Archive
Review: “Jurassic Park” (IMAX 3D)
Directed by: Steven Spielberg
Produced by: Kathleen Kennedy, Gerald R. Molen
Written by: Michael Crichton, David Koepp (screenplay)
Edited by: Michael Kahn
Cinematography by: Dean Cundey
Music by: John Williams
Starring: Sam Neill, Laura Dern, Jeff Goldblum, Richard Attenborough, Joseph Mazzello, Ariana Richards, Bob Peck, Martin Ferrero, Samuel L. Jackson, Wayne Knight, B.D. Wong
Based on the novel by Michael Crichton
Year: 1993 (2013 for IMAX 3D)
I know it’s a common sentiment and, therefore, hardly original, but it bears repeating multiple times until that sentiment is driven into the ground about this wondrous, marvelous film: IT’S SO FREAKING AWESOME! Read more…
Special Review: “Superbad” – A Moving Dedication
Directed by: Greg Mottola
Produced by: Judd Apatow, Evan Goldberg, Seth Rogen, Shauna Robertson
Written by: Evan Goldberg, Seth Rogen
Edited by: William Kerr
Cinematography by: Russ T. Alsobrook
Music by: Lyle Workman
Starring: Jonah Hill, Michael Cera, Christopher Mintz-Plasse, Bill Hader, Seth Rogen, Emma Stone, Martha MacIsaac
Year: 2007
I’m baaaaaaack! Sorry I haven’t written in a few weeks. The reason? I moved!
And, as always, moving brought with it a great deal of stress along with a lack of time and, mostly, energy. Then, after spending a week in my new apartment doing – well, admittedly very little, I went on a much needed vacation to visit my grandparents – my first real vacation in quite some time, as I haven’t had the chance to leave the state in many years and haven’t seen my grandparents in almost as much time. So, yeah, things have been busy, and I effectively wound up taking a bit of a hiatus from my writing hobby. But, yes, I am back, and I think I’ve sufficiently stored up enough rest to once again pick up my duties. (Haha! Gross imagery…)
Now, before I begin the official portion of my review, I figure I should give the appropriate introduction as to why I have chosen this to be my first standalone review in quite some time. You see, not only did I move to a new apartment this past month, I also had to say goodbye to my roommate of the past 6 ½ years, who also just happens to be my best friend. Read more…
2012 IN REVIEW: The Best Films of the Year
At last, we come to the climax of my review of the films of 2012. To those of you who continue to keep up with me, I one again apologize for the slow updates — I saw so many movies this past year and have been doing so much this past month that it’s been hard to keep up with a regular update schedule!
This is how I felt ALL WEEK!
I’m currently in the process of moving, with my best friend / roommate moving back to his hometown to be closer to family, so it’s been tough keeping up with the blog, hanging out with him a few more times after seven awesome years of being roommates, while also just figuring stuff out for the next period of my life living as a single person for the first time. It’s tough, but thankfully he lives where my family lives, and it’s only 100 miles away. Lucky for any fans I may have (Hello!…?), it’ll likely result in me doing more reviews, though the higher amount of rent I’ll be paying will undoubtedly impact my ability to go to the theatre as often as I have been.
On that note, before I get to the meat of this final entry, I want to thank everyone who has been reading this blog, regularly or even sporadically. I may not know you, but I appreciate you! This may be a hobby of mine, but it’s meaningful to me and keeps me sharp. I started The Viewer’s Commentary in September of 2011, after lots of personal setbacks and a good long while of feeling stupid and even being made to feel stupid for wanting to start a blog about movies, and by the time I finally decided to just go for it and not listen to the negativity, I still didn’t really know whether I was going to still be writing in even a few months’ time. So to already be in the middle of my second year and still be having a blast getting my thoughts and opinions out there about one of my favorite subjects has truly been a great experience. To those of you who have read, continue to read, and even to those of you I know personally who encouraged me and maybe don’t even share my passion and probably aren’t even reading this now but you supported me all the same, thank you again for being there! I’m definitely looking forward to what 2013 promises to bring! (STAR TREK INTO DARKNESS! FINALLY!)
