Archive
REVIEW – Star Wars Episode VIII: The Last Jedi
Directed by: Rian Johnson
Produced by: Kathleen Kennedy, Ram Bergman
Written by: Rian Johnson
Edited by: Bob Ducsay
Cinematography by: Steve Yedlin
Music by: John Williams
Starring: Mark Hamill, Carrie Fisher, Daisy Ridley, Adam Driver, John Boyega, Oscar Isaac, Andy Serkis, Domhnall Gleeson, Kelly Marie Tran, Laura Dern, Gwendoline Christie, Benicio Del Toro, Anthony Daniels, Joonas Suotamo, Billie Lourd, Lupita Nyong’o
Year: 2017
One of the first questions I received regarding my opinion of the latest Star Wars film (after having announced to everyone on my Facebook that I had completed my first two viewings, of course) was whether or not The Last Jedi, the eighth episode of the currently main Skywalker saga of films, was made for casual fans or die-hard fans. I had to think about it a bit, not because I didn’t know the direct answer to that, but because I had to think about the context of the attitudes I’d been witnessing about the movie. It seems as though there’s a very vocal number of fans out there who… well, they didn’t really seem to like The Last Jedi, and they were making sure everyone knew it in the loudest, most entitled, and sometimes even most obnoxious possible way. Could that have been the demographic my friend was implying when he used the term “die-hard?” I never really got a follow-up to my response (I’m still waiting!), but the fact that I had to consider it at all just made me realize something: I’m kinda tired of so called “die-hard fans” in general. Also, I still think that, after two viewings and nearly non-stop hours of reading about the film and views on it, The Last Jedi is also a pretty great flick, too!
REVIEW: Tokyo Godfathers
Directed by: Satoshi Kon, Shogo Furuya
Produced by: Masao Maruyama, Masao Takiyama, Shinichi Kobayashi, Taro Maki
Written by: Satoshi Kon, Keiko Nobumoto (screenplay); Satoshi Kon (story)
Edited by: Takeshi Seyama
Cinematography by: Katsutoshi Sugai
Music by: Keiichi Suzuki, Moonriders
Starring: Aya Okamoto, Toru Emori, Yoshiaki Umegaki, Satomi Korogi, Shozo Iizuka, Seizo Kato, Hiroyama Ishimaru, Ryuji Saikachi, Yusaku Yara, Kyoko Terase, Mamiko Noto, Rikiya Koyoama
Year: 2003
It’s funny how so many Christmas movies are about rich, good-looking people celebrating this time of giving together and learning life lessons and/or finding love together. You would think that more movies would focus on those who are most in need, right? I think the problem is that somewhere in the movie making system, someone thinks that nobody wants to watch a story that might potentially depress them during a time of year when a lot of people actually are struggling and suffering, and so instead we get tripe like The Family Stone, wherein a rich awful family emotionally tortures a rich career woman who is dating their golden boy son in the confines of their ideal home, and somehow we’re supposed to grow to like these snobs. (I thought of reviewing the film this year, but I gave out so many negative reviews, I couldn’t possibly bring myself to subject you and me to that, so let this be a little teaser, perhaps, for next year.) Read more…
Theatrical Review: “Elysium”
Directed by: Neill Blomkamp
Produced by: Neill Blomkamp, Bill Block, Simon Kinberg
Written by: Neill Blomkamp
Edited by: Julian Clarke, Lee Smith
Cinematography by: Trent Opaloch
Music by: Ryan Amon
Starring: Matt Damon, Jodie Foster, Sharlto Copley, Alice Braga, Diego Luna, Wagner Moura, William Fichtner, Faran Tahir
Year: 2013
Already not nearly as universally praised as District 9, Neill Blomkamp’s second theatrically released film isn’t poised to achieve the same surprise Best Picture Oscar nomination the way that his previous film did. That’s okay though because, flawed though it may be, Elysium is an incredibly entertaining movie with plenty of spectacle, gory action, and an intriguing but surprisingly disagreeable lead character. Read more…
Theatrical Review: “The Purge”
Directed by: James DeMonaco
Produced by: Michael Bay, Jason Blum, Andrew Form, Bradley Fuller, Sébastien Kurt Lemercier
Written by: James DeMonaco
Edited by: Peter Gvozdas
Cinematography by: Jacques Jouffret
Music by: Nathan Whitehead
Starring: Ethan Hawke, Lena Headey, Max Burkholder, Adelaide Kane, Edwin Hodge, Rhys Wakefield, Tony Oller, Arija Bareikis, Tom Yi, Chris Mulkey, Tisha French, Dana Bunch, Peter Gvozdas, Karen Strassman
Year: 2013
Bad news: This thing’s probably making money on its opening weekend. I went to go see Mud last night (excellent movie, by the way), and the lines for this movie, which disturbingly included several families with young kids, were pretty large. Look forward to next year’s sequel, people. I kind of regret paying into the box office success by going to this, but my friends were all chattering about it so I guess I kind of felt obligated to see it, if only because we were all coming up with theories as to what would occur in the movie, and I would’ve felt left out if I was the only one who hadn’t seen it come Monday’s carpool.
I have to admit, aside from maybe one little plot point early on, none of our predictions came true. Guess we don’t see that many crappy movies to actually get a handle on how these kinds of movies work. Oh, and spoiler alert, if you couldn’t tell already, I hated this dreadful excuse for a movie. Read more…
The Viewer's Commentary 
REVIEW – Trading Places
Produced by: Aaron Russo
Written by: Timothy Harris, Herschel Weingrod
Edited by: Malcolm Campbell
Cinematography by: Robert Paynter
Music by: Elmer Bernstein
Starring: Dan Aykroyd, Eddie Murphy, Jamie Lee Curtis, Ralph Bellamy, Don Ameche, Denholm Elliott, Paul Gleason, Kristin Holby, James Belushi, Tom Davis, Al Franken
Year: 1983
I’d always managed to forget this movie for the Christmas/New Year’s season in years past – it takes place predominately over the time between Thanksgiving and New Year’s Day. Not this year, though, thanks to a friendly reminder to not do that. My family was pretty big on this movie when I was growing up. Sure, I had to cover my eyes quite a few times (it’s an R-rated ‘80s comedy, after all), but apart from that, even I found it pretty enjoyable as a kid. But I haven’t seen it in a few years, as evidenced by my constant forgetfulness of its existence, and as the years went on, and the cycle of trying to remember this film at an appropriate time, forgetting, and then holding off until an appropriate time continued, I began to wonder to myself – was it actually Coming to America that I liked better than the other? Well, I don’t really know the answer to that one, as I also have to watch Coming to America again for the first time in years. However, the time has at least finally come for me to get around to reviewing Trading Places at what is ostensibly an “appropriate time” of year. So… Read more…
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