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REVIEW – Love, Simon

March 31, 2018 Leave a comment
Directed by: Greg Berlanti
Produced by: Marty Bowen, Wyck Godfrey, Isaac Klausner, Pouya Shahbazian
Screenplay by: Isaac Aptaker, Elizabeth Berger
Edited by: Harry Jierjian
Cinematography by: John Guleserian
Music by: Rob Simonsen
Starring: Nick Robinson, Josh Duhamel, Jennifer Garner, Katherine Langford, Alexandra Shipp, Jorge Lendeborg, Jr., Logan Miller, Talitha Bateman, Keiynan Lonsdale, Miles Heizer, Joey Pallari, Tony Hale
Based on Simon vs. the Homo Sapiens Agenda by Becky Albertalli
Year: 2018

Full disclosure that, to some of you, may sound a bit more like a disclaimer : I’m embarrassed to admit this, but… I am writing this after having seen the movie in theatres twice. I rarely do that for any film that isn’t something like Star Wars, or a superhero movie, or any number of films that benefit greatly from the sensory stimulus of a theatre experience. Love, Simon, a romcom about teenagers, is hardly in the same category. So why, then, did I pay good money for a second theatrical viewing, including concessions, to see this run-of-the-mill film about teenagers when I didn’t even do the same for Lady Bird, another film about a teenager that was among my personal picks for one of the best films of 2017?

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REVIEW: Boulevard (2015)

September 28, 2015 3 comments
Boulevard (2015)Directed by: Dito Montiel
Produced by: Monica Aguirre Diez Barroso, Ryan Belenzon, Mia Chang, Jeffrey Gelber
Written by: Douglas Soesbe
Edited by: Jake Pushinsky
Cinematography by: Chung-hoon Chung
Music by: Jimmy Haun, David Wittman
Starring: Robin Williams, Kathy Baker, Roberto Aguire, Bob Odenkirk, Giles Matthey, J. Karen Thomas, Giles Matthey
Year: 2015

 

Filmed in 2013, screened at Tribeca in 2014, and finally given a release in 2015, Boulevard was the final film release left with an onscreen appearance in the late Robin Williams’ acting career (Absolutely Anything is the last ever, though Williams appears in voice only). The role isn’t necessarily the one you would have probably expected from the actor had you only ever thought of him as a comedian. After still fairly recent comedic releases like The Angriest Man in Brooklyn and A Merry Friggin’ Christmas, this one last little dramatic film comes our way to at least remind us of what Williams was capable of, even when he wasn’t trying to make people laugh, often times far more effective at making us feel empathy for a character than anything. Read more…

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