The film’s villain amongst a bunch of red shirts. This isn’t going to end well…
Anyway, enough self-reflection! You’re here for the rundown of the best films of 2012, aren’t you? I assume so, since you are continuing to read this. I’ll let you get to that, but first, let me explain how this list is working, as I’ve changed it up a bit from last year and from most other “Best Of” lists.
First off, last year I did it in multiple parts (here, here, and, finally, here – in order). None of that this time. You’re getting this all in one big wave!
Secondly, and this is related to the third alteration, there are no longer just 10 films on this list, but rather a whopping 17. Why?
Well, that’s because the third alteration I made is that I’ve decided that a lot of the best films of the year weren’t necessarily my favorites, but I wanted to recognize their greatness by putting them on this list anyway, rather than lump them in with the films that were just average. (I did something similar with the “Films I Liked” this year after realizing I didn’t necessary love nor despise a lot of films enough to put them on the worst or best of lists.)
This did not make the list. This shouldn’t make any lists… BECAUSE IT SHOULDN’T EXIST!
So, while the films below are all fantastic films and deserve to be considered among the best of the year, their order has everything to do with favoritism over quality. After all, lists like these are highly subjective, and while it’s certainly possible to objectively call a film “one of the best,” ultimately by ranking such diverse works against one another, you just have to acknowledge the fact that you’re playing favorites.
So, yeah, anyway to review and summarize: These are, in my opinion, THE BEST FILMS OF 2012, but they are ORDERED ACCORDING TO FAVORITISM. Make sense? I hope so! If not, then just keep reading on, ’cause I think you’ll get it, anyway! Read more…
Theatrical Review: “The Dark Knight Rises”
Directed by: Christopher Nolan
Produced by: Christopher Nolan, Charles Roven, Emma Thomas
Written by: Christopher Nolan, Jonathan Nolan (screenplay), David S. Goyer, Christopher Nolan (story)
Cinematography by: Wally Pfister
Music by: Hans Zimmer
Starring: Christian Bale, Michael Caine, Gary Oldman, Anne Hathaway, Tom Hardy, Marion Cotillard, Joseph Gordon-Levitt, Morgan Freeman
Year: 2012
Foreword
In the wake of the tragedy in Aurora, Colorado, I felt a bit odd about writing my previous review and preparing for my next, as I was writing it in the late night hours as the events were unfolding, unknown to me until the next morning. Much of what I wrote about The Dark Knight reflected a lot of what was happening there, none of it necessarily original or new information, but it was stirring, all the same.
I had no common connection to any of the victims there beyond our similar interest in seeing this new Batman film, all of us anxious in seeing how this trilogy would end, and, unfortunately, many of them never got to see this film, and many more will forever see this film and be reminded of the horrible things they saw that night. What was supposed to be night of fun and entertainment turned into a nightmare, and it affected me, and still does a great deal the more I hear about the events, much more than I thought it would — not because I thought of myself as some tough, emotionless, apathetic person but because it made me realize how even the most mundane things we take for granted can connect strangers based on a mundane commonality.
This just happened to revolve around a movie theatre, a highly anticipated film, and audiences across the world who waited, maybe not in the same proximity, but with the same spirit that united us all in excitement and, unfortunately, also in an unexpected tragedy. In that spirit, if there is anyone out there who is reading this and was affected in some way to those events, I hope you know that, even if I don’t know you, I send my prayers and condolences to you and your families.
