Archive
REVIEW: The Family Stone
Directed by: Thomas Bezucha
Produced by: Michael London
Written by: Thomas Bezucha
Edited by: Jeffrey Ford
Cinematography by: Jonathan Brown
Music by: Michael Giacchino
Starring: Sarah Jessica Parker, Diane Keaton, Rachel McAdams, Claire Danes, Dermot Mulroney, Craig T. Nelson, Luke Wilson, Tyrone Giordano, Brian J. White, Elizabeth Reaser, Paul Schneider
Year: 2005
Every family has a traditional family Christmas film, I’m fairly certain. My family has a few, and they’re probably yours, too: Christmas Vacation, It’s a Wonderful Life, Elf… (I’ve pretty much already exhausted reviewing all my favorites.) Of course, everyone has their oddballs. I like to throw in Die Hard, though not everyone recognizes that one as a Christmas movie (they totally should – family togetherness and such). My mom and sister? They like The Family Stone, and so, more often than not, that’s one of the movies we end up watching this time of year, though I, admittedly, usually end up finding a nice distraction while enjoying the company of family. I’m not a fan of the film, you see, and I’ve seen it enough times to feel like I knew it inside and out. I admittedly got a bit mouthy about it last year, though, despite seeing it a few times, and this upset them both. This year, I figured I’d watch it again on my own and see if I was being unfair to it. Naturally, this also meant that I intended on writing a review of it, too. Here it is. Read more…
REVIEW: Rare Exports: A Christmas Tale
Directed by: Jalmari Helander
Produced by: Petri Jokiranta
Screenplay by: Jalmari Helander
Story by: Jalmari Helander, Juuso Helander
Edited by: Kimmo Taavila
Cinematography by: Mika Orasmaa
Music by: Juri Seppä
Starring: Onni Tommila, Jorma Tommila, Tommi Korpela, Rauno Juvonen, Per Christian Ellefsen, Ilmari Järvenpää, Peeter Jakobi, Jonathan Hutchings, Risto Salmi, Jens Sivertsen, Sigmund Bøe, Olav Pedersen, Nils M. Iselvmo
Based on the 2003 short film Rare Exports Inc. by Jalmari Helander and Juuso Helander
Year: 2010
Santa Claus has largely been portrayed as being a saintly old man who travels the world delivering gifts to children on Christmas night, but that’s largely been because most productions are based on the image cultivated by American pop culture – you know, the one seen in film and on soda cans. Some films have attempted to stray from this mostly by making a point of it, incorporating some traditions while adapting and adding their own twists – Rise of the Guardians still portrayed him as a large, jolly man, but also a Russian brawler who will gleefully leap into battle with dark forces, while Arthur Christmas had Santa and his crew of elves leading a technologically advanced operation that adapted to each culture they visited, though Santa, by default, was still largely influenced by the traditional Santa. It seems like a hard thing to get away from, and it can largely become pretty stale, no matter what twist they may put on it. Rare Exports, as its name suggests, is as far from tradition as one can get from tradition without losing any semblance of who the central figure is supposed to be, though. Read more…
REVIEW: Adam Sandler’s Eight Crazy Nights
Directed by: Seth Kearsley
Produced by: Adam Sandler, Allen Covert, Jack Giarraputo, Brooks Arthur
Written by: Adam Sandler, Allen Covert, Brooks Arhtur, Brad Isaacs
Edited by: Amy Budden
Music by: Teddy Castellucci, Marc Ellis, Ray Ellis
Starring: Adam Sandler, Jackie Titone, Austin Stout, Rob Schneider, Kevin Nealon, Norm Crosby, Jon Lovitz, Dylan Sprouse, Cole Sprouse, Tyra Banks, Blake Clark, Peter Dante, Ellen Albertini Dow, Kevin Farley, Lari Friedman, Tom Kenny, Carl Weathers, Allison Krauss
Year: 2002
Christmas overshadows most other holidays that take place during this time of year. This is particularly because it’s unofficially considered to be a “season” rather than just a specific day. Christmas is also less of a cultural thing, as it’s essentially a global holiday that is celebrated by people who aren’t even Christian. More specifically cultural holidays, like Hanukkah, Kwanzaa, or, uh… Boxing Day… are thus given less attention. This despite the fact that Hanukkah is actually a longer celebration. That being said, it’s not like it’s completely hidden in the shadows in obscurity – we’ve all heard about it, even if we’re not Jewish ourselves – so it’s always been kind of puzzling why we haven’t seen very many films centered around the holiday. Perhaps it’s because studio executives think that the subject matter would isolate too many people from the potential audience? That really must be it since, you know, money. It’s not like there haven’t been films about Jewish people, but their holidays? Not so much. Cultural sensitivity be damned, I guess? … Of course, there are always ways of getting around such things. Like, for instance, cashing in on a big name star. Someone like… Adam Sandler. Read more…
