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2014 IN REVIEW: The Films I Didn’t See (January – April)
I’m not going to waste too much time this year on introductions. We all pretty much know this is the dumping ground for lesser films prior to the summer blockbusters and awards season after that. Still, it’s worth mentioning that this was a slog to go through, and I didn’t even see these movies; I just charged myself with reviewing why I never got around to them.
Yes, 2014 may have been a record year for me seeing the most movies from that year, but there were still movies I never got around to or never even had the ability to see due to either foreign or limited release. I still like going over them, however, as this process often leads to me finding some unexpected gems that I might enjoy. Some of these I might become so interested in that I see them before I even get to the films I did see, so there is actually a possibility you might see these films reappear in this 2014 in Review series if that becomes the case.
Anyway, here are many of the films from January to April 2014 that I didn’t see, for one reason or another. It’s by no means complete, but that’s what you get when you’re using Wikipedia and Best of/Worst of lists from other sites. Read more…
2013 IN REVIEW: The Films I Didn’t See (May – August)
Blockbuster season. Typically the season where most of the most anticipated films of the year — the ones that were hyped perhaps years in advance — are released. Since 2012 was the year when The Avengers gave us the first superhero team-up film and the year when The Dark Knight Trilogy came to a close, 2013 looked like it was going to be rather underwhelming this time of year. I already mentioned that Iron Man 3 was released in April, starting the season early, but Thor: The Dark World wasn’t coming until October!
So that left us with two major superhero films to look forward to: Man of Steel, which divided audiences and critics alike in its more serious, violent portrayal of Superman, and The Wolverine, which made good on its promise to improve upon its abysmal predecessor and managed to be both coherent and quite entertaining. Pixar and DreamWorks continued their rivalries, however, with the release of Pixar’s first prequel, Monsters University, and DreamWorks’ first sequel to cash-cow Despicable Me. (The less said about Turbo, the better.) World War Z finally came out and, predictably, did very well for itself, what with people being starved for zombie entertainment until the next season of The Walking Dead started. Summer also saw the release of some fairly big “prestige” films, however, the likes of which you’d normally expect to come out during the fall and winter Oscar season: Fruitvale Station, The Spectacular Now, and Blue Jasmine each received widespread critical acclaim.
Perhaps my most anticipated films of the summer were Star Trek Into Darkness, Pacific Rim, and The World’s End, which were all released during this time, and I personally actually enjoyed each of them immensely, though to also varying degrees. This was the time period where I did get promoted at my job and also got a raise, so I was able to see a few more films that I just wanted to see during this time. Nevertheless, I couldn’t see them all, so, as with the last time, here are the films that, as of this writing, I did not see from May– August 2013, in order of release, as noted on Wikipedia. Please note that, as in the past, I still reserve the right to watch any film that is listed here and then re-remark on the film in one of the upcoming articles on films I did see from 2013. So, yes, again, you might see some of these films again, and soon… Read more…
2013 IN REVIEW: The Films I Didn’t See (January – April)
With a few exceptions, this is the time of year when studios tend to dump lesser films and films not expected to do well during the blockbuster and Oscar seasons — stuff like low budget horror films, foreign imports, romcoms cashing in on Valentine’s Day, and films held off because the studios would rather market them at a time when nothing else is really out, and they might be able to get a few bucks out of those who crave a blockbuster but don’t want to wait a few months. Naturally, being the thrifty, frugal person I am, there were quite a few films I didn’t see during this time period, though with the summer blockbuster season creeping earlier and earlier into the year, such as with the high profile March release of Oz the Great and Powerful and the April release of Iron Man 3, it certainly seems like studios are catching on to the idea that, hey, there’s room to spread them all out. One can only hope that if that trend continues, filmmakers would be more likely to try harder and make films that standout in quality for your dollar… but that’s probably unrealistic.