Review
Let me just say this now: Christopher Nolan is destined to go down in history as, if not one of the most influential or important filmmakers in blockbuster history, at the very least one of the most revered and respected. The man hasn’t made a bad movie in… well pretty much ever! Some have varied in quality and appeal, of course, but none have been able to cross the general consensus threshold of being considered anything less than a quality film: Following. Memento. Batman Begins. The Prestige. The Dark Knight. Inception. All masterful works of not only high art, but high entertainment. No other filmmaker since maybe Spielberg has managed to pull this synthesis of style, spectacle, and skill as well as Nolan has. And now, with The Dark Knight Rises, we have been given this amazing film that not only provides plenty of thrilling action, but is also an intelligent and thought-provoking conclusion to what will undoubtedly go down in history as one of the greatest film series of all time, The Dark Knight Trilogy. Read more…
Special Review: “The Dark Knight” – An Essay on Ethics and Excellence
Directed by: Christopher Nolan
Produced by: Christopher Nolan, Emma Thomas, Charles Roven
Written by: Jonathan Nolan, Christopher Nolan (screenplay), Christopher Nolan, David S. Goyer (story)
Cinematography by: Wally Pfister
Music by: Hans Zimmer, James Newton Howard
Starring: Christian Bale, Heath Ledger, Michael Caine, Gary Oldman, Aaron Eckhart, Maggie Gyllenhaal, Morgan Freeman, Eric Roberts, Ng Chin Han, Nestor Carbonell
Year: 2008
Can a film based on a comic book superhero really be considered a “masterpiece”? Even up until and including the amazing Batman Begins, this was a hard question to answer. While certainly a great feat of audience-pleasing entertainment and thoughtful craftwork merging together, Batman Begins was certainly more like a skilled adaptation of a popular character’s story than it was a profound examination of humanity. While this doesn’t inherently disqualify it, the film’s appeal and impact is limited somewhat as a result. The film was largely a study on how one man is driven to the point of becoming a masked vigilante, striving to become a symbol of hope and justice in a city infested with criminals and the morally bankrupt. Yes, Begins had scatterings of a universal message regarding the redemptive ability of humanity, but overall, it really was mostly Bruce Wayne’s story — and that’s really all it had to be. Read more…
Review: “Batman Begins”
Directed by: Christopher Nolan
Produced by: Emma Thomas, Larry J. Franco, Charles Roven
Written by: Christopher Nolan, David S. Goyer (screenplay), David S. Goyer (story)
Cinematography by: Wally Pfister
Music by: Hans Zimmer, James Newton Howard
Starring: Christian Bale, Michael Caine, Liam Neeson, Katie Holmes, Gary Oldman, Cillian Murphy, Morgan Freeman, Tom Wilkinson, Rutger Hauer, Mark Boone Junior, Ken Watanabe, Colin McFarlane, Linus Roache, Sara Stewart
Year: 2005
I was planning on going through the whole story about how much the Batman franchise was in dire need of a reboot, but I quickly found that I was going on about so many things that didn’t need repeating. The basic and short version of the story is that, after two rather strong films (Batman and Batman Returns), Warner Bros. and DC Comics shot themselves in the foot by allowing, nay demanding, for the rather awful Batman Forever and Batman & Robin to be unleashed upon the tortured fans in the name of making more money off of merchandising, only for critical reaction to slam the films and tickets sales to drop. Instead of going forward with what was in hindsight the rather ironically named fifth film, Batman Triumphant, both companies decided to take a break from the superhero films business and think about where they’d gone wrong.
Of course, in that time, their rivals over at Marvel were apparently seeing this as a window of opportunity, and they began production on and even released several rather strong films over the following years, namely the two first films in each of the Blade, X-Men, and Spider-Man trilogies, each with increasingly better reception from audiences and critics. At that point, it was clear that after years of being in the shadows, it was time for Batman to emerge once again. Read more…
More or Less: 5 More of My Favorites
Since this blog’s inception, I’ve posted 85 times, and while that is not necessarily one of those significantly recognized numbers like, say 25, 50, or 75, I must say, I didn’t know whether or not that I would stick with this blog for as long as I have, and while I’ve at times wondered if I could continue writing for this, 85 seems like a good enough number to definitively say to myself, “Yes, this is what I’m meant to be doing, even if it’s not for a living.”
You see, even though I might not be getting paid for what I’m doing here, there’s still a significant part of me that absolutely loves the cinema, even the crap movies sometimes, and I love discussing them with people when I can. Writing this may be a somewhat of a one-way street, as I’m still not entirely certain how significant my readership is here, but the more I write about it, the more I know that my audience will grow, and even if I’m not getting quite the comments level that I probably naively expected/hoped, hopefullyThe Viewer’s Commentary has at least helped in elevating this art medium that I love so much, if even by a small amount.