THEATRICAL REVIEW: Kirk Cameron’s Saving Christmas
Directed by: Darren Doane
Produced by: Raphi Henly, David Shannon, Darren Doane, Amanda Rosser
Written by: Darren Doane, Cheston Hervey
Edited by: Postmill Factory
Cinematography by: Andy Patch
Music by: Brian Popkin
Starring: Kirk Cameron, Darren Doane, Bridgette Ridenour, David Shannon, Raphi Henly, Ben Kientz
Year: 2014
The so-called “War on Christmas” has long been the butt of many jokes, particularly because a select number of Christians have taken issue with stores switching from having their employees say “Merry Christmas” to the more generic and all-inclusive “Happy Holidays!” and they have made their voices heard by shouting about it on network news over the years (yes, especially on one in particular). These days, that war still seems to be ravaging on in the minds of many, as indicated by some of the Facebook posts I continue to see every year. I saw my first in early October, actually. “Man, the War on Christmas seems to get started earlier and earlier each year!” I joked in the comments section. The humor and irony was seemingly lost on all but one person, who merely Liked the post. I am unappreciated in my time, it would seem.
Seriously, though, you gotta find some humor in the concept of a group of people who claim that “Jesus is the reason for the season” getting so upset about people not “Keep[ing] the Christ in CHRISTmas!” while binging on material possessions. I concede, however, that it’s equally annoying that anyone would get offended by someone wishing them a “Merry Christmas!” just because they don’t share that belief. In my eyes, yes, Christ should be at the center of Christmas, but when we complain about the rest of the world not sharing in our beliefs, it becomes more about us rather than Him. This whole concept of a “War on Christmas,” as a result, really puts a damper on my Christmas spirit – it even makes me a bit embarrassed as a Christian, to be honest. So when I heard that Kirk Cameron was featuring in a feature length movie about “Saving Christmas,” I couldn’t help but burry my head in my arms and beat the back of it with my fist in frustration. Read more…
REVIEW: Happy Christmas
Directed by: Joe Swanberg
Produced by: Joe Swanberg, Alicia Van Couvering, Peter Gilbert
Written by: Joe Swanberg
Edited by: Joe Swanberg
Cinematography by: Ben Richardson
Music by: N/A
Starring: Anna Kendrick, Melanie Lynskey, Lena Dunham, Joe Swanberg, Mark Webber
Year: 2014
Originally released widely in the midst of summer, July 2014, this film apparently only popped up on most people’s radars thanks to Netflix and the presence of Pitch Perfect star Anna Kendrick being featured on the film artwork displayed and less so because the film got any widespread word of mouth. At least, that’s exactly how it popped up on my radar, so… I can only assume that that’s how it was with everyone else, right? Its Wikipedia entry even currently makes note of its streaming availability, so my inference is not without any basis in proof. That’s probably for the best, as a film of this sort was never going to make crazy box office numbers in theatres, so it was smart to debut the film early in the year at festivals and then release it to a general public to build up word of mouth before then releasing it to an even wider audience that has essentially already paid admission through their Netflix subscriptions and let the respectable Rotten Tomatoes score, courtesy of all those critics who watched it over the year, convince people to give it a watch during the holiday season. Such is indie filmmaking business, I guess. Hopefully, though, that translates into a film that will actually be watched by more than just a few people, because this is actually a film that’s nicely put together. Read more…
The Fourth Annual Christmas Movie Month!
