Archive
Theatrical Review: “The Wolverine”
Directed by: James Mangold
Produced by: Lauren Shuler Donner, Hugh Jackman, Hutch Parker, John Palermo
Written by: Mark Bomback, Scott Frank
Edited by: Michael McCusker
Cinematography by: Ross Emery
Music by: Marco Beltrami
Starring: Hugh Jackman, Tao Okamoto, Rila Fukushima, Hiroyuki Sanada, Will Yun Lee, Svetlana Khodchenkova, Brian Tee, Haruhiko (“Hal”) Yamanouchi, Ken Yamamura, Famke Janssen
Based on volume one of the comic book Wolverine by Chris Claremont
Year: 2013
It’s pretty telling that the filmmakers were confident enough in their hero that they felt like they could ditch the entire X-Men moniker for the film and coast solely upon the loner mutant who has been the team’s most famous member, Wolverine. The previous attempt (what was to be one of many) to cash in on the clawed Canuck, X-Men Origins: Wolverine, was without a doubt one of the messiest attempts to cash in on the X-Men and superhero craze, but its relative success at the box office, despite being behind the previous two X-Men films, proved that, as with comic book fans, the character had just as much staying power with movie audiences beyond his relationships to his teammates. Obviously, this meant that a sequel would be put into production – even as the series would ditch the whole X-Men Origins pretense (with the next entry, Magneto, being put down with a plastic bullet) and go in a decidedly new, exciting, and largely well-received direction with the period film, X-Men: First Class. Read more…
Memorial Day Review: “Wings”
Directed by: William A. Wellman
Produced by: Lucien Hubbard, Adolph Zukor, Jesse L. Lasky, B.P. Schulberg, Otto Hermann Kahn
Written by: Julian Johnson
Edited by: E. Lloyd Sheldon, Lucien Hubbard (uncredited)
Cinematography by: Harry Perry
Music by: J.S. Zamecnik
Starring: Charles “Buddy” Rogers, Richard Arlen, Clara Bow, El Brendel, Jobyna Ralston, Gary Cooper
Year: 1927
It might be hard to believe for many modern audiences, but there was a time when films had to go without dialogue. Strange, I know! “Silent films,” as we’ve come to all them (as I assume they weren’t called that when they were still the norm), weren’t necessarily all silent – they still had a musical recording or live performance to accompany them, and some, such as this one, even had sound effects synced up with the film, albeit usually more for ambiance than anything. By the time that Wings had been released, the more accurately named “talkies” were already in production, with the first feature length film with synchronized dialogue, The Jazz Singer, was released just months after Wings’ theatrical debut. If you’ve at the very least seen Singin’ in the Rain, you know what kind of impact The Jazz Singer had on filmmaking. Read more…
Review: “Quest for Camelot”
Directed by: Frederik Du Chau
Produced by: Andre Clavel, Dalisa Cohen, Zahra Dowlatabadi
Written by: Kirk De Micco, William Schifrin, Jacqueline Feather, David Seidler, Frederik Du Chau (screenplay)
Art Direction by: Carol Kieffer Police, J. Michael Spooner
Music by: Patrick Doyle (original score), David Foster and Carole Bayer Sayer (original songs)
Starring: Jessalyn Gilsig, Cary Elwes, Gary Oldman, Eric Idle, Don Rickles, Jane Seymour, Pierce Brosnan, Bronson Pinchot, Jaleel White, Gabriel Byrne, John Gielgud, Frank Welker; Andrea Corr, Bryan White, Celine Dion, Steve Perry (singing voices)
Based on the novel The King’s Damosel by Vera Chapman
Year: 1998
I had been thinking of this movie for quite a while, contemplating whether I should watch it or not. Every now and then, the itch would hit, and I’d consider it, but then I would reconsider and decide to skip it for either a much better or (when the mood struck) worse movie. I’ve actually owned this film for probably over ten years, but, to be quite honest, I think the number of times I actually watched the disc could be counted on one hand, and for the longest time, the film kind of just stood in my collection as the lone Q in my alphabetized shelf, only to find its would-be partner, Quantum of Solace, stashed way up top with the rest of the Bond films in the B section (for “Bond” of course — I like my film series in sequential order, therefore U.S. Marshals is up there in the F section since it’s a sequel to The Fugitive. It makes sense to me!).
But before too long, the itch got too intense, and with the impending release of the Pixar film Brave, I figured it was probably about time that I gave this superficially similar-looking film its due before it was inevitably blown out of the waters of my mind by what is likely to be a far superior film. And so, like a forgotten relic rediscovered, I dusted off my old DVD copy in those awful cardboard snap cases Warner Bros. always used to use in the early days of DVD, set aside the old paper inserts still residing within that marveled at the wonders of this disc-based movie viewing technology, and threw the old double-sided disc (film on one side, special features on the other) into the PS3 to see if I could relive the magic… Read more…
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