Anyway, here are the films that, as of this writing, I did not see from January – April 2013, in order of release, as noted on Wikipedia. Please note that, as in the past, I still reserve the right to watch any film that is listed here and then re-remark on the film in one of the upcoming articles on films I did see from 2013. So, yes, you might see some of these films again, and soon… Read more…
THEATRICAL REVIEW: Gravity
Directed by: Alfonso Cuarón
Produced by: Alfonso Cuarón, David Heyman
Written by: Alfonso Cuarón, Jonás Cuarón
Edited by: Alfonso Cuarón, Mark Sanger
Cinematography by: Emmanuel Lubezki
Music by: Steven Price
Starring: Sandra Bullock, George Clooney, Ed Harris, Orto Ignatiussen, Paul Sharma, Amy Warren, Basher Savage
Year: 2013
I actually got around to seeing this on its opening weekend, but due to the film releasing in October, I never got around to reviewing it because I was so focused on doing Halloween-themed movies. Just this past weekend, however, I decided to go see it again while I still had the chance to see it on the big screen, thanks to some free passes I had received from my birthday – this time in 3D. It also presented the perfect opportunity to reflect on the film again and write a review with a more “fresh from the theatres” perspective, especially now that I had also now seen it in two different formats (once on a massive screen with Dolby Atmos sound system, and then on a smaller screen in 3D). Read more…
Review: “Point Break”
Directed by: Kathryn Bigelow
Produced by: Peter Abrams, Robert L. Levy
Written by: W. Peter Iliff (screenplay), Rick King, W. Peter Iliff (story)
Edited by: Howard L. Smith
Cinematography by: Donald Peterman
Music by: Mark Isham
Starring: Keanu Reeves, Patrick Swayze, Gary Busey, Lori Petty, John C. McGinley, James LeGros
Year: 1991
I watched this film at the suggestion of Hot Fuzz. Until that movie came out, this movie was never even really on my radar beyond maybe seeing it on rental shelves when I was little kid. Based on that movie, a tribute to ridiculous buddy cop movies and such, I pretty much had my expectations in check when I suddenly realized that this would be perfect for Guy Movie Month. Read more…
Special Review: “Psycho” (1960) – Analysis Through Freewrite
Directed by: Alfred Hitchcock
Produced by: Alfred Hitchcock
Written by: Joseph Stefano (screenplay)
Cinematography by: John L. Russell
Music by: Bernard Herrmann
Starring: Anthony Perkins, Vera Miles, John Gavin, Martin Balsam, John McIntire, Janet Leigh
Based on the novel Psycho by Robert Bloch
Year: 1960
Here’s something I’m going to have to admit, up front: Psycho is going to be hard for me to review. That I’m even writing this review is kind of intimidating to me, as I’ve always recognized it as a good film, but never really could pin down what it was that made me think this. I don’t find it all that terrifying, and the symbolism that others find laced throughout the film is not all that obvious to me. I’m not even all that impressed with the once-visceral nature of the violence. It’s hard to really analyze a film that I don’t fully comprehend my feelings for, and yet I feel oddly drawn to it, nonetheless. It’s not like the film digs into the inner depths of who I am and touches some emotional nerve with me, and yet I know that I’m relating to something in the film that still seems compelling, all the same. Because of this, please consider this “review” an exercise in exploring my own feelings towards this classic in what is basically a formalized freewrite. (I will avoid retreading over all the same important plot points that so many more qualified people have, as a result.) Read more…
Review: “The Departed”
Director: Martin Scorsese
Produced by: Brad Pitt, Brad Grey, Graham King
Written by: William Monahan (screenplay), Felix Chong & Alan Mak (story)
Starring: Leonardo DiCaprio, Matt Damon, Jack Nicholson, Mark Wahlberg, Martin Sheen, Ray Winstone, Vera Farmiga, Alec Baldwin, Anthony Anderson
Music by: Howard Shore
Remake of: 無間道 (Infernal Affairs, 2002)
Year: 2006
Can a film that tries to be a serious drama simultaneously be a popcorn film? I believe it can. The Departed certainly is. In fact, I was actually inspired to throw a bag in the microwave and toss in some Parmesan cheese for good measure while watching this remake of the Chinese gangster film, Infernal Affairs. Martin Scorsese, winning with this film what was somehow his first Oscar for Best Director, has crafted what is essentially an action film where all the action takes place in the flurry of words rather than bullets. Read more…