It’s that time of year again: Christmastime! And, for the fourth time, we here at The Viewer’s Commentary will celebrate in traditional fashion by reviewing nothing but season-appropriate films until 12/25. (And by “we,” I of course mean “me,” since I’m the only one who writes for the site….)
I might get in a theatrical release, if the urge strikes me so (I’ve been meaning to write a review of the fantastic Interstellar, so that might pop up), but, for the most part, I’ll be expending what energy I might have into writing about Christmas movies — though I do also keep putting off a review of a Hanukkah film, too, but can you really blame me when the only major one anyone seems to have made is Adam Sandler’s Eight Crazy Nights? Seriously, someone make a respectable Hanukkah film! Or at least point one out to me if there has been one and everyone just chooses to ignore it or something!
Then again, I’m probably going to be reviewing a lot of stinkers this month. I’ve burned through my favorites already and found a few new ones I love, but, really, of the films I’ve seen so far in preparation for this, most of them have been pretty awful. I’m talking equal to or even worse than A Madea Christmas awful. One of them, currently out in theatres and featuring a certain Growing Pains star, shouldn’t even qualify as a film since anyone who sits through it should be entitled to some kind of justice and compensation.
Ah well. Since this is the fourth time I’ve done this, that means that there’s been three previous months dedicated to the Christmas season. Luckily, for you, I’ve got them all listed below, with a bonus New Year’s appropriate film for you to ignore because, like Eight Crazy Nights, it’s just… horrible. Trust me.
- Bad Santa (Director’s Cut)
- Batman Returns (As I said before, it’s set during Christmas, so it… kind of… counts!)
- Disney’s A Christmas Carol
- A Christmas Story
- National Lampoon’s Christmas Vacation
- Die Hard
- Elf
- Home Alone / Home Alone 2: Lost in New York
- I’ll Be Home for Christmas
- It’s a Wonderful Life
- Jingle All the Way
- Joyeux Noël
- Love Actually
- A Madea Christmas
- Meet Me in St. Louis
- Miracle on 34th Street (1947)
- The Muppet Christmas Carol
- The Nativity Story
- New Year’s Eve
- The Nightmare Before Christmas
- The Polar Express
- Rise of the Guardians
- Rudolph the Red-Nosed Reindeer
- Scrooged
- Tokyo Godfathers
- White Christmas
2013 IN REVIEW: My Top 15 Worst Films of the Year
Surprise! This isn’t on this list, you jerks.
I ended up seeing a lot of movies in 2013 – more than I had expected. So many, in fact, that when I was attempting to assemble a list of the Top 10 Worst Films of the Year, I managed to assemble a list of 15 candidates that I honestly felt were all very worthy of being placed here on the list. And so I saw fit to revise my previous plans and expand the list from 10… to 15!
Below are some of the worst things that Hollywood produced and released in the year 2013. Obviously, I didn’t see every movie in 2013, and so I couldn’t include some very likely candidates, like The Smurfs 2 or Battle of the Year, or the two rival horror movie spoofs A Haunted House and Scary Movie V. I can only take so much, so that’s why I call this list MY list.
Some of these are almost lengthy enough to be reviews, I admit. I got fairly passionate about the awfulness of some of the movies more than others. Some of the material, I admit, may find itself into an official, separate, and expanded review, as well, just so I can avoid the need to talk about it that much more if I do ever get around to reviewing the actual film. For a couple of them I already did review, and so you’ll see links attached to the titles.
For now, however, these are just considered summaries, ranking from least worst to worst worst. These represent the most boring, lazy, stupid, inept, and awful movies I saw this past year, and so all I can say is that I’m happy I made it out alive to warn you against seeing them. There were too many fun, enjoyable, and awesome movies released in 2013 for too many of us to spend our hard earned money on these films without at least wanting to see a bad movie. So… yeah. You’re welcome. Read more…
2013 IN REVIEW: The Films I Didn’t See (September – December)
Oscar season! This is when the studios want to release the best films of the year (or so they say). Why? Because they want the films to be fresh in the voters’ minds. Prestige films and the like. Indie dramas, historical period films, war films, controversial films… If it can make you cry, your heartbreak, your spirit lift with joy, make you see things from a new light, this is the season.
