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REVIEW – Wonder Woman

Directed by: Patty Jenkins
Produced by: Charles Roven, Deborah Snyder, Zack Snyder, Richard Suckle
Screenplay by: Allan Heinberg
Story by: Zack Snyder, Allan Heinberg, Jason Fuchs
Edited by: Martin Walsh
Cinematography by: Matthew Jensen
Music by: Rupert Gregson-Williams
Starring: Gal Gadot, Chris Pine, Robin Wright, Danny Huston, David Thewlis, Saïd Taghmaoui, Ewen Bremner, Eugene Brave Rock, Connie Nielsen, Elena Anaya, Lucy Davis
Based on DC Comics characters created by William Moulton Marston
Year: 2017

 

Seventy-five and a half years. That’s how long it has taken for Wonder Woman to finally get herself a film of her own. Twelve years. That’s how long it’s been since the release of Elektra, the last major superhero film starring just a major female superhero in the lead role and not as part of a team of predominantly male heroes. Five. That’s the number of films I count from Wikipedia’s list of superhero films since 1920 that have starred solely a female lead: Supergirl (1981), Tank Girl (1995), Barb Wire (1996), Catwoman (2004), and Elektra (2005). It’s six only if you count the TV movie Witchblade (2000), which acted more like an extended pilot episode. While comic books have always had their own struggles with female representation, film adaptations (and even some original works) have always seemingly struggled more, largely because a lot more is riding on them ($$$). For some reason, executives just never really saw these properties as being as marketable (i.e., profitable) as their male counterparts, and it seems as though the aforementioned films have stood as evidence of why that is the case, both in the execs’ eyes and, sadly, in the eyes of many in the general audience. Read more…

Review: “Shaun of the Dead”

November 3, 2011 13 comments
Director: Edgar Wright
Produced by: Nira Park
Written by: Edgar Wright, Simon Pegg
Starring: Simon Pegg, Nick Frost, Kate Ashfield, Lucy Davis, Dylan Moran, Bill Nighy, Penelope Wilton, Peter Serafinowicz, Jessica Stevenson
Music by: Pete Woodhead, Daniel Mudford
Year: 2003

 

I’m not going to pretend like Shaun of the Dead is some masterpiece of cinema. The movie speaks for itself — it is a masterpiece of comedy, no pretending needed! There’s just something so fun, so delightfully silly about the concept of a romantic comedy set during a zombie outbreak. I mean, seriously, how could you resist?

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