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2013 IN REVIEW: The Films I Didn’t See (January – April)
With a few exceptions, this is the time of year when studios tend to dump lesser films and films not expected to do well during the blockbuster and Oscar seasons — stuff like low budget horror films, foreign imports, romcoms cashing in on Valentine’s Day, and films held off because the studios would rather market them at a time when nothing else is really out, and they might be able to get a few bucks out of those who crave a blockbuster but don’t want to wait a few months. Naturally, being the thrifty, frugal person I am, there were quite a few films I didn’t see during this time period, though with the summer blockbuster season creeping earlier and earlier into the year, such as with the high profile March release of Oz the Great and Powerful and the April release of Iron Man 3, it certainly seems like studios are catching on to the idea that, hey, there’s room to spread them all out. One can only hope that if that trend continues, filmmakers would be more likely to try harder and make films that standout in quality for your dollar… but that’s probably unrealistic.
Anyway, here are the films that, as of this writing, I did not see from January – April 2013, in order of release, as noted on Wikipedia. Please note that, as in the past, I still reserve the right to watch any film that is listed here and then re-remark on the film in one of the upcoming articles on films I did see from 2013. So, yes, you might see some of these films again, and soon… Read more…
2013 IN REVIEW: It Begins
Hello, everyone who reads this blog, and Happy New Year! I haven’t written in a couple weeks, mainly because, well, I really needed a vacation and was visiting with family. But I’ve actually been really looking forward to getting back to writing (even if my lazy mindset often convinced me of doing otherwise), and I’m ready to start blogging again. It being January, that means it’s time to look back at the past year in film and, at least for me, reflect on the movies I liked, loved, hated, and, yes, didn’t even see. That’s right — I start off my year in review with a look back on the films I managed to not see and comment on why that was. (If you’re thinking that this involves quite a bit of blind judgment on my part, then I’m willing to admit that, yes, that is indeed the truth in many cases, but never without reason, however sound, but, more often than not, it’s just because money and time did not allow for it.)
Before I get into all that, however, I figured I’d use this opportunity to reflect publicly about what the year 2013 in film meant for me, specifically. 2013 was a pretty big year of changes for me, after all. One of the biggest factors that took place in my life was the fact that, at the beginning of March, I not only remained a bachelor, I also became one without a roommate, as my best friend moved back to our mutual hometown to be closer to his family after his grandmother had passed away within the last year. Fearing change already but also having a very steady job I was not inclined to leave, I faced the challenge of staying where I was while simultaneously moving on in another way. This being a movie blog, I’m not so inclined to talk too much about how this impacted me emotionally and all that schmaltzy stuff, it did nonetheless inspire a special review of what is perhaps the “bromance” comedy of my generation, Superbad, a movie I note again that I unapologetically include on my list of films that have made me cry, and one that my friend and roommate for the better part of 6.5 years had given to me as a Christmas present not long ago on Blu-Ray (he got my DVD copy, which I was more than happy to bequeath, since that movie is actually quite beautiful to behold in HD).
Part of living alone (apart from two cats) is the fact that, suddenly, things become more expensive. My one room apartment is certainly cheaper than the total of our two bedroom one, but I’m personally paying more. I also have to cook all my own meals now, even when I’m tired from work, or otherwise obtain it in some other manner, whereas before my ex-roommate and I had a system of alternating halves of the week where one of us was responsible for providing both of our meals. This meant that, by Thursday, I was already either tired of the one thing I cooked in large portions so that I wouldn’t have to cook again or I opted for eating out — a factor that not only contributed to some unfortunate weight gain, but also an impact on my wallet.