It’s also a good time for seasonal holiday films. You’ve got your horror films to cover Halloween, your Christmas films for Christmas, and this year we even got an animated Thanksgiving film (though I’m not certain that all you people looking forward to a big piece of juicy turkey are going to love it). Meanwhile, Hanukkah and Kwanzaa get left out, once again. For some reason, this season was also rife with Christian films, from Kirk Cameron, to Miley Cyrus analogs, to Christmas miracles, the industry that claims to represent my faith has got you covered in that area. Woo.
It’s not all your typical films, though. More and more, Hollywood is figuring out that you should spread your action films and your romantic comedies throughout the year, rather than bunching them all into the middle. Consequently, we got a few Sylvester Stallone-involved flicks this season, a sequel to Robert Rodriguez’s Machete, as well as the latest in the Marvel Cinematic Universe, Thor: The Dark World.
Nevertheless, as with the first and second entries, I couldn’t see them all, so, as with the last time, here are the films that, as of this writing, I did not see from May– August 2013, in order of release, as noted on Wikipedia. Please note that, as in the past, I still reserve the right to watch any film that is listed here and then re-remark on the film in one of the upcoming articles on films I did see from 2013. So, yes, again, you might see some of these films again, and soon, since this is the last of the films that I haven’t seen from the year. Enjoy! Read more…
REVIEW: Tokyo Godfathers
Directed by: Satoshi Kon, Shogo Furuya
Produced by: Masao Maruyama, Masao Takiyama, Shinichi Kobayashi, Taro Maki
Written by: Satoshi Kon, Keiko Nobumoto (screenplay); Satoshi Kon (story)
Edited by: Takeshi Seyama
Cinematography by: Katsutoshi Sugai
Music by: Keiichi Suzuki, Moonriders
Starring: Aya Okamoto, Toru Emori, Yoshiaki Umegaki, Satomi Korogi, Shozo Iizuka, Seizo Kato, Hiroyama Ishimaru, Ryuji Saikachi, Yusaku Yara, Kyoko Terase, Mamiko Noto, Rikiya Koyoama
Year: 2003
It’s funny how so many Christmas movies are about rich, good-looking people celebrating this time of giving together and learning life lessons and/or finding love together. You would think that more movies would focus on those who are most in need, right? I think the problem is that somewhere in the movie making system, someone thinks that nobody wants to watch a story that might potentially depress them during a time of year when a lot of people actually are struggling and suffering, and so instead we get tripe like The Family Stone, wherein a rich awful family emotionally tortures a rich career woman who is dating their golden boy son in the confines of their ideal home, and somehow we’re supposed to grow to like these snobs. (I thought of reviewing the film this year, but I gave out so many negative reviews, I couldn’t possibly bring myself to subject you and me to that, so let this be a little teaser, perhaps, for next year.) Read more…
REVIEW: The Nativity Story
Directed by: Catherine Hardwicke
Produced by: Toby Emmerich, Marty Bowen, Wyck Godfrey, Cale Boyter, Catherine Hardwicke, Mike Rich, Tim Van Rellim
Written by: Mike Rich
Edited by: Robert K. Lambert, Stuart Levy
Cinematography by: Elliot Davis
Music by: Mychael Danna
Starring: Keisha Castle-Hughes, Shohreh Aghdashloo, Oscar Isaac, Stanley Townsend, Clarán Hinds, Shaun Toub
Year: 2006
“Jesus is the reason for the season.” That’s what you always hear this time of year, isn’t it? And yet it seems like it’s pretty hard to find many movies exclusively based on the story of the birth of Christ, as opposed to His entire life or crucifixion. The Nativity Story is undoubtedly one of the few that does focus on this one aspect. I had actually meant to review this film long ago, when I first started this blog, but the movie’s always been checked out indefinitely this time of year on Netflix and Blockbuster (back when they, you know, actually did the whole physical movie renting). This was the first year I actually managed to be proactive and get a copy, and so I guess it’s only appropriate that I actually make good on that and finally review the film, right? Read more…
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