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REVIEW – Gremlins

December 25, 2016 1 comment
gremlinsDirected by: Joe Dante
Produced by: Michael Finnell
Written by: Chris Columbus
Edited by: Tina Hirsch
Cinematography by: John Hora
Music by: Jerry Goldsmith
Starring: Zach Galligan, Phoebe Cates, Hoyt Axton, Francess Lee McCain, Corey Feldman, Dick Miller, Judge Reinhold, Glynn Turman, Polly Holliday, Keye Luke, Frank Welker, Howie Mandel
Year: 1984

 

Don’t expose them to bright lights. Do not get them wet. And never, ever feed them after midnight. The three rules about owning a mogwai are pretty well-known, even to people like me, who went a couple decades of their lives before seeing either of the Gremlins films – one of the most often cited Christmas films for people who don’t want a traditional Christmas film – much like Die Hard or even last year’s Krampus, itself kind of an adult Gremlins. I wasn’t allowed to see this movie growing up – the combination of monsters, magic, and the fact that it was a horror film were pretty critical factors in that. And probably in a lot of other kids’ lives, too, since it was a major reason why the PG-13 rating was created. Alongside Indiana Jones and the Temple of Doom, due to their scarier and more violent content than the usual PG-rated film, Steven Spielberg collaborated with the MPAA and created a rating between PG and R due to the films he was producing. I only ever got around to seeing it as an adult – not, mind you, because my mom told me I couldn’t all my life (that had long since passed, even as a kid). I just never got around to it until then! Luckily, I think I’ve held on to my inner child… Read more…

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Theatrical Review: “The Purge”

June 9, 2013 4 comments
The PurgeDirected by: James DeMonaco
Produced by: Michael Bay, Jason Blum, Andrew Form, Bradley Fuller, Sébastien Kurt Lemercier
Written by: James DeMonaco
Edited by: Peter Gvozdas
Cinematography by: Jacques Jouffret
Music by: Nathan Whitehead
Starring: Ethan Hawke, Lena Headey, Max Burkholder, Adelaide Kane, Edwin Hodge, Rhys Wakefield, Tony Oller, Arija Bareikis, Tom Yi, Chris Mulkey, Tisha French, Dana Bunch, Peter Gvozdas, Karen Strassman
Year: 2013

 

Bad news: This thing’s probably making money on its opening weekend. I went to go see Mud last night (excellent movie, by the way), and the lines for this movie, which disturbingly included several families with young kids, were pretty large. Look forward to next year’s sequel, people. I kind of regret paying into the box office success by going to this, but my friends were all chattering about it so I guess I kind of felt obligated to see it, if only because we were all coming up with theories as to what would occur in the movie, and I would’ve felt left out if I was the only one who hadn’t seen it come Monday’s carpool.

I have to admit, aside from maybe one little plot point early on, none of our predictions came true. Guess we don’t see that many crappy movies to actually get a handle on how these kinds of movies work. Oh, and spoiler alert, if you couldn’t tell already, I hated this dreadful excuse for a movie. Read more…

Theatrical Review: “The Dark Knight Rises”

July 25, 2012 10 comments
Directed by: Christopher Nolan
Produced by: Christopher Nolan, Charles Roven, Emma Thomas
Written by: Christopher Nolan, Jonathan Nolan (screenplay), David S. Goyer, Christopher Nolan (story)
Cinematography by: Wally Pfister
Music by: Hans Zimmer
Starring: Christian Bale, Michael Caine, Gary Oldman, Anne Hathaway, Tom Hardy, Marion Cotillard, Joseph Gordon-Levitt, Morgan Freeman
Year: 2012

 

Foreword

In the wake of the tragedy in Aurora, Colorado, I felt a bit odd about writing my previous review and preparing for my next, as I was writing it in the late night hours as the events were unfolding, unknown to me until the next morning. Much of what I wrote about The Dark Knight reflected a lot of what was happening there, none of it necessarily original or new information, but it was stirring, all the same.

I had no common connection to any of the victims there beyond our similar interest in seeing this new Batman film, all of us anxious in seeing how this trilogy would end, and, unfortunately, many of them never got to see this film, and many more will forever see this film and be reminded of the horrible things they saw that night. What was supposed to be night of fun and entertainment turned into a nightmare, and it affected me, and still does a great deal the more I hear about the events, much more than I thought it would — not because I thought of myself as some tough, emotionless, apathetic person but because it made me realize how even the most mundane things we take for granted can connect strangers based on a mundane commonality.

This just happened to revolve around a movie theatre, a highly anticipated film, and audiences across the world who waited, maybe not in the same proximity, but with the same spirit that united us all in excitement and, unfortunately, also in an unexpected tragedy. In that spirit, if there is anyone out there who is reading this and was affected in some way to those events, I hope you know that, even if I don’t know you, I send my prayers and condolences to you and your families.

Review

Let me just say this now: Christopher Nolan is destined to go down in history as, if not one of the most influential or important filmmakers in blockbuster history, at the very least one of the most revered and respected. The man hasn’t made a bad movie in… well pretty much ever! Some have varied in quality and appeal, of course, but none have been able to cross the general consensus threshold of being considered anything less than a quality film: FollowingMementoBatman BeginsThe PrestigeThe Dark KnightInception. All masterful works of not only high art, but high entertainment. No other filmmaker since maybe Spielberg has managed to pull this synthesis of style, spectacle, and skill as well as Nolan has. And now, with The Dark Knight Rises, we have been given this amazing film that not only provides plenty of thrilling action, but is also an intelligent and thought-provoking conclusion to what will undoubtedly go down in history as one of the greatest film series of all time, The Dark Knight Trilogy. Read more…

Special Review: “The Dark Knight” – An Essay on Ethics and Excellence

July 20, 2012 13 comments
Directed by: Christopher Nolan
Produced by: Christopher Nolan, Emma Thomas, Charles Roven
Written by: Jonathan Nolan, Christopher Nolan (screenplay), Christopher Nolan, David S. Goyer (story)
Cinematography by: Wally Pfister
Music by: Hans Zimmer, James Newton Howard
Starring: Christian Bale, Heath Ledger, Michael Caine, Gary Oldman, Aaron Eckhart, Maggie Gyllenhaal, Morgan Freeman, Eric Roberts, Ng Chin Han, Nestor Carbonell
Year: 2008

 

Can a film based on a comic book superhero really be considered a “masterpiece”? Even up until and including the amazing Batman Begins, this was a hard question to answer. While certainly a great feat of audience-pleasing entertainment and thoughtful craftwork merging together, Batman Begins was certainly more like a skilled adaptation of a popular character’s story than it was a profound examination of humanity. While this doesn’t inherently disqualify it, the film’s appeal and impact is limited somewhat as a result. The film was largely a study on how one man is driven to the point of becoming a masked vigilante, striving to become a symbol of hope and justice in a city infested with criminals and the morally bankrupt. Yes, Begins had scatterings of a universal message regarding the redemptive ability of humanity, but overall, it really was mostly Bruce Wayne’s story — and that’s really all it had to be. Read more…

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