How does this relate to movies? Well, I was certainly less willing to go to the theatre for just any movie for a good portion of the year (I got promoted midway through, so that helped), and I began relying upon Netflix delivery (thanks to my closest Blockbuster closing down — you know, before they all closed down) and streaming to fulfill most of my needs, renting at Redbox whenever I came across free rental codes and buy-one-get-one coupons… or a movie I just really, really wanted to see. The impact this had on my blogging was a lot of theme month reviews for me. Girly Movie Month. Guy Movie Month. I even had a period of doing friend suggestions that resulted in my first TV movie review in Ballet Shoes, wound up reviewing a TV special in It’s the Great Pumpkin Charlie Brown (which I’m actually pretty proud of), and did nearly end up doing a Christian Movie Month due to some annoyances I was having regarding the state of Christian entertainment, but I only popped out a couple reviews — Johnny, Fireproof, and Chariots of Fire. I even contemplated Controversial Movie Month and had even watched a few films in preparation (Brokeback Mountain, Mysterious Skin, The Woodsman, and was also planning on including The Last Temptation of Christ). Let’s also never forget my binge review of The Twilight Saga, borne of morbid curiosity and my giving my willingness stepsister the films for her Christmas and birthday gifts over the years when no one else in my family would. Hell, I even wound up reviewing two Tyler Perry Madea movies this year, including one I had doomed myself to reviewing early on, as if it were some kind of bad omen to look forward to for nearly 12 months.
This limitation did, however, also result in my first anime reviews — Macross II, Perfect Blue, From Up on Poppy Hill, and Tokyo Godfathers — and I think I’ve finally gained a better appreciation for the medium’s potential, even though I never really outright hated it before. Overall, I think the financial limitations ultimately resulted in some solid personal growth for me as an amateur film critic. Luckily, I also happened to have gotten some theatre gift cards at the end of the year (which I’m still using up on some late year releases) from some friends and family, so while my movie habits have not exactly been as current as years past, I felt like I’ve been able to make up for lost time, more or less, so I should still be able to build a sizable list of films I saw, films I hated, and films I loved.
Regarding the films of 2013 in general, I do have to admit that it was an up-and-down year, but, overall, 2013 turned out to be way better than I expected. With films like The Avengers and The Dark Knight Rises coming out in 2012, what we had to look forward to in 2013 seemed to be a bunch of cash-ins and sequels: Star Trek Into Darkness, Iron Man 3, Man of Steel, Thor: The Dark World… heck, even Twilight fans had to deal with The Host. And yet those actually turned out to be pretty good (well… except for The Host, which I currently still have no clue about), with Marvel’s films in particular proving that Phase 2 of The Avengers Initiative is going to continue to be quite entertaining, at the very least. But we also got several original surprises out of the year, as well. Pacific Rim and Gravity were phenomenal sci-fi spectacle films on polar opposite ends of seriousness, and dramas like Mud and The Wolf of Wall Street showing us that even formerly seemingly-irredeemable actors like Matthew McConaughey could, in fact, redeem themselves with great performances. I wouldn’t want to spoil any surprises, but, overall, despite all the downs, the ups certainly made up for much of it, and I was certainly happy for it.
And, so, that’s my introduction to my third annual year in review. I look forward to going back in time with you all and exploring both those highs and lows. Just so you know, I’m going to be following the same model as my 2012 in review, only in how it actually ended up. In other words, here’s the order I will be following:
- 2013 in Review: The Films I Didn’t See (January – April)
- 2013 in Review: The Films I Didn’t See (May – August)
- 2013 in Review: The Films I Didn’t See (September – December)
- 2013 in Review: Neither the Best, Nor the Worst Films I Saw
- 2013 in Review: My Top 15 Worst Films of the Year
- 2013 in Review: My Top Films of the Year *
Hope you enjoy the next few weeks! Here’s to an awesome 2014!
