Some were even willing to go as far as The Lady in the Water, but others even took issue with Unbreakable, while others claim that one’s still superior to his first. Read more…

REVIEW: The Blair Witch Project

October 28, 2013 7 comments
The Blair Witch ProjectDirected by: Eduardo Sánchez, Daniel Myrick
Produced by: Robin Cowie, Gregg Hale
Written by: Daniel Myrick, Eduardo Sánchez
Edited by: Daniel Myrick, Eduardo Sánchez
Cinematography by: Neal Fredericks
Starring: Heather Donahue, Michael C. Williams, Joshua Leonard
Year: 1999

 

Found footage -style movies are a dime a dozen these days. Though mostly used in the horror genre (notably the Paranormal Activity films), the technique has also found its way into giant monster/kaiju films (Cloverfield), superhero films (Chronicle), and even loathsome teen “comedies” (Project X). The Blair Witch Project certainly wasn’t the first film to use the format (the controversial Italian film Cannibal Holocaust from 1980 is largely credited as the earliest), but it was, without question, the film that resulted in the technique’s popularization – with studios arguably bringing it to the point of exhaustion by now – Does anyone remember Apollo 18? Read more…

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