Going forward, I hope to have more reviews and commentary up more often. Going through a few sites around the blogosphere, I’m inspired to stop caring so much about the scope of my posts as much as I am posting from both my gut and heart and only worry about the high concept stuff when the mood strikes me just right. This will enable me to not burn out after work in trying to do a ton of research only to decide to abandon all plans to write that night. Less pressure, more pleasure, I guess you could say.
And, so, with this, the 86th published post, I’m going to make good on that promise to myself and my readership with a follow up to my very first article on the site — Here are, in no particular order, five more films that I would consider to be, more or less, my favorites!
The smug face of evil
Inglourious Basterds — I initially fell asleep during this movie. There. I said it. I blame my friend, who was also present with me during our recent viewing of John Carter — another film I fell asleep during. (Though, with that film, it was likely the fact that it was a midnight showing after a tame hockey-game bachelor’s party — that and it was also kind of a boring flick in general.) That bad luck for me apparently rubbed off once he got married, as he was also present when we went to go see The Avengers, and I was glued for that. (Honestly, Inglourious Basterds was also a late night showing during a very hectic and busy school schedule for me, so it wasn’t great timing.) But I’m digressing. Read more…
Review: Groundhog Day
Director: Harold Ramis
Produced by: Trevor Albert, Harold Ramis
Written by: Danny Rubin (also story), Harold Ramis
Starring: Bill Murray, Andie MacDowell, Chris Elliott
Music by: George Fenton
Year: 1993
Terrible romantic comedies are a dime a few dozen, and it’s a shame that some rather wonderful love stories get thrown out with the rest of the trash just because they happen to be humorous movies that also are about love. But there is one standout that I have to say transcends even some of the best romantic comedies out there – one particular movie that just so happens to take place on a particular February holiday that people across the nation pay way more attention to than it really, quite honestly, deserves… I am, of course, talking about Groundhog Day. Read more…
Review: “National Lampoon’s Christmas Vacation”
Directed by: Jeremiah Chechik
Produced by: John Hughes, Matty Simmons
Written by: John Hughes
Starring: Chevy Chase, Beverly D’Angelo, Randy Quaid, Juliette Lewis, Johnny Galecki, John Randolph, Diane Ladd, E.G. Marshall, Doris Roberts, William Hickey, Mae Questel, Miriam Flynn, Nicholas Guest, Julia Louis-Dreyfus
Music by: Angelo Badalamenti
Year: 1989
My mom this year decided to put up the Christmas tree in the front of the house, right in the formal living room in front of the window. That might not sound like a big deal, but, really, how many households actually use the formal living room that often? I told my mom this. Families spend most of their time in front of the television. Whether you consider this a tragedy or fact of life, it’s true, and I’m used to the tree being right there next to it, for everyone to see. I normally don’t like distractions while watching movies, but, during Christmas? I’ll make an exception to be able to watch Christmas movies while the tree is nearby. It just feels so… Christmassy. But, I guess, not this year. When I go home for Christmas this year, I’ll see the tree in the window as I pull up, but I’ll have to go out of my way to see the tree once I get inside. Lazy? Maybe, but it just feels weird. Why did my mom put it there and break our tradition? Read more…
Review: “28 Days Later”
Directed by: Danny Boyle
Produced by: Andrew MacDonald, Robert How (Line Producer)
Written by: Alex Garland
Starring: Cillian Murphy, Naomie Harris, Christopher Eccleston, Megan Burns, Brendan Gleeson
Music by: John Murphy
Year: 2002 (UK)
As I recently stated in one of my (many to come) Great Scenes articles, you don’t have to be from England to recognize just how terrifying the seemingly abandoned streets of London become in 28 Days Later. Danny Boyle’s brilliant take on the zombie horror film sub-genre is as breathtaking as it is unnerving. Read more…
The Viewer's Commentary 