* …in order of my favorite
REVIEW: Tokyo Godfathers
Directed by: Satoshi Kon, Shogo Furuya
Produced by: Masao Maruyama, Masao Takiyama, Shinichi Kobayashi, Taro Maki
Written by: Satoshi Kon, Keiko Nobumoto (screenplay); Satoshi Kon (story)
Edited by: Takeshi Seyama
Cinematography by: Katsutoshi Sugai
Music by: Keiichi Suzuki, Moonriders
Starring: Aya Okamoto, Toru Emori, Yoshiaki Umegaki, Satomi Korogi, Shozo Iizuka, Seizo Kato, Hiroyama Ishimaru, Ryuji Saikachi, Yusaku Yara, Kyoko Terase, Mamiko Noto, Rikiya Koyoama
Year: 2003
It’s funny how so many Christmas movies are about rich, good-looking people celebrating this time of giving together and learning life lessons and/or finding love together. You would think that more movies would focus on those who are most in need, right? I think the problem is that somewhere in the movie making system, someone thinks that nobody wants to watch a story that might potentially depress them during a time of year when a lot of people actually are struggling and suffering, and so instead we get tripe like The Family Stone, wherein a rich awful family emotionally tortures a rich career woman who is dating their golden boy son in the confines of their ideal home, and somehow we’re supposed to grow to like these snobs. (I thought of reviewing the film this year, but I gave out so many negative reviews, I couldn’t possibly bring myself to subject you and me to that, so let this be a little teaser, perhaps, for next year.) Read more…
REVIEW: The Nativity Story
Directed by: Catherine Hardwicke
Produced by: Toby Emmerich, Marty Bowen, Wyck Godfrey, Cale Boyter, Catherine Hardwicke, Mike Rich, Tim Van Rellim
Written by: Mike Rich
Edited by: Robert K. Lambert, Stuart Levy
Cinematography by: Elliot Davis
Music by: Mychael Danna
Starring: Keisha Castle-Hughes, Shohreh Aghdashloo, Oscar Isaac, Stanley Townsend, Clarán Hinds, Shaun Toub
Year: 2006
“Jesus is the reason for the season.” That’s what you always hear this time of year, isn’t it? And yet it seems like it’s pretty hard to find many movies exclusively based on the story of the birth of Christ, as opposed to His entire life or crucifixion. The Nativity Story is undoubtedly one of the few that does focus on this one aspect. I had actually meant to review this film long ago, when I first started this blog, but the movie’s always been checked out indefinitely this time of year on Netflix and Blockbuster (back when they, you know, actually did the whole physical movie renting). This was the first year I actually managed to be proactive and get a copy, and so I guess it’s only appropriate that I actually make good on that and finally review the film, right? Read more…
REVIEW: Bad Santa (Director’s Cut)
Directed by: Terry Zwigoff
Produced by: John Cameron, Sarah Aubrey, Bob Weinstein; The Coen Brothers (executive producers)
Written by: Glenn Ficarra, John Requa
Edited by: Robert Hoffman
Cinematography by: Jamie Anderson
Music by: David Kitay
Starring: Billy Bob Thornton, Tony Cox, Lauren Graham, Bernie Mac, Brett Kelly, Lauren Tom, Cloris Leachman, John Ritter
Year: 2003
Perhaps the movie that was on my radar the longest, as far as holiday movies go, was Bad Santa, which was originally released all the way back when I was in high school, which also meant that I was absolutely unable to get a hold of a copy at the time, seeing as how I still lived at home, and I am not certain that the kind of comedy there within would have held up well should anyone even hear what was being uttered on screen, and it’s also not exactly the kind of film that, as I got older, would have been viewed in a family setting. It was in my queue for a while in all past Christmas Movie Months, never reaching me thanks to the stupid freaking “Long Wait” with Netflix and, may they rest in peace, Blockbuster. This year, however, I finally got my hands on a copy! Finally, I would gaze the apparent treasure that everyone else was raving about all that time ago (and even today)! I popped in the disc, and… there were two cuts: Bad(der) Santa, the unrated cut, and Bad Santa the director’s cut – but no theatrical cut. Read more…
THEATRICAL REVIEW: Tyler Perry’s A Madea Christmas
Directed by: Tyler Perry
Produced by: Tyler Perry, Ozzie Areu, Matt Moore
Written by: Tyler Perry
Edited by: Maysie Hoy
Cinematography by: Alexander Gruszynski
Music by: Christopher Young
Starring: Tyler Perry, Anna Maria Horsford, Larry the Cable Guy, Tika Sumpter, Kathy Najimy, Chad Michael Murray, Eric Lively, Alicia Witt, Lisa Whelchel, Noah Urrea, JR Lemon, Jonathan Chase
Adapted from the musical play by Tyler Perry
Year: 2013
I used to think that this would be a sign of the apocalypse – Tyler Perry teaming up with Larry the Cable Guy to make a movie together. When I joked about such a thing happening all the way back in January when I was reviewing the films of 2012, I mentioned that if such a thing were going to happen, I would be among the first to see such an event take place, and it would be my first Tyler Perry film that I would spend good money on to see in theatres. Then, a few days later, God showed that He had a smug sense of humor with me when He deemed that such a thing would happen. And that it would not be released during the apocalypse, but rather during the celebration of His Son’s birth, and yet also on the official release date of December 13, 2013 – which, if you’re reading this far from now, you may not immediately know is also Friday the 13th. Very funny. You win again, God. Also, would you look at that? We’re all still here. I guess I should’ve known that not even Satan himself wouldn’t want his big finale to be upstaged by such a massive bomb as this. Read more…
REVIEW: I’ll Be Home for Christmas (1998)
Directed by: Arlene Sanford
Produced by: Robin French, Justis Greene, David Hoberman, Tracey Trench
Written by: Michael Allin, Tom Nursall, Harris Goldberg
Edited by: Anita Brandt-Burgoyne
Cinematography by: Hiro Narita
Music by: John Debney
Starring: Jonathan Taylor Thomas, Jessica Biel, Adam LaVorgna, Gary Cole, Eve Gordon, Lauren Maltby, Andrew Lauer, Sean O’Bryan, Lesley Boone
Inspired by the song by Bing Crosby
Year: 1998
Remember how big Jonathan Taylor Thomas was? Thanks to his role in the TV show Home Improvement as the wisecracking middle child Randy, “JTT” as he was popularly known, even managed to snag himself a role in one of Disney’s most enduring and popular films from the 90s (and, indeed, probably of all time), The Lion King. Many of the girls I knew loved him, as did apparently all the rest of the world. Luckily, unlike a lot of the childstars we see, Thomas at least had knack for comedic timing and managed to actually earn his right to being the funny one on the TV series that made him popular. At the end of the 20th century, however (Doesn’t that sound so apocalyptic still?), JTT left Home Improvement and began his journey into not just academics, but also to that corner of fame where people suddenly remembered you existed and ask aloud, “Where is he now?” Read more…
REVIEW: Love Actually
Directed by: Richard Curtis
Produced by: Duncan Kenworthy, Tim Bevan, Eric Fellner, Debra Hayward, Liza Chasin
Written by: Richard Curtis
Edited by: Nick Moore
Cinematography by: Michael Coulter
Music by: Craig Armstrong
Starring: Hugh Grant, Martine McCutcheon, Liam Neeson, Thomas Sangster, Colin Firth, Lúcia Moniz, Laura Linney, Emma Thompson, Alan Rickman, Heike Makatsch, Bill Nighy, Gregor Fisher, Keira Knightley, Andrew Lincoln, Chiwetel Ejiofor, Kris Marshall, Abdul Salis, Martin Freeman, Joanna Page, Billy Bob Thornton, Olivia Olson, Claudia Schiffer, Rowan Atkinson
Year: 2003
It wasn’t too long ago that director Garry Marshall was trying to suffocate us with an onslaught of celebrity-packed rom-coms that crammed in as many storylines and cameos as possible. I managed to avoid these movies up until the lead up to New Year’s Eve 2012, when I promised my stepsister I would review Marshall’s film named after the holiday. It was as bad as I was expecting, but my expectations were even lower at that time because I had also realized that the movie was an unabashed knock off of Love Actually, a British film that pretty much follows the same concept as Marshall’s later films, including the concept of centering it around a major holiday (Christmas) – only, in this case, the movie actually does some justice to the fluffy, audience-ensnaring concept. Read more…









